Launching with a humorous and playful concept, the two-part campaign promoted ‘the final boss’ of Chupa Chups – an impenetrable lollipop encased inside an over-engineered shell, alongside tongue-in-cheek artwork featuring Lucha Libre wrestling masks, designed by renowned Mexican mask maker Arturo Bucio.

Letting everyone know that the wrestling era has finally come to an end, JACK and BBH Partners joined forces, wrapping London in an unmissable 4-sheet poster takeover that brought the brand’s bold identity centre stage.

The campaign also caught the media attention of Little Black Book, Campaign, Famous Campaign and Creative Boom, going viral for their playful approach.

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To celebrate the festival’s return, JACK ARTS brought the excitement to the streets of London with a striking billboard installation designed to capture the glamour and energy of the racecourse. Covered with vibrant floral displays, the activation transformed the space into a taste of Newmarket itself, while interactive tearaways used QR codes to encourage passers-by to secure their place at this year’s event.

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To charge up the streets with athletic-energy, JACK joined forces with Nike Women to place the campaign across the capital through a mix of key central kiosk and poster sites – slicing through the urban backdrop with the bold editorial artwork. 

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JACK ARTS launched the festival’s campaign using striking artworks by Alej ez, whose pieces draw on personal experience, art history and Brighton’s identity. Billboard frames are adorned with illustrated postcards mapping the trails visitors can follow to homes showcasing everything from bacteria and DNA to inflatable sculpture, talking ceramics, textiles and paint.

A place for artists at all stages of their career, Artists Open Houses welcomes emerging and artists to take part in the festival. Learn more about the festival, how it came to be, and its future in this interview with the festival’s director, Judy Stevens.

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In response to a flyingleaps talk hosted by BUILDHOLLWOOD’s Senior Arts Coordinator, Adrian Burnham, about the conception, production and display of posters seeking to capture our attention on the streets, this year’s cohort of L4 Graphic Design students created these visual invitations to pause and engage with our surroundings.

Using curated sites across Sheffield, JACK ARTS took these inspiring and bold pieces to create an outdoor gallery that prove we can expect exciting things from Sheffield’s next generation of artists. Artworks from these emerging creatives were included in the display: Aminah Choudhury, Annie Warburton, Esme Plant, Fran Dews, Isabelle Burzynski-Simms, Joey Storey, Lewis Howes, Martha Brimble, Maisie Peacock, Shay Bramwell, Tom Compton, and Viktoria Gerova.

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Delivered as a multi-format rollout across 4-sheet, 48-sheet and 96-sheet sites, the campaign surrounded some of the capital’s most style-conscious areas, including Commercial Street, Brick Lane and Parsons Green. 

With striking, minimal artwork, the campaign stood apart from the visual noise of the city – letting the authenticity and heritage of Mulberry’s craftsmanship speak for itself. 

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JACK ARTS teamed up with Arena Media to bring this uplifting concept to life. A vibrant billboard featuring tearaway postcards invited passersby to take a small piece of positivity with them. Each card revealed a short poem on the reverse, along with motivational words from Larbi himself. The installation sparked smiles and moments of connection, as people stopped to engage with this joyful, interactive display.

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To build momentum, DIABOLICAL partnered with Polydor Records on a teaser-led outdoor campaign in London and Manchester. Two stripped-back artworks played with the album’s narrative, featuring the phrases ‘love’ and ‘you seem pretty sad for a girl so in love,’ offering just enough to capture attention without revealing too much. 

Launching alongside news of the lead single ‘Drop Dead’ – which was released on April 17th – the campaign tapped into Olivia Rodrigo’s devoted fanbase, amplifying excitement through mystery and emotional pull.

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The interactive installation focused on fictional author Arthur Fletch’s final book, which remains unfinished after his death – his typewriter frozen mid-sentence. Inspired by the premise of the book, where six authors are invited to a remote Scottish island to compete to finish the novel, visitors of Waterstones were encouraged to use the typewriter to create their own ending, worthy of Fletch’s worldwide renown.

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Working with Rapport, JACK delivered a multi-format takeover spanning 4-sheets and 48-sheets through to 96-sheets, alongside kiosks and poster takeovers. The varied creative ensured visibility at every stage of a runner’s routine, embedding the campaign directly into their environment. 

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This is the message Sheffield Museums wanted their recent poster campaign with JACK ARTS to embody and thanks to designer Craig Oldham, a series of community-centred artworks were created to highlight the fun-filled, memorable moments visitors of the six museums have had over the years.

On the backdrop of bold, eye-catching colours, a snapshot of Sheffield Museums’ visitors are placed front and centre in this brand awareness campaign – letting passersby know that the six museums and heritage sites Sheffield Museums operates (Abbeydale Industrial Hamlet, Graves Gallery, Kelham Island Museum, Millennium Gallery, Shepherd Wheel Workshop and Weston Park Museum) are indeed here for everyone, here for it all, and brought to life by everyone who pops by.

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The artwork cut through key locations including Homerton High Street, Mile End Road and Oxford Street, with a series 16-sheet, 24-sheet and 48-sheet posters putting the lime green colour way front and centre, enabling the campaign to be heard loud and clear against the urban backdrop.

Wireless, secure and built for movement, with no cables, dropouts or distractions – the launch was perfectly timed with marathon season – with the placement landing where it mattered most, in front of runners hitting the pavements.

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The conversations Bahbak Hashemi-Nezhad had with the refugees and asylum seekers during English classes at City of Sanctuary Sheffield has now led to the creation of the Don’t Judge a Book by its Cover – an English Language exercise book by Bahbak Hashemi-Nezhad that’s translated into Arabic, Kurdish, Tigriniya, Amharic, Spanish, Ukrainian and Farsi.

Commissioned by Arts Catalyst as part of Co-Hostings, Don’t Judge a Book by its Cover not only contains beautiful illustrations by Danielle Rhoda – which capture the essence of the conversations Bahbak Hashemi-Nezhad had with the participants – but it is also free for any UK based groups or organisations that host English as a Second Language classes for people seeking sanctuary.

JACK ARTS teamed up with Arts Catalyst to display some of these striking illustrations across the streets of Sheffield through a city-wide poster campaign, inviting passersby to a wonderful multi-lingual exchange of hope, strength, and perseverance.

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JACK ARTS Scotland supported the launch of their 2026 programme Extraction by taking the striking lead artwork to poster and billboard sites across the Scottish capital. Launching with spring, the group show explores how energy systems shape culture, land and belief, through work by artists Carol Rhodes, John Gerrard, Marguerite Humeau, Siobhan McLaughlin and John Latham.

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Centring the stories and contributions of the women of the Crawshay family whilst celebrating new work by artists Beth Leahy and Eleanor Whiteman, Know Your Place transports visitors into a space where the past meets the contemporary – a moment of reflection on a women’s place then and now.

JACK ARTS partnered with Cyfarthfa Castle Museum and Art Gallery to deliver a city-wide poster campaign across Bristol & Cardiff to invite people to join Cyfarthfa Castle in rewriting the narrative as they “put the ‘Her’ in History”.

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Taking the launch to the streets, DIABOLICAL worked with The Orchard to roll out a 4-sheet, nationwide poster campaign that spanned from London, to Dundee, putting Raye front and centre and at scale. True to her classic Hollywood style and flair, the artwork itself was reminiscent of cabaret posters – bold and impactful, cementing Raye as the showgirl she is.

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On Shoreditch High Street, the artwork came to life via a creative billboard, as he waved his flag above the hoarding. With a further 48-sheet and 4-sheet poster campaign that spanned Glasgow, Dundee, Manchester, Edinburgh, Bristol, Liverpool, Brighton and Sheffield – a digital billboard in Shepherd’s Bush ensured the pending launch was unmissable.

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A citywide poster campaign, featuring photography by Gabriel Moses, saw the Lake Elsinore Storm cap insignia appear across London in the days leading up to launch – building anticipation where it matters most, out on the streets. With the posters going up just before the collection went live, the campaign turned presence into demand, as founder and Creative Director Clint Ogbenna made his own pilgrimage across the sites – reinforcing Corteiz’s ability to drive culture and product in equal measure.

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Working alongside Virgin Music, the rollout spanned cities including London, Brighton, Edinburgh, Glasgow, Dundee, Bristol, Birmingham, Cardiff, Liverpool, Sheffield and Manchester. A multi-format approach — from 4-sheets, to 48 sheets and large-scale takeovers — ensured consistent presence across the UK.

Reflecting the tone of the album itself, the campaign carried a sense of quiet intensity — blending themes of love, existential dread and subtle socio-political commentary into a visual identity that felt as layered and far-reaching as the music.

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High-impact sites, including Stroud Place, North Pole Road and Vinegar Yard, were brought together through a multi-format rollout. From classic 4-sheets and kiosks to 48-sheets and full street-length takeovers, the campaign scaled across the city with dapper confidence. 

Built around the collaboration between A$AP Rocky and Ray-Ban, the work reimagined iconic frames with a bold, disruptive edge – turning heritage into something fresh, visible and unmissable on the streets of London. 

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JACK ARTS Scotland worked with Glasgow Short Film Festival to bring their collage-inspired campaign out onto our poster sites across Glasgow – countering the last of winter’s dreich weather with some pops of bold colour.

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Alongside the single 4 sheet artwork, we helped present a full takeover of their campaign on our new Nile Street site, which featured members of the rugby team sharing uplifting messages in the black and blue colourway of their kit.

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Promoting the launch across key sites, the campaign spanned our 48-sheet and takeover formats. The artwork appeared across a variety of prints, from expressive self-portrait shots of Mitski to the album cover, painted by Marc Burckhardt, which features an anxious scene of a perched white cat, representing both blissful ignorance and impending pounce — a powerful nod to her track ‘Cats’.

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JACK ARTS is proud to have collaborated with the Tate and Tracey Emin’s studio on taking the celebrations to the streets through a multi-media campaign across London. From posters with Emin’s striking neon artwork illustrating affecting calls-to-action to creative builds painting the city in neon lights, the JACK ARTS team consulted on the design of the out-of-home campaign, maximising the use of our poster sites and event spaces to announce the exhibition.

With a full takeover of our Hackney Furniture event space on Mare Street and Emin’s emotive artwork popping up on streets in the city, JACK ARTS designed a suite of experiences for passersby to get a taste of what to expect at A Second Life. Creating vectors from high-resolution photographs of Emin’s neon works, the light builds are exact replicas of her handwriting. And as Emin’s work frequently explores memories and personal histories, this was mirrored in the curation of poster sites which features areas in London that played key parts in Emin’s life. So, if you’re in London between 27 Feb 2026 – 31 Aug 2026, take a trip over to the Tate Modern and immerse yourself Emin’s life story so far.

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To roll out the campaign, JACK worked directly with the brand on a bespoke street poster takeover, deploying 4-sheet and 48-sheet billboards across London. Landing in one of the city’s trendiest spots, Brick Lane, the artwork felt alive – chasing the city’s pulse and keeping LOOKFANTASTIC front of mind. 

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Building on the momentum, the activation continued at Kelvingrove Art Gallery and Museum, where a complimentary coffee van served free hot drinks to commuters and passers-by throughout the day. The cart was a recreation of the one featured in Dinosaur, bringing the Glasgow-based storytelling from the series to life. By combining these two culturally resonant moments, the Made of Glasgow campaign celebrated the city’s creativity while engaging Glaswegians in a warm and memorable way.

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Visually, the campaign stayed true to the band’s unmistakable world. Pulling from the album’s artworks by Jamie Hewlett – created in his Normandy studio and inspired by years of travel – the visuals captured the mood of a record exploring death, grief and the afterlife, alongside collaborators including IDLES, Anoushka Shankar, Bobby Womack and David Jolicoeur.

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JACK ARTS worked closely with Hachette to have this special moment mirror how the books have been a light in the dark for fans as well as the essence of the Heartstopper series. Alice Oseman and some avid Heartstopper fans invited by Hachette huddled outside our Hackney Furniture site to witness the grand reveal. Hidden inside a lightbox, the wonderful cover illustration for the final volume took over our Hackney Furniture poster sites and was lit up for all to see with the help of some colourful festoon lights. The fans also got given Heartstopper tote bags with prints of the cover art inside as a keepsake. And whilst the saying goes ‘all good things must come to an end’, every ending is also a new beginning…

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The whole activation leaned into pink pop culture – from shrimps and candy-coloured 90’s Apple iMacs, to the neon energy of Grand Theft Auto: Vice City and Baby-G, a nod to the art, music, fashion and culture that feeds directly into Nothing’s wider design language and inspiration. And it didn’t stop there. The activation spilled out onto the streets with a 48-sheet on Kingsland Bridge, graffitied with singer P!nk’s famous song-title ‘So What?’ on site to match.

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A run of colourful, high-energy artworks brought the Glycerin Flex to life, spotlighting its DNA Tuned nitrogen-infused foam and FlexZone technology. It was perfect timing, too – with training season building towards the upcoming London Marathon, the campaign met runners exactly where they were: out on the pavement.

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JACK ARTS joined forces with Faber & Faber to bring this platonic love story to the streets through a striking live mural installation. HannDrawn created a show-stopping, one-off piece on our Kingsland High Street 48-sheet. The doodle-style illustration of John and Paul echoed the feeling of a handwritten love letter – as if sketched intimately into the pages of a notebook.

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The campaign leaned into symbolic artwork by long-time collaborator Hugh Syme, packed with nods that loyal Rush fans know well. It also marks a significant moment for the band – being the first tour since the passing of legendary drummer Neil Peart, embodied by Syme in the campaign artwork; with one of the songbirds flying away, whilst two sit on the wire.

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To promote the campaign, JACK worked directly with MOTH on wrapping up London in an eye-catching poster and kiosk campaign, showing the streets and curb-sides some love. Spreading the love even further, the posters provided the perfect backdrop for MOTH’s on-site sampling activation, which was shared on both their Instagram and TikTok channels.

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To launch the new identity beyond the studio walls, JACK ARTS teamed up with Peter & Paul and Yorkshire Artspace to bring the rebrand to the streets of Sheffield. Bold, colourful artworks were installed across the city, stopping passersby in their tracks and sparking curiosity. The striking juxtapositions invited audiences to look twice and engage with the campaign, generating conversation and raising awareness of YAS within the public realm.

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Shot by editorial fashion photographer Tina Barney, the campaign captured the luxury hotel experiences on offer – from massage tables to sun loungers, and the most comfortable beds imaginable. 

With the artwork featuring the tagline “broaden your horizontals,” the campaign invited Londoners to embrace the finer things in life whilst horizontal: idle contemplation, cocktails, and quiet indulgence, evoking FOMO for warmer days and undisclosed hotel locations. 

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JACK ARTS partnered with Borderlands to promote their upcoming fundraising event, Borderlands: Solidarity Ceilidh. This vibrant evening of joyful dancing and community spirit, in collaboration with Folkstars, will raise crucial funds for the charity. The campaign’s striking green posters could be seen across Bristol in a full citywide 4-sheet takeover.

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To fuel the frenzy, JACK worked with WPP to crank up the heat with a Nationwide, multi-format poster campaign that featured the iconic duo. In London and Manchester, accompanying the artwork were romance-drenched tearaways, that doubled as cards, tempting passerby to give the perfect gift this Valentines Day: the experience of watching Fennel’s visual feast on the big screen. Lines like “Drive Me Mad” and “Whatever Our Souls Are Made Of, His And Mine Are The Same” were wrapped up to survive the February rain and handed out alongside branded Kleenex for the inevitable emotional fallout.

With the downpour only deepening the drama – the streets emulated Yorkshire’s wild, misty moors against the urban backdrop. Captured by our social team, the activation was shared by Warner Bros’ UK’s official TikTok and Instagram account, reaching over a million followers and stoking excitement for this highly anticipated love story.

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JACK ARTS partnered with Factory International to take this urgent conversation beyond the gallery walls, inviting the public to encounter Ai Weiwei’s ideas through a large-scale billboard campaign across Manchester. Carefully selected sites frame and amplify the artist’s visual language without softening its political force, presenting striking black-and-white imagery and quotations at a monumental scale.

Through this series of artworks embedded within the everyday fabric of the city, the campaign asks all who encounter it to pause and consider: how do the systems built in the past continue to shape today’s injustices?

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JACK ARTS worked with National Museums Liverpool on a colourful poster campaign to share this news across Liverpool. The striking artwork not only highlights how Turner explored issues that remain relevant today but also infused art from a number of creatives into the heart of the city for all to admire.

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To stir up appetites, JACK teamed up with BILLUPS on a 48-sheet poster campaign across London. Featuring playful copy that paid tribute to legendary vegans, animal-rights activists, and even cartoon pigs, the bold pink artwork and lively illustrations leapt off the page and into the streets. Sure to pique the palates of passers-by, the campaign proved that compromising on meat doesn’t have to mean compromising on taste.  

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This exhibition explores Lee Miller’s evolution from a renowned 1920s model to a groundbreaking photographer, showcasing the full scope of her career. Featuring around 250 vintage and contemporary prints from surrealism to fashion and war photography, it highlights her imaginative vision, independence, and fearless approach to storytelling, with many works shown for the first time.

To bring this powerful body of work beyond the gallery walls, JACK ARTS partnered with Anything is Possible, Posterscope, and Tate Britain to bring Miller’s imagery to the streets through city-wide takeovers. The striking black-and-white photography, set against bold yellow branding, created a strong visual contrast that captured attention.

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Created for group exhibition The Children are Now, the work is a collaboration between artist Bob & Roberta Smith and a group of children from the Children’s Parliament – an organisation dedicated to the realisation of children’s rights. The artworks presented reflect on issues identified by children from across Scotland – including climate change, mental health and bullying, and vapes.

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To mark their arrival to the morning airwaves, presenting duo Ewen Cameron and Cat Harvey were tasked with spreading the word across Scotland – which included pasting themselves onto one of our 10 in-a-row sites in Glasgow’s Southside, alongside commandeering a supermarket loudspeaker, and scaling a hillside with giant letters.

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Accompanied by two 48-sheet posters, fans were notified that the band’s 50th anniversary collection was now available to buy. With an execution so uncannily realistic, passersby couldn’t help but stop for a double take – the build looking less like a billboard and more like a real fire burning against the city streets. 

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Born from the collaboration between The Chemical Brothers’ Tom Rowlands and Norwegian singer-songwriter Aurora, Tom-ora fuses their names – and their musical genius – into a brand-new electronic outlet. With a website that doesn’t give much away about the duo, we’re tuned in and ready for what’s next.  

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The interactive show features over 200 recreated works, including graffiti, photographs, sculptures, video installations and prints. To build excitement ahead of its arrival, JACK ARTS filled Manchester’s streets with Banksy’s work.

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To meet the hype, Spotify took things further than ever with a bold 96-sheet spillboard and a full digital screen takeover, bringing Spotify Wrapped to life. Partnering with St Mark’s Studio, DIABOLICAL created a billboard inspired by Central Cee’s breakout success with his debut album Can’t Rush Greatness. Complete with a supersized diamanté chain draped over the board, the medallion celebrated GBP reaching him an impressive 150 million streams.

To capture the launch, Spotify were on-site – snapping the build to share on their socials, cultivating a viral OOH moment. Not ones to miss a beat, the streaming platform supported their spillboard with a wider poster campaign around the capital, featuring cult-British favourites Olivia Dean and Lola Young. What was born as quick wrap-up a decade ago, turned into iconic salute to our favourite musicians – proof that you truly can’t rush greatness.

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To bring the artwork to life, JACK partnered with St Mark’s Studios to showcase the “it-bag” across prime London locations. From Westminster Bridge to Shepherd’s Bush, festive cheer spread through bold 48- and 96-sheet posters, along with crisp 6-in-a-row takeovers. Reinventing the brand with playful copy and a high fashion creative, this campaign turned snacks into style. 

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For the Inform Women Transform Lives global initiative, Glasgow Girls Club and Glasgow City Council invited 30 young women from local schools, youth organisations and community groups to design artworks inspired by the work of Scots writer Len Pennie.

BUILDHOLLYWOOD Scotland supported the launch of the project by platforming the work in more than 25 different sites around the city – including our large-scale Tradeston 96 sheet – to coincide with the 16 Days of Activism Against Gender Based Violence, which raises awareness of modern misogyny and all forms of sexism women still face across the world.

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Shot by Juergen Teller, the imagery delivered a subtle festive nod ahead of gifting season, leaving passersby wondering if a little Westwood might end up beneath their tree. The campaign also highlighted the designer’s stores across all three cities – ready and waiting to welcome Christmas shoppers. 

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JACK ARTS partnered with MAF once again to bring this year’s campaign to life across the city. For 2025, the featured campaign artwork came from the Manchester-based Bibianna African Art Collective, who represent the artist Agboola Emmanuel. His vibrant piece, known for its bold colour and strong visual presence, became the focal image of the fair’s street campaign.

This year, MAF also invited JACK ARTS to select an additional artwork from the full collection to showcase on one of their chosen sites. The selected piece was Manchester, Drag Brunch Cigarette Break by photographer Charles Eastwood – a striking image captured on Manchester’s iconic Princess Street. Displayed on a 16-sheet installation on the very street where it was photographed, the placement created a meaningful and memorable moment for this year’s campaign.

Adding to the experience, the 2025 campaign introduced scannable QR codes on posters, allowing passersby to instantly claim free tickets, creating a more interactive and welcoming approach to audience engagement. With exhibitions, talks, workshops, and more, Manchester Art Fair 2025 continued to provide a vital platform for artists while offering visitors accessible and inspiring ways to explore contemporary art.

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Designed to provide the wearer with real-time insights and action-packed hands-free moments, the sport-centred glasses are built to do it all: monitor activity, play audio, capture video and deflect sunlight. With striking artwork that showcased the Prism 24K and Prism Road colourways, combined with fitting prompts and razor-sharp reflections, this campaign proved gold-medal worthy. 

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JACK ARTS and Total Media worked together to bring a series of lenticular billboards. These playful yet striking installations visualise the feeling of cracking under the pressure of impossible expectations – a theme that lies at the heart of A Complicated Woman. The book stands as a bold, subversive manifesto for anyone who has felt crushed by societal demands, wounded by internalised pressures, or surprised by the resilience they’ve found within themselves.

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New work by emerging artists Leyla Hussain, Finn Millar, Cara Murray and Liv Rodgers took over a range of unique formats, each exploring themes around V&A Dundee’s exhibition Garden Futures – considering how gardens and public spaces can act as platforms for social justice, biodiversity and sustainability.

Created over several months, with professional development support from V&A Dundee and BUILDHOLLYWOOD Scotland – including tours, talks and artist crits – the resulting work explores social and class identity, the Gaelic winter tradition of Samhain, the radical potential of gardens, and presents a monument for the Palestinian journalists and media workers who have been targeted and killed in the current genocide in Gaza.

The work was launched as part of the museum’s Upstart: Creative Careers Festival, with a special bus tour exploring the artwork across the city, featuring insights from the artists alongside interactive performances.

Image above: Cara Murray

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Spanning across two different artworks and two different formats, the poster’s transformed the streets into a feverish dream, with the album cover’s mesmerising tableau offering a glimpse into the collection of stories and conceptual new-era romanticism the album holds. In Brixton, a creative billboard hosting a replica of the neon sign – From The Pyre – lit up at night, casting a glow over the street below. Built with a concealed lightbox, the sign evoked the look of a roadside motel – a whip-smart counterpoint to the band’s trademark baroque aesthetic. 

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These four actions – Be Good Neighbours, Secure Cultural Space, Be a Lighthouse and Be Inclusive were brought to life through a partnership between Eastside Projects and JACK ARTS, who showcased them across Digbeth in a street takeover and large 48-sheet displays, uniting the community around their shared goals.

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Each execution stitched product and place seamlessly together, teasing the craft, heritage and creativity waiting behind those soon-to-open doors – delivering a modern Guinness experience right onto London’s streets. 

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Passersby were invited to write on post it notes what their younger selves loved that still makes them happy today, placing them on the interactive billboard; even Greg James popped by and got involved. One of our Great Suffolk Street sites was taken over by a colourful spillboard reminding us to grow up without growing old, whilst another on Blackfriars Road brought a playful 3D element to the artwork featuring framed photos from James’ life.

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Nash’s interest in entangling the mechanics of printmaking with the pliancy of textiles is shared by her friend and mentor Fraser Taylor, who has a longstanding interest in the co-constitutive relationship between graphic design, printmaking techniques, and the materiality of textiles. His work features printed textiles alongside thick, gestural oil marks layered onto collaged cardboard. Through a stark, monochromatic palette, fragmented curves and grids invoke the shadows of an arch or gable; the curve of a tunnel; the mullion of a window. 

JACK ARTS Scotland partnered with Nash and Taylor to take their new collaborative works to our sites across Edinburgh and Glasgow, ahead of their parallel solo exhibitions SEE / AND KNOW BOTH SIDES OF THE QUESTION and Unlikely Architectures at Wasps Patriothall Gallery in Edinburgh, supported through their arts programme. Combining Taylor’s distinctive black lines with Nash’s textural embroidery the pair have overlaid their work to mimic the process of layering within screen printing. This series of nine new collaborative works bridge the intersections of their practices, bringing graphic marks and soft textures to public sites across the two cities.

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In Manchester and London, “infinity mirror” posters with LED-lit lenticulars gave the mask a haunting 3D glow – an illusion that stopped even the bravest passersby in their tracks. As night fell, a single poster would light up, turning ordinary corners into spooked-out streets.

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To celebrate the launch, JACK ARTS partnered with HarperCollins to create a standout billboard that brought Peter’s personality to the streets. Taking inspiration from the iconic Bridget Jones’s Diary cover, a playful 96-sheet billboard featured a custom-built spillboard with a bobblehead-style Peter Kay – designed to catch attention and give passersby a good laugh. It’s exactly the kind of display Peter himself would have appreciated: big, bold, and full of humour.

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Playing on the exhibition’s themes of perspective and contrast captured in the title Radical Harmony, JACK ARTS teamed up with Posterscope to bring the concept to life on the streets with a 3D lenticular billboard. This dynamic installation allowed passersby to see shifting visuals and messages depending on their viewing angle, echoing the Neo-Impressionists’ exploration of perception.

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Following the tradition since its launch in 2016, we once again partnered with Books Are My Bag to bring their vibrant campaign to Sheffield this year. The city’s murals were designed and painted by children’s book illustrator Bethan Woollvin and illustrator and animator Emily Redfearn. Books Are My Bag is committed to showcasing local talent and creating murals that truly reflect each artist’s unique style. Both artworks pay tribute to the vital role bookshops play on our high streets and in our communities.

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The campaign celebrated the eight-piece NIKE x KNWLS collection: a fusion of athleticism, elegance and avant-garde fashion. From corsets and twinsets to the futuristic Air Max Muse, this was a full wardrobe built for modern power and movement.

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JACK ARTS Scotland worked with their team to roll out their campaign to sites across the city – with their colourful festival branding by Inès Gradot taking over a selection of our poster panels and drums, accompanied by work from some of the 55+ participating artists.

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In a collaboration with The Baring Foundation, Art Angel hosted a regular walking art group for men, encouraging them to make art while exploring the city. The resulting work spans drawing, poetry, collage and cyanotypes – created in, and reflecting different parts of the city.

We brought these works to our drums located in the areas of the city that inspired them, alongside presenting a 6 in-a-row recreation of their large-scale wall map of the city, which developed and grew to host more stories and art with each outing.

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By curating a selection of our street-side sites that followed both the 10k and half-marathon courses, which took runners on a scenic tour over the River Clyde and across the city, we ensured the American sports brand grabbed the attention of more than 32,000 runners participating in the event and the thousands of supporters there to cheer them on.

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JACK ARTS worked with Faber to place these lines of poetry in unusual and unexpected everyday places across the UK using our hand-picked street poster sites. With original artwork created by artist and wood engraver Duncan Montgomery and set by designer Amy Lines, these poets were in dialogue with each other across time and space in Birmingham, Brighton, Bristol, Cardiff, Edinburgh, London, Manchester, and Sheffield.

From Emily Dickinson, Sylvia Plath, and Ted Hughes to Victoria Adukwei Bulley, Richard Scott and Isabelle Baafi, it was inspiring to host the meetings of these artists, the streets they found themselves on, and passersby encountering poetry at every turn.

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After first partnering with Suede in August through our Your Space Or Mine initiative – where her series, Everyday People, appeared on billboards across the UK, this exhibition marked a powerful next step in her creative journey.

Using our space, The CarWash in Shoreditch, as her blank canvas, Suede transformed the adjoining Platform and building’s exterior into a riotous expression of colour, chaos, and charisma. Inside, the space was reimagined as an immersive gallery space, spotlighting the city’s next-gen creatives through her high-fashion lens. Complete with a DJ and bar, floor-to-ceiling vinyl wraps covered the rear of the room, fully transporting visitors into Suede’s technicolour world.

Amongst the fifteen portraits showcased, there was stylist Valeria Chrampani; painter and actor Adébayo Bolaji, chef Abby Lee who runs Mambow in Clapton and UKG original and MC Bushkin of Heartless Crew.

The exhibition was Suede’s tribute to the artistic community that helped shape her career – an opportunity to give back by using her platform to elevate emerging talent while seamlessly blending art, music, and cultural style into her own bold and unmistakable aesthetic.

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This autumn, JACK ARTS teamed up with Cymru Unleashed’s lead partner OTID Entertainment (AfroWales) to deliver a city-wide poster campaign as part of their plans to foster inclusion in women’s football and beyond. Enlisting billboards and drums across Cardiff, a suite of artwork popped up to raise awareness of the brilliant work Cymru Unleashed is doing across Wales.

“Cymru Unleashed was built to break barriers in sport, to prove that representation matters on and off the pitch, and to show that Wales can lead the way in using football and culture as a force for inclusion.” – Osamagbe Izevbigie (Founder of OTID Entertainment)

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With dreamy artwork featuring warm, earthy hues and crisp white linens, the campaign transported passersby to the fading glow of summer’s final days. 

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JACK ARTS Scotland brought their campaign onto the city’s streets across a range of our panels and drums, to sit alongside the iconic buildings featured in its colourful illustrations.

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Passersby got to cast their vote at the ‘Olling Station’, as to whether they were an olive ‘lover’ or ‘hater’, interacting with the poster campaign with tearaway stickers. Participants were also handed a goodie bag filled with Olly’s snacks, testing out their newest flavours, chilli and rosemary, and garlic and basil. A tasty activation that sparked real time brand engagement – and fresh debate.

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Primed with incredible artwork by Cheb Arts (Paskaline Maiyo), JACK ARTS partnered with SSAP to bring this question to the streets of Cardiff through a multi-format poster campaign. In A Body of E-art-h, Cheb Arts ‘uses the human body as a canvas to highlight the deep interconnection between humans, wildlife and the natural world.’ While the three models in Interwoven Earth: A balance of land, water and life ‘symbolize the harmony the Earth requires for a sustainable future’.

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For their 10^th edition, they presented ShowGround, a performance centred programme celebrating seaside entertainment and travelling showpeople culture. Spanning 60 venues, including a collaboration with a local amusement arcade, the festival showcased circus, acrobatics, puppetry, theatre, dance and film.

JACK ARTS Scotland took the colourful pastel hues of the festival branding to sites across Edinburgh – from 4 sheets hosted on a range of our panels and drums, to a bold 6 in-a-row takeover at our Meadowbank hoardings, a main thoroughfare to Porty – ensuring maximum visibility for locals and visitors to the East of the city.

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In collaboration with Mediabridge, DIABOLICAL took it to the streets – rolling out a bold, billboard-led creative across East London that made noise without making a sound. Part collectible, part street culture crossover, this collab fused art, audio and attitude – a love letter to design heads and music fans alike.

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To mark the opening of the Marie Antoinette Style exhibition, JACK ARTS collaborated with AIP and Posterscope to unveil a unique takeover at London’s Vinegar Yard. Spanning a 10-in a row billboard, the immersive display featured tearaways to mimic handkerchiefs, printed using scented ink, to engage the senses. Created by AVM Curiosities, the bespoke fragrance offered a sensory glimpse into the opulent world of Marie Antoinette, blending notes of rose, lavender, orris root, tuberose, violet, musk, jasmine, and orange blossom. Each tearaway, embellished with the queen’s monogram, doubled as a miniature invitation to the exhibition.

This unique special build for the V&A has been featured on Campaign, for bringing the scent of Marie Antoinette to Vinegar Yard in a truly immersive way.

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Packed with mouthwatering visuals, the posters brought Ben’s kitchen confidence to life – complete with tearaway recipe cards that transformed foodie inspiration into real-life dishes. More than just recipes, they offered passersby a glimpse into the mind of a chef, sharing tips, tricks, and techniques to help anyone become a better cook.

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In East London, our event space, The Platform, was fully wrapped in Caudalie’s signature mint green, complete with a striking mirror installation and a pop-up skincare bay. Passersby were invited to sit down with Caudalie’s beauty experts for personalised skin scans that identified individual concerns and offered bespoke skincare advice using their new range of natural products.

Up in Manchester, brand ambassadors activated the space with sampling and tearaway posters, turning the streets into a tactile skincare experience. Dreamed up and delivered by JACK – no brief, no formula – just beauty, built to stop people in their tracks. 

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JACK ARTS partnered with Aviva Studios and Factory International to invite audiences to witness this thought-provoking immersive performance through a poster campaign taking over the streets of Manchester, Liverpool, and London. Using sites that cleverly commercialise elements of Marina’s work without compromising its rawness or creative integrity, striking stills of Marina Abramović’s latest work are showcased on a bold, city-wide scale.

Through this series of artworks creatively interacting with our sites in these cities, the Balkan Erotic Epic asks all who experience it: What are our bodies truly for?

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The installation brought Nothing’s mission to life – making tech more human, transparent and connected. Blurring the line between product and experience, it cut a futuristic silhouette against the grit of Shoreditch, sparking moments of pause and curiosity on the street.

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Exploring themes of diaspora, migration and identity, the three bold 12 in-a-row panels of Let Me Show You Who I Am were the result of workshops Rekab hosted with SCORE Scotland and their group of young people in Wester Hailes in Edinburgh – with the workshops offering platforms of self-expression for the young people involved through music, dance, voice and ceramics.

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With each format reworking the classic for the streets today, the black-and-white visuals hit hard against raw city walls. A cultural icon reimagined without compromise – the Superstar’s never just been a sneaker – and this was never just another poster.

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Taking over The Platform, adjoined to our coveted 1 Quaker Street event space, the 96-sheet walls were decked out with a showgirl-style spill-board spotlighting Sabrina herself and ‘Man’s Best Friend’. Commanding attention on Clapham High Street, the campaign continued with a tri-board creative build, featuring her iconic album artwork spilling onto the wall – a bold reflection of Sabrina’s current prestige: bigger and better than ever.

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In collaboration with Anything is Possible, JACK ARTS brought the project to life, drawing inspiration from key works in the museum’s collection. JACK ARTS invited modern artists to reinterpret these historic pieces through contemporary lenses, alongside live reenactments in iconic locations. These included a modern sketch of Roll Call located near Victoria Station, a reimagining of Home Again in Trafalgar Square, and a powerful recreation of The Lady Butler portrait in The Duke of York Square. Brand ambassadors were also present, distributing flyers and encouraging passersby to witness the reimagined scenes in public spaces and then experience the full exhibition inside the museum.

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Amid the energy of floats, dancers, and live performances, BUILDHOLLYWOOD was on the ground, amplifying the spirit of Carnival. JACK brought a standout collaboration with Kinetic Worldwide placing MAGNUM at the heart of the celebration, a drink perfectly aligned with the bold energy of Carnival. JACK also brought Adidas Superstars into the spotlight with a star-studded cast, capturing attention on every corner.

JACK ARTS, in partnership with Altair Media, added a new dimension by bringing The Royal Academy into the mix. Their presentation of Kerry James Marshall: The Histories introduced fine art into the Carnival conversation, bridging contemporary creativity with Caribbean influence.

Meanwhile, DIABOLICAL and Spotify took Carnival beyond the streets for the second year running. Their curated playlist to help fans relive the weekend’s vibe, while a collaboration with CMS Music Media Ltd brought the global sounds of Major Lazer into the fold.

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Working with The Media Shop, JACK ARTS Scotland delivered the good news to the city streets with a campaign that showcased their reopening Homecoming Festival, alongside calls to action for the local residents. From a joyful street procession to hands-on workshops, open days, and performances, the two-week festival promised to be a celebration of creativity, community and connection.

The Citz is back. Ye comin’?

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And as the city begins to bid farewell to summer, we delivered one final hit. To entrance revellers into the dance, DIABOLICAL took over our coveted Broadway Market spot with a bold 96 sheet – with All Points East’s trippy, psychedelic artwork slicing through the noise of East London.

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JACK ARTS teamed up with Posterscope and brought these vivid works to life across London, translating their striking colours into eye-catching takeover billboards. 

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Set in London’s Vinegar Yard, the activation took over two eye-catching billboards. One featured a dramatic, larger-than-life spill board of the crocodile from the book’s cover, cleverly hiding between jungle trees. At street level, a second interactive board invited passersby to take a leaf-shaped piece of seeded paper, designed to be planted at home so children could grow their own mini jungle. A QR code on the board and tear-away paper offered instant access to buy tickets on the spot.

But the fun didn’t end there. Brand ambassadors stationed in front of the site with a branded trolley handed out free copies of The Enormous Crocodile along with themed bookmarks, giving visitors a memorable keepsake from this playful and engaging experience.

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In partnering with JACK, DELLI proved that they truly live and breathe their ethos – that small makers should run the food scene – by putting their ‘chefs’ front and centre in bold street poster takeovers across London, Manchester and Edinburgh.

Showcasing stylistic film photography that highlighted their standout offerings – New Theory Wine, Melo Matcha, and a Vincenzo x Gozney collaboration – DELLI tantalised passersby’s’ tastebuds and once again proved why they’re the go-to source for everything from niche finds to essential kitchen staples. 

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To spotlight the event, JACK partnered with Talon for a bold poster takeover across Selfridges’ home cities – London, Manchester, and Birmingham. Inspired by ‘90s rave flyers, they gave their iconic typography a nostalgic twist, paired with a cheeky Selfridges-yellow caution sign reading “Dance Floor Warning.” To unlock the music, the public can scan the QR code, sign up, and dive into the beat. 

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Through this ongoing series, Gault uses large format film to capture portraits of members of this group, and their memories of the lighthouse stations where they once lived and worked.

JACK ARTS Scotland worked with Gault and contemporary art gallery and print workshop Peacock & the worm to present work from the series at sites around Aberdeen, to coincide with the city’s Tall Ships event. The presentation of the work adapted to each site, from large format posters pasted onto the walls of their gallery and neighbouring lane, to printed boards mounted onto railings by the harbour, showcasing the work on a backdrop of ships.

Alongside the work in Aberdeen, we hosted an accompanying presentation of Gault’s series on our lightboxes on West Graham Street in Glasgow, turning these rural monuments and their keepers into lit beacons on the city streets.

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The campaign rolled out in Manchester, London, Paris, and Berlin with targeted street projections and ‘galleries,’ each city spotlighting areas chosen through The Face x Nike’s collaboration with local artists from those neighbourhoods. Every site lit up at the exact same time – an intentional move echoing the campaign’s core idea: the “power of 8.” Targeted takeovers turned urban walls into glowing, high-impact moments, creating a campaign that felt as live and raw as the film itself.

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The exhibition presents a diverse collection of paintings, drawings, and digital works, most created specifically for Radiohead. It offers a fresh perspective on album art, exploring the rich and complex relationship between music and visual expression.

To amplify the exhibition’s reach, our Creative Studio designed a striking creative billboard that extended beyond the frame, making the artwork burst into the surrounding space. As part of the activation, we also introduced a tear-away pad, allowing passersby to take home a piece of Radiohead’s legendary album artwork, a keepsake from this unique celebration of sound and vision.

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Joining him was Party Next Door, Burna Boy, Vybz Kartel, Summer Walker, BBK and Izzy Bossy, whose blistering sets cemented Wireless as a global powerhouse in live rap and hip-hop. 

As ever, BUILDHOLLYWOOD was there to help paint the town in campaign colour, collaborating with iconic clients to create high-impact backdrops before a single note was even played. DIABOLICAL rolled out show-stopping takeovers for Drake and 4-sheets for rising star Coco Jones. JACK flexed on the film and fashion front with 4, 16 and 48-sheet posters for Bad Guys 2 and Swatch and JACK ARTS brought cultural weight with Royal Academy artworks across large-scale 48-sheets and intimate 4- and 16-sheet formats. Here’s to 20 years of game-changing music – and the many more to come. 

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Born out of collaboration with iconic British brand KEF, Nothing has blended cutting-edge sound with a sense of nostalgia. With a design that refuses to conform, our posters turned heads; with their transparent panels and sculpted aluminium frames striking a chord between retro-tech aesthetic and London’s fast-paced tempo. 

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JACK collaborated with Squadron Venture Media to bring this creative campaign to life. The billboard, located in central London, was designed to convey that it’s time to leave greenwashing out to dry. The campaign takes a humorous approach, emphasising that the only thing they greenwash is their uniforms. The billboard has been extended to create the illusion that it isn’t there, featuring a forest bike leaning against it. This setup provides a perfect backdrop for an Instagram-worthy campaign.

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JACK ARTS Scotland helped take their peachy campaign visuals across the city for their exhibition by artist Mercedes Azpilicueta, exploring themes of care, resistance, and lesser-known women’s stories from history. From classic 4 sheet takeovers to supersized 16 sheets, we made sure their posters, alongside their distinctive building, could be seen across the city.

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JACK ARTS partnered with Aviva Studios and Factory International to bring the festival’s dynamic spirit to the streets of Manchester. Our city-wide street poster campaign captured the energy, diversity, and creativity of MIF 2025, spotlighting its stellar line-up and thought-provoking themes. Poster take-overs transformed the city into a festival showcase, ensuring everyone knew what not to miss this summer. The city-wide poster activation was paired with two bespoke creative activations.

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Designed to seamlessly align with MOTH’s series of summer activations, starting with their Manchester off-licence pop-up, setting the tone for a season of unforgettable moments.

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Hot pink, paint-splattered visuals took over our formats across the city – from drum sides to 8sheet and 10 in-a-row takeovers – ensuring a full dancefloor for their unforgettable evening.

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The Brand has taken over London with site takeovers and kiosks in the heart of the city, ensuring that every passerby knows where to find their favourite beach-ready brands, including Summer Fridays, Charlotte Tilbury, and Sol De Janeiro.

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We flooded key locations with striking black-and-white visuals that were impossible to ignore. The creative cut through the noise, amplifying YUNGBLUD’s presence at scale and capturing the spirit of “Idols” in a way that resonated with fans and passersby alike.

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The takeover presented their paintings of hope and unity from Europe Day, created in a workshop with Mission of Innocents – a charity supporting children displaced from their homes due to war, political or economic instability, and environmental disasters.

The partnership culminated in a very special gathering at the takeover site, bringing the young people, members of AUGB and the Ukrainian Consulate together to celebrate their community and its resilience.

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JACK ARTS teamed up with Bristol Old Vic Theatre and Theatre Royal Trust to create a striking, larger-than-life display, with lead characters emerging from the billboard, enhanced by eye-catching metallic balloon installations that bring the opulence of the scene to life. A poster campaign has been launched alongside the creative billboard to raise awareness and build excitement for the production across Bristol.

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The installation features a digital face display surrounded by intricate 3D elements crafted by our Creative Studio’s team. These elements include a layered torso with clothing peeled back to reveal a moving heart and oversized headphones connecting the digital and physical billboards with a glowing wire. Movement plays a central role, with artist Joseph Melhuish explaining that, unlike past concepts where motion felt forced, the animatronic heart in this piece naturally fit the idea from the start.

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JACK ARTS Scotland worked with their team to take their colourful campaign, which showcased the work of creatives who have used their services, onto our paper and paste sites around Birmingham, Brighton, Cardiff, Glasgow and Manchester – providing the perfect medium for a campaign celebrating the tactile, physical nature of print.

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JACK brought the campaign to life on the streets with a city-wide takeover, featuring striking mega sites, image-wrapped kiosks, and one standout location offering tear-away portraits for passersby to take home a piece of the festival energy.

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In true skatepark spirit, JACK ARTS worked with Hachette to take this campaign to the streets with a live mural installation. Created by Logan Hanning, the artist behind the book’s cover, the graffiti-style cover artwork was recreated onto a billboard backing directly onto Projekts Skatepark in Manchester. Where better to celebrate a story rooted in identity, community, and skate culture than right in the heart of it?

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JACK ARTS Scotland teamed up with Big Think Agency to bring a duo of bold poster designs to the streets of Edinburgh, Glasgow and Dundee, promoting the line up for the two-day event – including globally renowned Australian DJ FISHER on the Saturday and a day-to-night session from the legendary Boiler Room on the Sunday.

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To mark the launch of its Spring/Summer 2024 collection, JACK brought the brand to life across London with bold takeovers at key hotspots. Kiosks and large-format sites throughout the city were wrapped in visuals from the new collection. The campaign artwork perfectly captured J&M Davidson’s signature fusion of classic craftsmanship and contemporary design.

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At the heart of the campaign is a message: your story is written in the stars, and it’s yours to tell. With jewellery that’s personal and full of meaning, Astrid & Miyu invites you to express yourself, one charm at a time. Mirrored posters offered the perfect selfie moment a chance to catch your reflection, admire your look, or decide if it’s time to add a little more shine. Because with Astrid & Miyu, there’s always room for a little extra sparkle.

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To spotlight the breadth of what they offer, Bird On The Wire partnered with DIABOLICAL to deliver a bold campaign in East London. Taking over the prominent 96-sheet billboard on Broadway Market, BOTW showcased a vibrant yellow artwork that cut through the urban landscape. The design was eye-catching, playful, and unmistakably BOTW. Drawing the attention of passersby and capturing the curiosity of the creative community. More than just a poster, it was a visual statement of intent: a celebration of independent spirit and a reminder that live music culture is thriving in the hands of those who care deeply about it.

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JACK ARTS and AKA brought the cast centre-stage with a high-flying creative billboard that bursts beyond the frame of our Shoreditch 48-sheet site, a concept designed to capture the energy and movement of the musical. The creative build is complemented by black-and-white portrait posters introducing the cast, featuring red, white, and blue target motifs synonymous with the mod movement; the result is an energetic, nostalgia-fuelled campaign to celebrate the production’s London debut. To bring Quadrophenia up and down the country TCS Media teamed up with JACK ARTS to bring The Lowrys Quadrophenia to Manchester.

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With visuals that resemble scenes straight out of your favourite romance novels, the campaign brings these memorable dates, from both sides, to life. In collaboration with Squadron Venture Media, JACK helped bring the campaign to the streets of London, giving passersby a glimpse into love stories that rarely get told.

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Malaka Abu Owda, Mohammed Alhaj and Ahmad Adawi were invited to shared their work and voices across the site’s three 12 in-a-row panels throughout the 2025 edition of Falastin Film Festival – a volunteer-run, not-for-profit collective of Palestinians and allies dedicated to sharing Palestinian stories and voices with Scottish audiences through the power of cinema and art.

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As part of this summer’s programme, the House of R&B and the Caribbean Music House at SXSW London 2025 will take over Shoreditch Town Hall and Strongroom Bar from June 2–7. These two flagship events will spotlight rising talent from the UK and around the world, featuring live performances, curated showcases from influential tastemakers and collectives, and a vibrant lineup of artists redefining their genres. It’s a week-long celebration of music, culture, and creative innovation at the heart of East London.

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In its latest campaign, Harvey Nichols partnered with JACK to bring its effortlessly chic aesthetic to the streets of London. Designed to make a statement, the campaign featured striking visuals that showcased the brand’s contemporary yet timeless style. With prominent site takeovers across key London locations, the campaign was unmissable, turning the urban landscape into a living lookbook that captured the essence of Harvey Nichols’ latest collections.

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In Dundee, DJCAD students will present Meet the Gods, bringing the mythical gods from the National Gallery’s painting collection to life through costumes, performances, workshops, a tea party and music in the heart of Dundee.

We worked with the partnership to share their divine deity collages onto the streets of Dundee, promoting the event (and free tea and cake!) to passing Dundonians.

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For their 2025 campaign, the college has taken the students’ work to the streets across the city, showcasing a colourful variety of artforms and approaches that will be on display – presenting them on our 4 sheets panels and drums in cultural hotspots, alongside high impact 6 in-a-row takeovers showcasing the full range of artworks.

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To bring the pages of Street Beauty to life, the venue was transformed into a pop-up gallery, featuring a selection of artworks from the book. Guests had the opportunity to meet Hannah Judah in person and get their copies signed—alongside appearances by several of the featured artists.

Waterstones was on hand to sell copies of the book, making it easy for attendees to walk away with a signed edition. The evening also included a charity raffle of art prints, with proceeds supporting the National Brain Appeal.

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The mirrored installation will journey from the street to the Feel Good Club itself, to be displayed in tribute to the power of kindness, visibility, and mental health awareness in everyday life.

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The Chemist follows Idris Khan, a local pharmacist who spends his days dispensing methadone to the many addicts under his care. In a creative twist, the bright yellow billboards promoting the book appeared throughout Leeds with an interactive element: passersby could tear off “prescriptions” that brought the novel’s world into their own hands.

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The campaign’s standout creative brought the phone’s ultra-slim design to life through a striking 3D build. Designed to appear as if the device was perfectly wedged between two separate billboards, the illusion was cleverly achieved using a single billboard visually split in two, grabbing the attention of passersby.

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The exhibition traces Hugo’s artistic journey, from early caricatures and travel sketches to moody landscapes revealing a side of the writer as compelling as his words. The chosen artwork enhances the scenic London backdrop, with sites blending seamlessly into the urban landscape.

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 The artwork created for this milestone captured the essence of the festival, portraying people in their element, immersed in music, and highlighting the deep bonds and joy that define GALA. DIABOLICAL brought this vision to life across London, ensuring every aspect of the festival scene was represented. From vibrant crowds dancing across our 96-sheet in Broadway Market, to site takeovers featuring couples caught in loved-up moments, the campaign brought the spirit of GALA to the streets. 

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Adding to the excitement, a special interactive billboard was the backdrop for this event. Fans could pick a real rose from the display, each one attached to a tear-away card featuring a QR code that allowed them to stream the new album instantly. On the back of the card, there was also a personal message from lead singer Luke Pritchard, adding a heartfelt touch, for fans to remember this special day.

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JACK ARTS Scotland took their bold ‘HOUSE HEADS’ campaign across Edinburgh and Glasgow, showcasing it on a range of formats from 4sheet and 8sheet panels to quads and full side takeovers of our drums – making their orange and black brutalist design a standout addition to our city streets.

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Brought to life through stunning film photography and postered across cities throughout the UK thanks to DIABOLICAL, the campaign is a visual love letter to fandoms and communities worldwide.

Launched in two phases – with the first wave of billboards going live in April and a second in October – the campaign proved the power and passion of fandom. From the matching mod haircuts of the Oasis faithful to the pink cowboy hats of Chappell Roan’s fans, or the bedazzled embodiment of Olivia Rodrigo’s Sour era, each poster celebrates the vibrant communities brought together through Spotify.

Returning for a second time, the hit Spotify Fan campaign took us on a global tour of fandoms: from a touching dance party with a Bad Bunny fan and his abuela, to a late-night (or very early morning) bike ride for Charli XCX fans, to Pitbull devotees donning the iconic bald caps and suits.

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JACK took over London‘s Westminster Bridge, to give audiences a ‘like never before’ poster experience by transporting them to the heart of the fjords through a custom-built immersive experience. The special build combined three large billboards, with strategically placed posters, railing boards, newspapers and brand ambassadors ‘wearing’ a piece of the fjords to create a panoramic view of the lush Norwegian vistas, set within the London skyline. The campaign was supported by a 15 second film, entrancing a pedestrian by the views of Norway, only for him to come back down to Earth (well, London) – revealing that he is just observing the billboards.

The campaign has been making a statement online as well, being featured across CampaignLive, Creative Salon, Marketing Beat and all over LinkedIn.

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Together with AKA, JACK ARTS brought a colourful interactive piece to the streets of London, featuring collectable artist statements on tear-away postcards that included a free-ticket giveaway.

The vibrant colour block of postcards slowly reveals the artwork underneath, providing a tease and reveal campaign to engage  and immerse audiences in the world of Hockney.

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 The campaign didn’t stop there. A Jean Paul Gaultier poster campaign ran alongside the event across London. This city-wide display served as a multi-sensory celebration of the brand. 

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In the first wave of activation, just as the spring sunshine arrived, poster and billboard sites bloomed with imagery of outdoor adventures; an interactive creative-takeover followed on our busy Vinegar Yard site, adorned with leafy foliage and 3D rock formations to bring a taste of the outdoors to the streets. The site was further transformed by our Creative Studio team with an interactive blackboard inviting public participation, posing questions: Where would you like to go? Who would you like to share it with? What would you like to feel? these prompts encouraged reflection and conversation in the urban space, adding a sense of anticipation for the next adventure.

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Pairing a impactful poster campaign on the Farringdon Road, with installation in Waterstone’s Picadilly and an interactive stunt, bringing the characters from the story to life on the streets. The three-fold campaign reached audiences in all corners of London with an engaging retelling of their stories through creative activations. The stunt brought the Edwardian women of the novel back to the streets in which the story is set – touring key locations from the novel and revealing their stories along the way.

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JACK ARTS brought a selection of these iconic images to the streets in a poster campaign aimed at targeting cultural audiences in key locations street-side. The bold visuals tiled across the takeover sites showcased  faces from the exhibition walls, creating a gallery-style preview of the 5* exhibition in two phases – to mark its opening and support in final weeks awareness.

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The buzz surrounding the creative billboard quickly propelled The Diamond Heist to the top of Netflix’s trending list, landing it in the coveted #1 spot.

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At the centre of the campaign was an interactive billboard that invited passersby to engage with the artwork physically. Designed with a peel-away top layer, the billboard revealed a hidden image beneath. Each tearaway not only contributed to the evolving visual display but also doubled as a token, offering participants the chance to redeem a free drink.

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Brand Ambassadors invited passers-by to take part in the transformation. Armed with paint-filled balloons, they were encouraged to throw them at the blank canvas, turning it into a living piece of art through spontaneous bursts of colour. As the day came to a close, a section of the billboard’s vinyl was peeled back to reveal a hidden Abstrakt Vodka bottle beneath, now surrounded by the creative chaos of the community’s paint splashes.  

Participants in the event received a voucher for a free Abstrakt Vodka and mixer, redeemable just 300 metres away at the BrewDog bar in Shoreditch. The eye-catching results proved irresistible on social media, turning the one-day event into a shareable, social campaign.

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Their vibrant celebratory campaign fills the city streets ahead of the anticipated ticket release, launching their exciting anniversary programme across Manchesters top music venues, from grassroots spaces Matt and Phreds and The Carlton Club to big hitters RNCM and Aviva Studios as well as pinnacle spaces including Forsyths Music Shop – a venue list as diverse as the talent the festival champions. JACK ARTS bring their colourful celebration to the streets to spotlight the festival’s lasting impact on the past, present and future of jazz music.

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JACK ARTS worked with the Sherman Theatre to bring the campaign to life on the streets of Cardiff, a tiled 4-sheet campaign across city-centre sites featuring an image of the media frenzy the artwork created, a preview into the moment in which the play’s story begins. 

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This year, they took a moment to celebrate the change-makers within the arts marketing world. They curated an event designed to inspire and inform, exploring the future of out-of-home advertising and creative activations, while also clarifying best practices and processes to bring creative visions to life on the streets. 

The spring event was a celebration of culture, bringing together museum and gallery clients in partnership with AIP to explore the intersection of our worlds. Set in their very own cultural venue, The Carwash, the event aimed to ignite conversation and foster inspiration.  A presentation of archival posters adorned the building, a testament to the rich cultural offering and powerful campaigns the team have had the pleasure to bring to life.  The event space was transformed with light-box interventions, campaign displays, film showcases and food and drink stations – what better way to explore their creative practises than full emersion?

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JACK ARTS Scotland worked with Think Alt for the launch of the first two QUEENZINE issues. Aligning with the UWCL quarter final fixture in Manchester, we platformed the poster campaign on our sites across the city – which included the installation of bespoke streetside mirrors which allowed passersby to see themselves on the cover of the zine.

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Forget the standard drone shots of city skylines. Sheffield Inspires is about going deeper, uncovering the essence of what makes the city truly remarkable. It’s not just about what Sheffield looks like-it’s about what it makes you feel. It’s about the ideas, people, and movements born here that have left a lasting mark far beyond the city’s borders – from football and climbing to beer and electronic music, Sheffield inspires, always has, always will.

To bring this vision to life, Marketing Sheffield have teamed up with some of the city’s most talented creatives, artist Rob Lee, animator Andrew Robinson (Studio AW-AR), and musician Evan Majumdar-Swift (96 Back) to craft an immersive new way of showcasing Sheffield – culminating in an animated arts commission, collection of images and stories, and a city-wide street poster launch in partnership with JACK ARTS; the poster campaign brings each of the campaigns seven inspirational elements of Sheffield to life, with site specific display to amplify their impacts.  ‘The craft of beer’ went on the side of the well loved Washington Pub, for example; ‘greener cities’ went by the flagship Castlegate grey to green site; and ‘the beautiful game’ went across the road from Sheffield United’s Bramall Lane stadium. Developed in collaboration with key partners, including academic institutions, leading organisations, and industry pioneers the campaign presents a cohesive narrative that highlights Sheffield’s global impact.

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JACK Scotland teamed up with Talon to platform their stories of identity, allyship, and belonging on our poster sites across Glasgow, Manchester and Liverpool, presenting their quotes and portraits (and of course their shoes) on a range of 12-sheet, 4-in-a-row and 6-in-a-row takeovers – providing space for high impact storytelling on the city streets.

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A brand ambassador was present to encourage public engagement, while reactions were captured on camera for a social media campaign. The bold installation was designed to spark conversation and generate buzz just as the new product hit supermarket shelves.

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JACK ARTS Scotland helped bring their colourful 80s-style posters featuring bold shapes and light beams (and the iconic Tunnock’s Teacake) onto 16-sheets across Glasgow.

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JACK ARTS Scotland worked with SNJO to platform their poster campaign for the show on some of our 4-sheet and drum sites across each of the cities, with its beautiful, earth-toned illustration depicting the movement and rhythm of the tablas drums – an instrument which Gurtu has been playing since aged 5, and now fuses with Western drums in his unique performances.

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⁠JACK and Carhartt took to the streets at the peak of London Fashion Week to welcome in the new Spring / Summer collections with a collage of colour across billboards and kiosks throughout London, Manchester and Bristol. The campaign featured visuals that were photographed by London photographer Joshua Gordon and offered a kaleidoscopic view of the seasons ahead.

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As part of the campaign, Oatly will be touring the country throughout March and April, offering free oat flat whites to those who have never tried it before. On March 31st, Oatly will join forces with London-based coffee brand Grind to give away free drinks at 14 locations across the capital. So, if you’re an Oatly fan, even if you don’t know it yet, don’t miss your chance to try it!

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The images showcase the process of working with designer Maeve Redmond to develop a unique typeface for the project, combining textures and forms found throughout the wider work – which began as a long-form poem – including printmaking marks and imagery within the writing.

We supported Howard to display the series on the lightboxes at our dedicated art site at West Graham Street, alongside an 8-sheet takeover on Osborne Street – all to coincide with an exhibition of his work at Glasgow Project Room.

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We showcased its artwork across various formats, both digital and print. The campaign took a creative turn with interactive elements, including mirrors that allowed passersby to step into the album cover and snap a photo. The highlight of the campaign, was the striking installation in their hometown of Manchester, an infinity mirror that mesmerised onlookers, capturing their attention with its illusion. All locations featured a QR code, directing consumers to the new album to take a listen.

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The campaign’s artwork features adults letting loose and channelling their inner child—jumping, leaping, training, resting, and doing it all over again. It’s a bold invitation from Lululemon: live fully, move freely, and experience it all in your favourite activewear.

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Jacky infused her distinctive artistic style into illustrations showcasing both established and emerging luxury brands available at Harvey Nichols, both online and in-store. Drawing inspiration from global ready-to-wear and couture collections, her mesmerising artwork captures the essence of the retailer’s curated selection. The campaign took over London, with immersive site takeovers, kiosks, and large-scale installations, bringing high fashion to the streets in a visually stunning and impactful way.

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Scattered throughout Soho, small yet striking clings invited passersby to interact with the campaign in a fun and engaging way. Each cling featured a tear-away pad with a delicate flower attached and a QR code, which participants could scan to enter the competition. The interactive nature of the campaign, combined with its romantic Valentine’s Day timing, brought an element of surprise and delight to the streets, encouraging people to engage with the brands in a creative and memorable way.

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With mega-site takeovers and a campaign that dominated the streets, the release was impossible to overlook. It effortlessly showcased Represents’ signature style in every corner of the city.

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As part of the installation, the billboard takeover at Quaker Street in Shoreditch featured seed packet tearaways, offering a tangible interaction with the display that symbolises the connection between soil and growth. Along with strategically placed QR codes that connected the outdoor installation to the online booking page; the campaign encouraging immediate engagement with this exciting new addition to Somerset House. In addition to this spectacle, JACK ARTS brought the artwork to life on a larger-than-life scale with a bold 96-sheet billboard at Broadway Market, ensuring it captured the attention of every passerby.

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The latest public art installation is a life-sized crocodile (in homage to a contemporary Bristol myth of a crocodile sighted in the river Avon) designed to be both intriguing and welcoming, the crocodile’s textured skin was collaboratively designed by over 100 local people (and animals!) who each imprinted their mark in clay – the input from the local community transforms the piece into a true symbol of shared creativity, storytelling, and collective history.  The city-wide billboard campaign reflects the playful nature of the latest commission, a duo of creatives complimenting each other across the city with a fun nod to the familiar saying, “In a while, Crocodile,” an eye-catching display to launch a sculpture which celebrates imagination, community and creativity.

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GSA worked with JACK ARTS Scotland to bring their psychedelic and boldly typographic campaign to the streets of Glasgow, featuring 6 in a row takeovers and our high impact 48-sheet at the iconic Barrowlands, alongside a run of posters on our sites and art drums – to ensure the vibrant design made its mark throughout the city.

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Taking over three of our billboards in Clapham, JACK worked with St Marks Studio on a cheeky creative build that features the pink (unofficial) Maybelline-mascot. The build saw Teddy break out of their 48 sheet confinement to scale the above billboard and ‘fix’ it with their signature blurred effect, proving that everything looks better with the new tint.

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DIABOLICAL and the label behind the release, Ninja Tune, teamed up to welcome Hallucinating Love to the streets of our cities in more ways than one. Posters were seen throughout Brighton, Bristol, Manchester and London, including a poignant and evocative takeover across our 1 Quaker Street. Complementary to the posters, visuals from the film were projected across buildings and walls under the London night, welcoming the album to the streets.

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Brand ambassadors were on hand, distributing the new take on Love Hearts (as well as the originals) inviting the public to rediscover the joy of these sweet treats. The event on Manchester’s bustling Oxford Road, gave passersby the chance to stop for a moment and enjoy a nostalgic bite of the iconic candy, perhaps sparking fond Valentine’s memories along the way.

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Designed to inspire positivity and foster a sense of belonging, this campaign served as a reminder to all Londoners and visitors alike that they are valued and cherished in the vibrant, diverse community that makes up this incredible city. From iconic landmarks to bustling streets, this feel-good message was displayed across the city with site takeovers, creating moments of joy wherever seen and leaving an imprint of positivity on the heart of the city.

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JACK ARTS Scotland helped bring their cosmic, pastel-hued posters by illustrator Yifei Xiang to the streets of Edinburgh, showcasing them on our 4-sheet and art drums across the capital to capture the attention of passersby – a colourful contrast to the dreich February weather.

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Staying true to the essence of Davis’ exhibitions, intellectually engaging yet accessible, this show takes accessibility to new heights by bringing his powerful art to the bustling streets of London. By creating an outdoor gallery, we’ve made sure his work reaches and resonates with a broader audience, with tiled images of his art inviting all to engage and appreciate.

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JACK ARTS brought this captivating new film to life across locations in Manchester, Glasgow, and London, teasing stills from the film’s stunning imagery with deep blue tones, leaving us eager to experience the film in full motion.

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JACK ARTS Scotland worked with the theatre to bring their posters onto the streets of Dundee, Perth and Edinburgh – making use of a range of our formats from 4-sheets, 8-sheets, arts & culture drums and banners to deliver a highly engaging campaign.

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A storm is coming… and to celebrate, we launched two creative billboards, in Manchester and London.The Manchester billboard featured a larger-than-life design that made it look as if the glowing, mythical creatures were escaping from the pages of the Empyrean series, complete with a teaser to build anticipation and prepare readers for the upcoming release. 

In London, the campaign also showcased all three books in the series, bringing Yarros’s thrilling world to life for passers-by. Some posters included QR codes, allowing readers to easily purchase their own copies. As night fell, UV lights illuminated the billboard, making the illustrated scene from the book come to life, leaving a lasting impression on those strolling by.  

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To celebrate and welcome the return of season two to screens across the UK, our film and TV specialist JACK worked alongside Talon Outdoor. Across multiple sites in London, we delivered a series of guerilla-esque billboards, featuring flyposters of the series artwork and a graffiti tag underneath reading ‘ANARCHY IS BACK’ – capturing the show’s rebellious spirit.

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Taking over one of most popular East London sites, Broadway Market, our music experts DIABOLICAL and XL Recordings collaborated to welcome the launch of Eusexua. The campaign dominated our 96 sheet in the most impactful way possible and featured a hypnotic portrait of FKA Twigs gazing straight down London Fields. The campaign, much like the album, is sure to stop people in their tracks.

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This ambitious exhibition features a wide range of media, including paintings, sculpture, and video, with many works chosen by the artists themselves. It invites reflection on timely questions about the present while also offering a celebration of creativity and resilience. Conversations aims to showcase the vibrant contributions of artists working in the UK today, offering a moment of joy and inspiration. JACK ARTS is spreading the word about this exciting exhibition across the streets of Liverpool and Manchester with site takeovers featuring selected works, bringing their powerful presence to the heart of the cities.

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One of the company’s recent collaborations involves P(r)op Artist Ramona Eve Bigwood, supported by funding from the Quartet Community Foundation. Together, they are creating a SHOWER OF COMPLIMENTS informed by workshops held with the Knowle West community that focused on themes of Sustainable Joy—exploring how we can be our own cheerleaders and maintain our emotional resilience.

Digital artist Daisy Hvnter transformed the community’s ideas into a bespoke Barbie themed billboard designed to inject warmth and joy into the typically dreary month of January. The installation is unveiled on Blue Monday, often dubbed the “saddest day of the year.” To mark the occasion, LIGHTS! LIGHTS! LIGHTS! Brought their Knowle West neighbours to the billboard sites for a unique celebration and interactive stunt, showering the billboard and passing public with compliments in a joyful homage to self-love and community spirit.

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For their latest duo of exhibitions, the former 19th-century natural history museum was transformed with the work of Gabrielle Goliath and Guadalupe Maravilla. To present a taste of their creative offering to a wider audience, we worked with the gallery to showcase two of the artworks across a range of formats – from classic 4-sheets and impactful 48-sheets to our unique vinyl panels on Market Street, opposite Waverley Station.

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2025’s Breakthrough Artists from the UK and Ireland include UK’s next pop girlie Alessi Rose, Irish folk trio Amble, alt-rock visionary Aziya, West London rapper KiLLOWEN, former The Voice UK and alt-pop artist LYVIA, R&B smooth operator Myles Smith, Irish pop-punk singer Orla Gartland, global garage phenomenon Sammy Virji, London jazz powerhouse Sienna Spiro, and Scottish indie band swim school.

Our music specialists and fosterers of the scene, DIABOLICAL, were pleased to work with Ticketmaster yet again to celebrate these artists across some of our favourite 48 sheets within the streets of London.

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To ensure every emerging artist had space to shine, we filled the streets with their work throughout the festive season, turning Sheffield into an outdoor gallery. From bold graphics to thought-provoking street art, the city came alive with colour and creativity. Artworks from the following artist were included in the display: Christopher Andrea, Daisy Schwarzer, Elizabeth Stewart, Georgia Parker, Halle Galimba, Harry Hutchinson, Harry Rees, Jake Dempsey, Jane Kim, Jenna O’Brien, Kaylin Staller, Lily Unwin, Maddie Hawkyard, Mia Hancock, Rochel Czerwinski, Sarah Corker, Shaun Bardsley and Annie Siddall.  The display was more than just a gallery of art—it was a celebration of the talent shaping Sheffield’s future, inviting the community to engage with and be inspired by the work of its next generation of creatives. 

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JACK ARTS partnered with Chapter to bring the engaging poster campaign to the streets of Cardiff, taking a powerful self-portrait street-side with site take-overs and drum display in key cultural locations across the city.

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This captivating visual experience showcased 48-sheet billboards and dynamic checkerboard posters throughout the city, perfectly capturing the essence of Chanel’s timeless allure. Seen in every corner of London, the campaign invited passersby to discover the inspiring story behind Chanel’s makeup creation, bringing its rich history into focus. 

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On a wintery night in London, JACK and Kinetic delivered a pop-up to the streets of Shoreditch, that celebrated the film’s release to cinema and invited passersby to ‘succumb to the darkness’. Inside the walls of 1 Quaker Street’s Sandbox, was a custom-built box office. Custom merchandise and cinema tickets were handed out to those brave enough to enter, including a poster signed by the film’s star-studded cast. Towering hauntingly over the space was a creative billboard of a frame from the film which came to life at night through UV lights, etching the scene into the subconscious of those wandering passed.

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Heading into their 10^th year, their Play it Forward Christmas appeal aims to raise enough money to fund a further 25 children’s musical futures. JACK ARTS partnered to take their message to the streets of Manchester in the lead up to Christmas to give their vital message the platform it deserves and help a musical child dream big.

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To bring the Christmas spirit to Shoreditch, our carolling experts DIABOLICAL worked with Universal Music Group on an immersive installation set to bring cheers across the lands. Taking over our beloved Platform site at Quaker Street, the build featured a larger-than-life pair of Elton’s specs, modified with mirrored lenses, and glittery-gold monograms, all framed by some tinsel and baubles. Passersby were encouraged to step into the build, where they were gifted with an audio snippet of the song.

So hop aboard the turntable platform, and step into Christmas with Elton, courtesy of DIABOLICAL.

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DIABOLICAL and Kilimanjaro Live welcomed back the monumental tour with six different creative billboards across London, Manchester, Sheffield, Cardiff, Liverpool and Birmingham. Portraying the gravity of the Martian invasion (as well as the dates of each show), the builds featured several Fighting Machines – as if they had been teleported from 1898 – towering over the streets, leaving a wake of destruction across each site. The billboards, just like the show, are not to be missed.

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Since 2022 their Scotland-based members have been contributing short stories, memories, poems, photographs, and illustrations to open-calls on themes exploring their personal experiences, challenges and traditions – resulting in an inspiring archive of monthly zines.

For International Migrants Day 2024, JACK ARTS Scotland has partnered with Migrant Voice to share some of these stories, poems and artworks at takeover sites on Duke Street in Glasgow, and Wishaw Terrace in Edinburgh. The powerful narratives shared on street-level sites help amplify their message and bring visibility to their vital work.

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To bring this exciting collaboration to life, JACK teamed up with Talon Outdoor to create a dynamic billboard that perfectly captured the essence of this bold new partnership. The design featured a striking visual, where the poster appeared to be torn open, revealing the powerful blend of Captain Morgan and Pepsi MAX beneath, symbolising the unveiling of this epic new offering. 

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The new mural, developed with Lawless Studios and local school children, features spaces and buildings on Old Kent Road represented as vibrant fruit-label motifs; the labels depict places of worship, restaurants and community halls, a reminder of the rich cultural diversity of the area. The new bridge design aims to help to connect people and give a sense of the area being ‘a home from home’ for its inhabitants.  Our 10 in a row dedicated arts panels situated below the bridge, that show a rotating display of community arts initiative throughout the year, were transformed to highlight the key achievements and stakeholders in the bridge’s vibrant regeneration.  Paired with our large 48 sheet billboard on the opposite side of the road, the poster spaces provided a natural extension of the mural and backdropped the launch activities.   The celebratory event was a moment of joy and togetherness, with residents, council representatives, school children and businesses gathering to see themselves represented across the newly transformed bridge – a homage to the  exciting communities that call the Old Kent Road home.

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Teaming up with St Marks Studio, JACK created a larger-than-life cheeseboard at 1 Quaker Street that is sure to get some stomachs rumbling in Shoreditch. The 48-sheet charcuterie towered over East London and had all the favourite accompaniments centred around the heart of every good cheeseboard: a wheel of Boursin. Tearaways of festive cheese recipes were attached to the street-side posters below, bringing a plate of inspiration to passersby. Is this our cheesiest build so far? You brie the judge.

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The City and Its Uncertain Walls is a love story, a quest, and a heartfelt tribute to books and the libraries that preserve them. This moving novel offers a parable for our times of uncertainty, exploring themes of change, connection, and the power of storytelling. 

To celebrate its release, Jack Arts and Havas Entertainment brought the book’s world to life by mirroring its lenticular book cover design into dynamic billboards. The creative campaign allowed us to showcase both covers of the book and its two distinct worlds, presented as an interactive lenticular experience on Leonard Street in London and Oxford Road in Manchester. As people moved past, the design shifted before their eyes, offering a visual journey that captured the book’s essence.  

Additionally, we enhanced the celebration with a captivating window installation and mural at Foyles Bookshop in London, further immersing readers in the magic of The City and Its Uncertain Walls.

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BUILDHOLLYWOOD Scotland had the pleasure of inviting Wood to present her work on some of our sites across Edinburgh and Glasgow for our ongoing Your Space Or Mine series. Harking back to the signed celebrity postcards of old Hollywood, the artwork, which was presented across 48 sheets, 16 sheets and 4 sheet takeovers across the cities, played with ideas around the idolation and artifice of fame.

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The group of new small works in oil on canvas, viewed at an intimate level in the gallery are brought in front of the viewer at large scale street-side, forcing passers-by to meet the gaze of the ‘masked’ subjects. The playful yet unnerving portraits are delicately painted, akin to religious frescos and displayed alongside paintings of houses shrouded in darkness or ablaze in the night. The paintings provide a bizarre visual narrative almost like a cartoon-panelled folktale across the poster sites, ‘mock-laughing at the absurdity of modern life’.

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‘For the collector, the curator and the simply curious’ MAF is one of the highlights of the contemporary arts calendar, JACK ARTS partnered with them once again to bring their bold campaign to the streets of the city in the lead-up to the opening.  The site-specific poster designs feature Kate Matsevych’s vibrant acrylic on canvas piece entitled ‘I’m not looking’ – the work was selected for the campaign due to its bold colour pallet and eye-catching cut out form, Matsevych is represented by Dalloz Contemporary.

From artist displays and gallery showcases to art talks, creative workshops and book signings, MAF provides a vital platform for working artists and brings the works to wide audiences in an accessible way.

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We brought the sisters centre-stage in a series of creative takeovers across London, including bold 48 sheet creative billboards that bring the characters to life as they swing upside-down from the frames in their tutus and get messy with paintbrushes, our Old Vic takeover site is transformed to continue the street-side narrative, with splats of playful colour that extend out of the frame into the surrounding environment. A fun campaign to bring National Theatre’s big family Christmas show to life this year.  

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Coinciding with their installation at King’s Cross, JACK and YoungMinds plastered their call throughout Bristol, Cardiff, Edinburgh, London and Manchester. Quotes from over 1,000 young people, juxtaposed against vibrant gradients, detailed single, yet shared, experiences in everyday life on feeling crushed and weighed down. The billboards were seen far and wide throughout our cities, asking passersby to take action for better youth mental health. “The youth mental health crisis isn’t caused by one thing. It’s a million tiny things that add up.”

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JACK ARTS Scotland partnered with Strange Field for Kearsley’s first major solo show, taking her work out of the gallery and onto the city’s streets through a takeover of Duke Street, alongside hosting a selection of the works in our West Graham Street lightboxes. We also helped bring the street-format into the gallery space by printing and installing one of the artworks at 48 sheet scale within the main exhibition space – a huge, custom photographic monolith to bring the old print factory space to life.

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To bring the immersive power of Meta Quest to life on the streets, JACK partnered with St. Marks Studios to take over some of London’s most iconic hotspots. The striking artwork on display vividly demonstrated the realism of Meta Quest technology, blurring the line between virtual and reality in a way that captured the attention of every passerby. 

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In partnership with JACK and Talon Outdoor, the campaign took over the streets of Liverpool, Manchester, and London, bringing the powerful message to life. The striking artwork, with its bold, eye-catching colours, draws attention to the defenders’ vital role in the game, engaging passersby and reminding them that true strength lies in teamwork and discipline. 

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Having made their way onto UK shelves (and into baskets) this summer, JACK, alongside And Rising, welcomed their launch with a ‘Devoted to Delicious’ campaign across our iconic 1 Quaker Street, in the heart of East London. The build was a celebration of their heritage and dedication to flavour, with a towering punnet of blackberries sitting within the Shoreditch skyline. The takeover welcomed passersby to some free fruit by simply following Driscoll’s on Instagram (with a live follower count attached to one of the 4 sheets) – challenging their tagline “Try one punnet & you’ll be devoted too.” The campaign made an unforgettable first impression, saying hello to their first UK customers in the most delicious way possible.

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Working with Kinetic and JACK, H&M went big, for all the right reasons. Taking over our sites throughout London, the campaign artwork featured striking portraits of some of the garments from the collection. Each poster detailed the dates and locations of the physical relaunch across seven global stores, followed by the online drop – ensuring fashion lovers around the world can get in on the collaboration.

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From figurative stories to bold abstractions, our sites were awash with colourful illustrations, linocuts and screenprints from artists including Risotto Studio, Lauren Morsley, Sanni Pyhänniska and Tommy Brentall with their work presented on a range of our Glasgow drums, alongside a 6-in-a-row takeover at Dunbarton Road.

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The venue’s lasting impact is still felt today, its histories woven into the fabric of the city. Together with Headline Book’s we installed a creative billboard that encouraged passing locals to share their own stories of the club and add their narratives into the tapestry of memories.   The poster site, fittingly located across the road from the iconic nightclub’s entrance, was transformed into an old-school blackboard.  From the nostalgic and wholesome to the debauched and NSFW, the billboard brought handwritten memories flooding back onto the city streets almost four decades after it first opened its doors.

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Not surprisingly, real-life Trump was irked by the depiction, taking to social media in a frothing rage and sending an unsuccessful cease-and-desist from his lawyers to the producers. Born out of this rage was a quote from Steven Cheung, Trump’s campaign communications director, which was recently plastered on billboard sites throughout London, to promote the film’s release – courtesy of JACK of Talon.

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Working with Total Media we delivered a campaign across the Scottish capital, plastering our sites with the call to action ‘FREE JOHN REBUS’ on top of the promotional posters – a simple and eye-catching approach to take the campaign to the next level.

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Bristol Beacon is the city’s largest concert hall, welcoming a season of big hitters from Jules Holland and Adam Ant, to movers and shakers Confidence Man and Arooj Aftab; a storming Autumn line up that we took to the streets for the Bristol Music Trust. From large format billboards that invite passerby into the club setting to streetside events listings featuring a host of acclaimed names and already sold-out shows, the citywide takeover connects us to one of the city’s most inclusive venues that makes ‘space for music every day, with everyone.’

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The campaign featured an engaging tease-and-reveal concept, with posters hidden with flower-shaped, scented tearaways. We used micro-encapsulation technology to infuse the prints with the new fragrance, allowing the public to experience the scent firsthand. Each tearaway also included a QR code that directed consumers to the perfume’s purchase page.

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Their latest instalment, which aligned with the 2024 edition of Dundee Design Festival, presented a selection of images created by UNESCO City of Design Dundee Photo Walk participants. Led by local photographers Ben Douglas and Pete McConville, each walk explored ways to capture the city’s architecture, people and character through the lens of photography.

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Throughout August and September, size? invited customers in their UK stores to write uplifting or empowering messages on postcards for strangers. The response was overwhelming! This incredible outpouring of positivity inspired a collaboration with both brands, JACK, and Smart Media to launch an out-of-home campaign in Manchester and London. Our goal? To share these inspirational messages from complete strangers and spread some much-needed positive vibes. 

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Featuring words in the form of short stories and campaign imagery of the real life couples, JACK worked with Posterscope to deliver some of the love into the streets. Displayed affectionately across our sites throughout London, the campaign shares an insight to love stories almost never told.

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JACK ARTS Bristol partnered with the festival for their second edition, to bring the launch moment to the streets of the city, and spotlight some of their talent; preparing the city with a takeover campaign that instilled a sense of arrival.

The striking poster artwork flowed across our large format billboards and citywide takeover spaces – a red ribbon traced the city, visually representing this year’s theme ‘the world, a wave’ the posters also previewed a snapshot of contemporary photographic works from a selection of the exhibiting artists, including Hashem Shakeri who is exhibiting at Bristol Museum & Art Gallery, Sarker Protick who’s work can be seen at St. Paul’s Crypt and Kirsty Mackay who’s work is displayed at Bricks St. Anne’s House. A powerful creative display to mark the opening week of the internationally acclaimed festival that takes over venues across the city this month.

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This summer, JACK partnered with Rapport to launch Estrid’s summer campaign across London, including a site takeover at 1 Quaker Street. The campaign served as a refreshing counter to the unrealistic body images often promoted during the summer season. The campaign empowered consumers to embrace their confidence, showcasing eight ambassadors from diverse backgrounds, each celebrated for their unique individuality.

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With Liam Gallagher back in Berghaus and Oasis taking over the cultural conversation with their reunion tour announcement, this campaign turned heads at every corner. Vibrant artwork flooded the streets of London and Gallagher’s hometown of Manchester, ensuring that everyone knew Berghaus was back with its iconic best-seller and that Liam was once again proudly wearing it.

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JACK showcased this vision on the streets of London and Manchester with a city-wide takeover’s, featuring the eye-catching red artwork everywhere. From kiosks to mega sites, JACK made sure every stylish girl knew what the must-have shoes are for the summer.

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JACK ARTS Scotland partnered with Williams to present portraits from the project at sites across Edinburgh, alongside a full takeover at Wishaw Terrace to coincide with World Mental Health Day 2024.

On the street-based partnership, Williams said: “I hope by exhibiting the portraits in these public spaces we can encourage everyday passers-by to reflect on and engage with the topic of mental health – particularly those who might be less inclined to participate within a more conventional exhibition environment.” @talk.portraits

A list of mental health charities and organisations can be found on the TALK. website here.

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JACK, Pablo and Rock Soup Media created a streetside challenge by turning two billboards into a Gymbox workout. The interactive activation, named ‘Start Line’, was a 10 metre sprint, complete with a start and finish line, encouraging passersby to challenge their mates, themselves, or anyone up for a quick dash. Gymbox staff were on site with velocity speed guns so people could measure their speeds amongst themselves, as well as the qualifying times of Olympic and Paralympic athletes. Start Line reminded the streets of the brand’s core ethos – that working out should be as much fun as going out.

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JACK with Kinetic played a key role in amplifying H&M’s cultural relevance taking the message to the streets with a striking poster campaign, including kiosks and impactful site takeovers across London and Manchester. 

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… but this is not bingo as you know it, the acclaimed sold out, chaotic Bingo Lingo show brings an unparalleled party atmosphere, live music, dancing, fabulous hosts and stage performers. Making use of our large format poster sites across the city as well as our bespoke temporary paneling in key student hotspots, the campaign reinvents everything we thought we knew about bingo and welcomes us to explore a new way of playing!

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Jack and Dentsu spread the monochromatic campaign across all corners of the city. The street poster campaign, featuring the AW24 collection lookbook in striking black and white, emphasized the bold shapes, silhouettes, and tailoring. With the brand’s signature blend of punk and glamour vividly present on the streets, it positioned McQueen at the forefront of the season in London’s most fashionable hotspots. 

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‘The world is very very beautiful if you look at it, but most people don’t look very much. They scan the ground in front of them so they can walk, they don’t really look at things incredibly well, with an intensity. I do.’ David Hockney – a city-wide poster display with site specific artworks encouraged the public to look up, take note, and enjoy the work of this legendary artist in a whole new light.

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Working with Mediabridge, JACK ARTS supported the Trust’s national campaign ‘Space to Feel’ – which brought idyllic panoramas out of nature and onto our urban billboards across our UK cities, encouraging people to discover and explore places in the National Trust’s care. The wanderlust creatives framed on our street-level poster sites provided a visual portal, transporting the passing viewer to tranquil UK destinations encouraging pause and connection to our great outdoors.

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JACK ARTS Scotland partnered with Ponyboy to present a takeover at Glasgow Green showcasing stunning new portraits of some of their regular performers ahead of their latest Club Kid event, featuring: Babyjaii, Miss Cabbage, Dill, Huntress, Lourdes, Maya Jaye, Pixie Chanel and Zulaa – created by photographer Kate McMahon.

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JACK ARTS worked with Altair Media to bring Craig-Martin’s iconic, colourful objects onto sites across London – including on our high-impact 48-sheet billboards on 1 Quaker Street in Shoreditch and Queens Road in Peckham, which presented the artist’s 2021 artwork Interior (with daybed) – the poster artwork and exhibition aim to inspire the viewer to see familiar things in a different light.

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DIABOLICAL teamed up with DICE for an eight week takeover in the heart of East London that featured fan-submitted artwork, revolving across our bespoke 96 sheet. From the Achilles’ heel of the dancefloor, so to speak, blurry silhouettes and portraits to energetic moshpits, the series spelt out “LIFE MOVES PRETTY FAST”. Rounding off the campaign was a collage of all the photos that got sent in, as a homage for our love of live events.

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Happening simultaneously in London and Birmingham; bet365, Octagon, Weber Shandwick and COPA90 enlisted legends Clarence Seerdorf, Stiliyan Petrov and JACK on a giveaway fit for the football fanatics. After days of generating excitement at the prospect of free tickets, Seerdorf (in London) and Petrov (Birmingham) revealed their live locations via Instagram. The first ten people to make it to either of them earned the chance to win one of four pairs of UEFA Champions League (and bragging rights). To officiate the campaign, our in-house creative studio team converted a billboard in each city into ‘THE BIG UEFA CHAMPIONS LEAGUE TICKET PRINTER’ that did exactly as it said. A larger-than-life ticket, and some even larger smiles.

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JACK worked with Out There to invite the passersby of our cities to be witness to this moment, during London Fashion Week. Featuring playful photography from the big day, the campaign celebrates the outfits just as much as the occasion, demonstrating that denim is more than a fabric: it is a means of personal creativity and expression.

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Between the floats, performers and dancers, BUILDHOLLYWOOD were onsite adding to the vibrancy of Carnival. JACK and StockX, the online resell marketplace, embraced the nuances and palette of the festival with a collage-esque creative, while JACK ARTS and AKA introduced deep shades of blue and violet, promoting Shifters on the West End. DIABOLICAL and Spotify took the seminal sounds of Carnival out of the streets and into a playlist for you to remember the weekend by.

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Throughout the summer JACK ARTS Scotland brings these festivals to life on the streets of Edinburgh and Glasgow; our poster, billboard and drum sites are a cultural noticeboard of campaigns from the Book, Film, International and Politics festivals. We partnered with the Art Festival, for their 20th birthday celebration, showcasing work from Rosie’s Disobedient Press across the city, as well as their own colourful campaign posters. The icing on the cultural cake was to once again partner with the Festival Fringe Society to highlight their community programmes and access resources – including community ticketing and sensory tools to make the festival season accessible to all.

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As well as delivering their colourful poster campaign across Edinburgh, Dundee and Glasgow, JACK ARTS Scotland partnered with EAF on their 20th birthday year to bring the work of Rosie’s Disobedient Press out onto the city streets, as a continuation of our support of the artist-led publishers which started during Glasgow International 2024. The work, a collaborative project by artists Lisette May Monroe and Adrien Howard, reflected on the landscape of the city over the past 20 years, working with archives and local organisations to look at language as a historical act of resistance. 

Alongside our city-wide display, Rosie’s presented work in print, on clothing, across windows, and at City Art Centre, where our posters were taken out of the street setting and presented on the gallery’s walls.

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JACK ARTS teamed up with the contemporary art gallery to take the exhibition’s colourful pixel-art posters to sites across the city.

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JACK ARTS Scotland delivered their eye-catching (and mouth-watering) campaign with Big Think Agency where bold typography meets larger-than-life pasta across our sites around Glasgow, from standalone 4-sheets to high-impact 8-sheets presented alongside other local and national campaigns – making it an irresistible offer to anyone walking past-a!

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To bring the long-awaited sequel to the streets of Birmingham, Edinburgh, Glasgow, London and Manchester, JACK worked with Kinetic. Echoing Beetlejuice’s iconic black and white suit, the campaign creative puts the cast, both new and old, on display across our takeover sites – injecting some much needed weirdness into our cities.

“It’s showtime.”

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Together with Rapport, JACK brought those taking on the Olympic global stage front-and-centre into the streets of London, for the duration of the games. The posters, reminiscent of 1990’s Nike with its heavy typography and bold colours, feature quotes from some of the strongest, fastest and most dedicated athletes all motivated by one thing; winning.

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Over a period of six months, the artists explored and responded to local archival content – subsequently bringing the unearthed stories to the streets of Sheffield in a city-wide artist intervention; our poster sites form part of this public narrative, including our ten in a row takeover featuring a selection of the artists’ works. The 4 sheet lead creative was selected from Patricia Bugembe’s display at Persistence Works, and recovers the story of Romulus and Remus two talented French horn playing footmen who were ‘gifted’ to Lady Rockingham in 1776. The campaign and city-wide exhibition implores us to explore the deep connection people of colour have to the region and ‘Unearth the Untold’ from our local communities.

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JACK ARTS worked with SCENE and Manchester City Council to shout about this new celebration of queer culture at sites across the city – from our striking portrait 16 sheet format to our colossal 48 sheet billboards.

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Teaming up with Energy Marketing Group, JACK helped bring Meta’s Instagram takeover to life across Manchester, Liverpool, and London. The campaign celebrated how friends—mates—use Instagram to capture and share life’s most memorable moments. At the heart of the activation was a striking mirrored ball installation, designed to reflect the vibrant energy of social connection. Passersby were invited to snap selfies, strike poses, and share their photos on Instagram, creating an interactive experience that brought the essence of the platform to the streets. The installation was as much a celebration of friendship as it was a perfect photo op, drawing people in and sparking a wave of online engagement. 

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We worked with Fruitmarket to take Mahama’s striking exhibition poster onto the streets of Edinburgh – from showcasing the work at busy commuter routes on our Haymarket and Princes St drums, to posting them at our sites in areas across the city.

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Factory International’s latest immersive takeover of the Aviva’s Studios Warehouse, is a satirical delight for all the senses. Blending cinema and animation in a surreal snack-filled world, the ‘astonishing’ exhibition follows the story of the imaginary Feel Good Chicken Company. To mark the anticipated launch moment, we have filled the city with Sweet Dreams, taking the multi-sensory experience street-side in the biggest campaign of the year. Meet Chicky Ricky, Penny Peckish and The Boss to understand what people really want in this weird and wonderful journey into the food chain.

The city-wide poster campaign is complemented with a side-order of leaflet activations at key events including Manchester Day and Comicon Mania, bringing a slice of the action to the streets this summer.

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We’re thrilled to be back in the park year-on-year, pasting walls in technicolour and creating the backdrop for the rapheads’ days and memories thereafter. For DIABOLICAL and JACK, this meant showcasing campaigns for Adidas, Amazon Music, Art Not Evidence, Live Nation, Sony Music, Specsavers and many, many more. See you back in the park for 2025, Wireless.

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JACK ARTS partnered with Camden Council and Dhaga to showcase work by artists Aaran Sian and Sarith Ratnayake which weaved together stories unique to the local Queer and Trans South Asian community on our site at Camley Street underpass. The work, created through workshops for and by the community, explored themes including Queer joy, personal and collective histories, ancestral connections, navigating a Queer diasporic identity within the city, and the community’s visions for a more inclusive future.

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Targeting the beating heart of London and Birmingham, our takeover with St Mark’s Studios stretches into the streets and shouts about individuality, as well as the coming-together of musical tastes. The campaign features testimonials of users – some famous, some not – alongside the year they joined Spotify. Shaquille, 2011, says “My Spotify would say, wow, that’s a man of taste” while Lionesses’ player Lauren James, 2013, says “My Spotify moves with me”. How well does your Spotify know you?

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To welcome the film to the street, JACK worked with St Marks Studios on an eery takeover of London, Manchester and Brighton. Featuring film-still portraits of the actors with their own faces superimposed and scaled up, the result was an incongruous campaign that leaned into the discomfort and the surreal bizzaro-logic of the film itself.

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In collaboration with DIABOLICAL, our in-house creative studio team got to work on a pair of creative builds. The first features the album artwork to Fine Art; suitably decorated in a 3m x 3m gold frame, with a “STOLEN FROM IRELAND BY THE BRITISH MUSEUM” sticker top right. While the second paid tribute to a mural the group had unveiled some two years ago, with a police Land Rover ablaze, spilling out above the billboard and smoking in the streets. The trio even stopped by to check it out and get a couple snaps for socials.

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The workshop brought participants from China, Sudan, India and Turkey together, bringing rich cultural references to the creative sessions: 

‘Their stories had an impact on me.  The dreams, families, lives they had to give up, the seemingly endless wait for the results of their applications, which almost seemed like a purgatory to me, as their new lives are unable to start until applications are approved…   

The workshops reinforced my belief that everyone is essentially an artist/creative. I will always remember how some people came along and immediately showed off their creative skills, and others, who swore they weren’t creative, but realised they actually were after they started selecting images, cutting, sticking, drawing and collaging.  The children were confident in taking part, with no inhibitions. 

For this work, it was important for me to incorporate some of the elements of participant’s family pictures, which they sent to me via mobile phone.   These are included without revealing identities and include children’s hands making a heart shape, and daffodils photographed in a city park, symbolising birth and new beginnings.  I have included the sea and the land as elements for human sustenance, also as references to treacherous and long journeys, and sand timers as symbols of their time which they have given up in leaving a place, and given again in waiting –  all in one lifetime.”  - Ngadi Smart 

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A selection of artworks from the retrospective hit the streets of London in citywide takeovers featuring self-portraits from the artists ongoing Somnyama Ngonyama series – translated as ‘Hail the Dark Lioness’ they use these reflective images to explore themes of labour, racism, and sexual politics. “The aim of my project is to speak about historical cases, confronting the politics of race and pigment in the photographic archive,” The resulting imagery resonates in poster format to the passing viewer – the arresting portraits tell their stories through styling and texture, paired with the bold white exhibition lettering making for a striking poster display.

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The participatory arts project was created through collaborative dialogue that unfolded through a series of thinking-through-making workshops. The takeovers at our sites on Maxwell Street, Charlotte Street, Eglington Street and Kilmarnock Road, which pair the resulting collages with provocations on the concept of monuments, expand exhibitions at CCA: Centre for Contemporary Arts and the School of Health and Wellbeing, University of Glasgow.

Across its locations, the project presents work created with different media and techniques including videos, collages and monuments made with the soap, with an aim to challenge and disrupt our understanding of what makes a ‘monument’ – providing space to re-imagine them as platforms for the diverse voices that make up Glasgow’s social fabric.

Monuments for the Present has been co-created by Monuments for Equality (Paria Goodarzi, Mia Gubbay and Francesca Zappia) and Beauty Osayomwanbor Nosa, Inna Hordiiko, Mehri Abdi, Rezvan Faghani, Sara Abdelnasser, Shahid Mahmood, Sadaf Syeda, Tanisha Sarkar, Tara Gomary, Tomilola Owolabi, Valentina Vodolazska and Valentyna Dolottseva from the Maryhill Integration Network Museum of Things Art Group.

In the spirit of celebration, and with the sun in full shine, we welcomed the group to our Maxwell Street site to mark the moment the work was installed by our street team ahead of the festival launch.

You can find out more on the project and explore the full Glasgow International 2024 programme here.

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For the festival, artist-led publisher Rosie’s Disobedient Press has commissioned Teneu, a book project featuring Helen Charman, Adrien Howard, Francis Jones, Mason Leaver-Yap, Joey Simons, Joanna Stawnicka, Lisette May Monroe, and Martha Adonai Williams, with illustrations by Sasha Staicu.

The Glasgow-based publisher’s work centres on writing from marginalised perspectives with a focus on queer, working class and feminist writers, and this project explores the mythology of Teneu, also known as St. Enoch, Glasgow’s forgotten mediaeval first mother and parent to St. Mungo, the city’s patron saint. St. Enoch is rumoured to be buried under Glasgow city centre’s largest shopping centre, a dominating glass pyramid building and the only thing in the city that bears her name.

Alongside delivering a promotional campaign for the publication around the city, we were excited to work with Rosie’s Disobedient Press to platform elements of the publication at our dedicated art site on West Graham Street. The lightboxes presented a series of illustrated ornaments by Staicu that feature throughout the publication, alongside lines taken from the commissioned texts in English and Gaelic.

‘I have been an outsider to Scottishness before I wedged myself into it and I remember finding out that the thistle is the national plant of Scotland. I saw the thistle with an outsider’s eyes and felt moved that such a thorny unapproachable plant would be treated with fondness. In time it became invisible to me again – too omnipresent to register as real. When I was working on the cover I thought of how a thistle is like an inverted rose – feminine but violent, persistent, cultivating of self, defender of its own right to exist. It became unfamiliar to me again, and in this way I saw it as new. I pictured the urban legend of Teneu being buried under the eponymous St Enoch. I pictured her legend and legacy permeating it, the dirt under it, the sky above it. I pictured her entering and stretching any frame she is in, the cover frame, the triangle. Glasgow as a structure of frames into which her network of stems and roots and thorns and flowers will inevitably grow.

In drawing the ornaments I thought of roots, of esoteric trinkets, of objects that just through their present invoke a different time, of objects that are timeless. Symmetry felt really important – of two sides meeting in the middle or growing from the centre outwards, of balance.’ – Sasha Staicu

You can find out more on the project and explore the full Glasgow International 2024 programme here.

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Le Bas creates work that exists at the intersection of the personal and the political, aligning their experiences as a Romani person with perspectives on land, movement, gender, and discrimination.

Presented on our sites across the city for the celebrated contemporary art biennial Glasgow International – the piece is based on an original artwork first produced for Safe European Home? an installation Le Bas and her husband created outside the parliament building in Vienna.

Le Bas speaks of the origin of the work in 2005 ‘I was alarmed that the Conservative party took about full-page adverts in the tabloids and broadsheets wanting to take away the Human Rights Act for Gypsy, Roma and Traveller people in the U.K… of course this has been an ongoing campaign against many people since that time.’

Delainia: 17071965 Unfolding is presented at Tramway until 13 October, as part of Glasgow International. You can find out more on the project and explore the full festival programme here.

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The instant New York Times best seller and winner of the Women’s Prize for Non-Fiction, journeys down a rabbit-hole of conspiracies and misinformation online, exploring how its rise has inadvertently been fuelled by political motives. Kickstarted by a true case of mistaken identity online, where the author was continuously mistaken for a right-wing anti-vaxxer sharing the same first name, the book documents Kleins obsession with the ‘Other Naomi’, her doppelganger, and the ‘Mirror World’ of wild conspiracies and right-wing paranoia she exists in.

We worked with Havas Entertainment to bring the campaign to the streets of London, featuring the book cover poster design in 4 sheet format. Klein’s digitally altered self-portrait fills space and repeats across our takeover sites – one Naomi? Two Naomi? Three? A paper and paste copy and paste, a clever use of space to visualise the book’s title and bring the extremities of the digital word crashing back to reality. 

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We teamed up with DocFest again this year to bring the energy of this major annual festival to the streets of Sheffield, transforming sites across the city with a trippy repeated poster design in bright pinks and purples, sure to catch the eyes of residents and visitors alike.

The post Sheffield DocFest 2024 first appeared on BUILDHOLLYWOOD.

Amidst the festival season, we took to the streets to drum up some noise and excitement. The venues iconic “For twelve weeks the city is ours” slogan, which has reimagined and reinterpreted for over a decade now, was postered up in London and Manchester across our bespoke 96 sheets. Accompanied by a run within the walls of Parklife, the campaign is sure to resonate with those within the scene.

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To launch the album into London, we worked with XL Recordings for a takeover on our 1 Quaker Street site. Supersizing the album creative, featuring Gou in a bespoke mirrored headpiece designed by Olafur Eliasson, the build also promoted her Gunnersbury Park headline show and was supported by a wall-to-wall fly campaign throughout London and Manchester. Peggy even made an ecstatic trip down to the billboard herself and shared it to her 4 plus million followers.

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We brought the collaboration to life with a multi-format, tease-and-reveal campaign throughout London; across billboards, banners, kiosks and takeover sites. The campaign championed star athletes navigating the wild Californian landscapes, while the joint logo, a fusion of LOEWE’s iconic ‘L’ anagram and On’s more modern typography, symbolises the partnership and was seen far and wide in the streets.

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Displayed at the Walker Art Gallery, National Treasures: Velázquez in Liverpool challenges traditional readings of the painting by setting it alongside both ancient and contemporary works from National Museums Liverpool, including those by women and non-binary artists such as Ethel Walker, René Matic, Zanele Muholi and Harriet Hosmer.  

Collaborating with JACK ARTS, National Museums Liverpool announced the painting’s arrival with a creative billboard in the heart of the city. The campaign featured an ornate golden frame, displaying the painting alongside a mirrored panel, echoing The Rokeby Venus and encouraging passers-by to reflect on the statement “beauty is staring back at you.” 

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To mark the brand’s centenary, we worked with Kinetic Worldwide to take over the streets of Manchester with a vivid and commanding poster campaign. Posters showcased Belstaff’s new anniversary capsule collection with powerful portraits of Welsh artist Edie Ashley, in-house designer Ollie Barton, curator and film producer Peter Ogunsalu and model Amelia Backman, tiled alongside bold typographic designs in the brand’s familiar orange and black palette, and announcing the opening of their new store on the city’s buzzing King Street. 

The post Belstaff: Our First 100 Years first appeared on BUILDHOLLYWOOD.

In anticipation of the free community event, JACK ARTS worked with local design studio Peter & Paul on a rainbow-infused poster campaign, boldly announcing the line-up and bringing some sparkle to the streets of Sheffield.

The post Kelham Pride ’24 first appeared on BUILDHOLLYWOOD.

Seeking to target young, tech-savvy creators and generate preference for the platform in the context of an ever growing market, YouTube enlisted the help of DIABOLICAL and Wonderhood Studios. Together, they crafted a campaign to encourage content creators to make the most of Youtube’s long and short form capabilities, postering snappy creative in the heart of their neighborhoods.  

In the end, the message is clear: Make what you love, and YouTube will take care of the rest.  

The post YouTube: Make It first appeared on BUILDHOLLYWOOD.

Tate’s latest exhibition Sargent and Fashion sheds new light on the artist, examining how a remarkable painter became a ground-breaking stylist. Meticulously fashioning the image his sitters presented to the world through their sartorial choices, Sargent created gloriously rich but subtle portraits that continue to captivate today.

Echoing contemporary fashion photography, JACK ARTS teamed up with AKA on a minimal but chic poster takeover campaign that brought Singer Sargent’s perfectly poised portraits of wealthy late 19th and early 20th century patrons, dancers, actors and singers to the busy streets of London, inviting passers-by to take a closer look. 

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To launch the foundation’s new #LoveYourLadyGarden campaign, JACK ARTS rose to the occasion, joining forces with Havas Lynx to ensure London was in full bloom. Posters and billboards across the West End were adorned with cheeky, head-turning roses to coincide with the RHS Chelsea Flower Show, encouraging women to recognise the symptoms and vulval cancer – and let their own gardens bloom. Using a stand-out pink and pastel colour palette, the campaign caused a stir across social media, promoting Lady Garden’s free downloadable care guide. 

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The takeover sites across London include bespoke tearaway installations, featuring a reimagining of her artists book ‘Grapefruit: A Book of Instructions and Drawings’ originally published in 1964, which had become a pillar of conceptual art. The interactive sites hold reproductions of pages from the book, containing a series of ‘event scores’ (which are performance art scripts that describe actions to be performed rather than dialogue).  We took these immersive instructions onto the street, for passers-by to tear off and interactive with, following the instructions if they wish. The campaign aims to engage with the public outside the gallery walls, bringing conceptual art to the shared space.

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We had the pleasure of sowing the seeds of what they’re doing into the streets of London, Brighton and Bristol, for their first major OOH campaign, alongside Kinetic. The billboards, much like their packaging, bring some much-needed green into the cities and feature playful taglines such as “The Father, The Sun, and The Holy Toast” and “Things Can Only Get Butter”. They’re also the only bread to have a disco ball on it.

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Veteran Parklife illustrator Guy Field brings a visual shakeup to the brand for his 8^th year designing, in the form of pop-art inspired cartoon shapes and a restricted primary colour pallet that pops on the street.  Parklife kickstarts a summer of festival fun, and it couldn’t come sooner.

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To bring this unique experience to life, JACK ARTS and Talon Outdoor unveiled a striking lightbox billboard campaign that lit up the streets of London after dark. Designed to reflect the enchanting allure of the Zoo at night, the billboards captured the imagination of passers-by. As well as a wider citywide paper and paste takeover to spread the word about London Zoo’s latest attraction.

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This spring, led by illustrator and artist Tommy Brentnall, The Hundred Club approached us to create a ‘Billboard in a Day’, inviting its members to work with typography, graphics, writing and drawing to produce a huge billboard design to reflect on the issues they care about the most – from war to housing, climate change to racism. After some careful planning and mini-modelling, the club’s young members created a splash on the streets of Woolwich, showcasing their powerful messages on a giant scale, giving passers-by some food for thought.

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By reframing ten toxic myths about ADHD, from ‘I am lazy’ to ‘everybody hates me’, the couple’s new book Small Talk empowers ADHD-ers and those who love them to break free of neurotypical standards and live their lives with more compassion, humour and hope. 

To celebrate the book’s publication, JACK ARTS teamed up with Penguin to create a unique interactive billboard. Richard and Roxanne hit the streets of London, inviting passers-by to fill in colourful speech bubbles with their best advice for living with ADHD and attach them directly to the billboard. The colourful street-side campaign also offered a free audio sample of the book via QR code and created a buzz around the book’s launch across the couple’s social media channels.  

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DIABOLICAL and Pals Agency collaborated on a campaign that captured the beauty of SXSW, influenced by the sights, smells and streetlife of East London, the new home to SXSW London. The campaign embraces the many disciplines that the festivals pulls and the languages spoken across Europe, in an eclectically-visual, typeface-clashy, fluorescent campaign across billboard sites in Hackney and Tower Hamlets.

The post SXSW London first appeared on BUILDHOLLYWOOD.

The juice giant enlisted the help of JACK and Talon to create this larger-than-life spillboard to hero the true star of the show: the mighty orange. How better to say than with an orange tall enough to rival the Shard?  

Showcasing that only premium fruit makes its way into their cartons, Tropicana showed consumers how they stand head and shoulders above the rest – by prioritising quality ingredients, straight from the source. Talk about the juice being worth the squeeze.  

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The mind-bending lenticular billboard, which oscillated between dreamy shots as viewers passed by at street level, mirrored the singer’s disco-tinged sound. The campaign created a splash on social media, with fans eager to know where the billboards could be found in person. The result? A campaign that cut through the noise and created a lasting impression, long after fans had passed by.  

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To welcome in the festival’s 2024 lineup which celebrated the originators and innovators of club culture, GALA went big. Working with our music festival experts, DIABOLICAL, the festival took over some of London’s sunniest sites, included our Broadway Market 96 sheet. GALA prides itself on its visuals and 2024 was no different, with vibrant artwork reminiscent of London’s wildflowers. Bring on another summer of sound.

The post Gala Festival: 2024 first appeared on BUILDHOLLYWOOD.

Team Love joined up with JACK ARTS to bring a ‘f***ing good party’ to the streets with an attention-grabbing poster campaign in Bristol. Revealing 2024’s heavy-hitting headliners Camelphat, Rudim3ntal, Sub Focus and The Streets across key billboard sites in a splash of spring colour, the campaign was sure to kick off another special festival season in style. 

The post Love Saves the Day 2024 first appeared on BUILDHOLLYWOOD.

Teaming up with Island Records, we welcomed Silence Is Loud to the birthplaces of Jungle; London and Bristol, as well as Manchester and Brighton. The campaign was rolled out with two different creatives. The first showcased Nia dabbling in Brit-pop iconography while the second reflected the album artwork; allowing for passersby to get up-close-and-personal with an artist living passionately in the moment while rushing into the future at breakbeat speed.

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Nike saw this an opportunity to go big and bold in front of 50,000+ runners – and boy, did they deliver. JACK and Rapport hit the ground running (or hit the ground where they run, more so) with a bold campaign plastered across our billboards on the route. “Never again, see you next year.” captured the duality of the runners perfectly, as despite the gruelling endurance, more people sign up year-after-year, looking for that challenge.

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Painted in their signature blue, the Sandbox was converted into a retail space with 20% off in store purchases, as well as a workshop overlooking the street where event-goers could customise an exclusive MALIN+GOETZ tote – perfect to take complimentary products home in. Guests also sampled a series of their iconic fragrances and candles, while enjoying a free cocktail in collaboration with East London Liquor. Expanding the brand experience onto the surrounding streets, we created a sustainable tearaway billboard with exclusive offers for MALIN+GOETZ as well as local brands and businesses. Community really is king.

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We took a familiar selection of Enzo’s 1965 ‘Nature Series’ to the streets of London in a head-turning take-over campaign, the bold black feline outline of La Pantera, tiled alongside the crisp green Pear and vibrant red Apple – iconic artworks across our London poster sites to launch an even more iconic retrospective of his career.

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Exploring a range of different Lomography cameras during a collaborative workshop with Tiny Changes, Scotland’s first national youth mental health charity, a group of young carers aged 12–15 years old were encouraged to view the world in unexpected ways through the camera lens. Over 400 images were shortlisted to 12 to showcase in a city-wide public art display across our poster site and drums in Edinburgh.

Khadea, who led on the project, said: ‘Our public parks are places we connect, shift our perception of the everyday through the magic of analogue. Through this workshop, we captured what it means to be outdoors in green spaces and finding moments of joy!’.

In the spirit of working to help young minds feel better, this creative project offered the group respite from caring responsibilities, a sense of belonging and connection to their local environment.

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When Forms Come Alive showcases “irregular eccentric forms that have a sense of life” – From giant disco-balls and vast rooms full of bulbous forms, to walls of foam that fizz gently in the warehouse-style space; the works are inspired by movement and the fluidity of our shared experience.  The broad spectrum of works and styles within the walls of the exhibition is echoed in the array of sites selected for our launch campaign on the street. From our new digital screen at Waterloo to our mega 96 sheet at Broadway Market and all street-level formats in-between, London was introduced to a selection of the eccentric sculptural forms to open the show.

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Collaborating with Hay again this year, JACK ARTS spread news of their 2024 festival across billboard and takeover sites in Birmingham, Bristol, Cardiff and London. Highlighting the breadth of the programme, their poster campaign mixed graphics and text in a dazzling checkboard effect, including some of this year’s bumper line-up, featuring Caitlan Moran, Jacqueline Wilson, Nish Kumar, Sara Pascoe and Stephen Fry, alongside photography of the festival’s visitors and events. 

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We worked with RCA Records to launch Cowboy Carter into the streets of London, Bristol, Birmingham and Glasgow with a creative that featured a side-saddling Beyoncé in a traditional pose and costume. The campaign rounded up a plethora of our formats, including; projections that took over the night sky, paper-and-paste across walls and billboards, a creative build of the ‘goddess of America’ on our new Platform site, a cameo on the Outernet digital screen and even a feature in underground. Yee-haw.

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Highlighting the important role water plays in the lives of the people of Scotland, their new multi-channel campaign ‘Piped by Us. Owned by You.’ urges everyone to value and safeguard this invaluable natural asset. JACK ARTS Scotland joined forces with Talon and Scottish Water to take this vital message to Glasgow’s streets with a campaign inspired by the nation’s breathtaking landscape and its people. This included street posters and a striking photorealistic mural created by local artist Rogue One, now proudly exhibited at Scottish Water’s offices. 

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To welcome to new look to the streets, we worked alongside Threepipe Reply; taking over poster sites throughout London, Birmingham, Liverpool and Manchester. The creative featured familiar faces from all three national squads representing the new home-and-away garms off the pitch, before doing so on the world stage. 

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To mark the occasion, DIABOLICAL worked with DEFECTED to bring their new look to the streets of London. Merging old school with the new, the neon posters were seen far and wide, across our takeover sites and billboards, and celebrated the label’s community that they’ve successfully built. House Music All Life Long indeed.

The post DEFECTED first appeared on BUILDHOLLYWOOD.

DIABOLICAL and Talon took to the streets of London with a campaign welcoming the pair back. Pastel-hued posters coloured the hearts of Hackney, Islington, Camden, Shepherd’s Bush and Peckham, in iconic fashion for an equally iconic duo. 

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To celebrate Prostate Cancer Awareness Month in March, this cheeky creative raises awareness that prostate exams are often not the intrusive and dreaded finger-up-the-bottom. Instead, a simple blood test taken from the arm.  

As such, even though the campaign appears to be bums on billboards – they’re much less shocking (and cleverly angled) shots of arms.  

Crowned Campaign’s Ad of the Day this campaign breaks down the stigma around a stubbornly taboo issue. 

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It’s high time his story was told, and Tales from the Dancefloor, co-authored with bestseller Luke Bainbridge, reveals stories from the scene that explore the people, parties and politics that make Manchester thrive. We worked with Harper Collins to bring the story to life on the street of the city he lives and breathes; the book cover design reimagined on poster sites, takeovers and billboards across the city including hand-picked sites near the venues the book revisits, with bold neon green lettering and archival after-hours imagery. 

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JACK ARTS Scotland partnered with Articulate to launch a new groundbreaking street poster campaign, #StartWithArts, taking over the streets of Glasgow with poetry written by the charity’s young Creative Changemakers. Amplifying young Scottish voices in bold black and white, the campaign celebrates a landmark moment for children’s rights in Scotland, the first devolved nation to incorporate the United Nations Convention on the Rights of the Child into domestic law, as well as highlighting the importance of breaking down barriers and challenging stereotypes. Articulate’s Laura Frood explains, “through this campaign, we aim to not only increase access to artistic opportunities but to transform lives and foster a sense of belonging within the arts community.” 

The posters included a QR code to find out more, encouraging passers-by to pledge to support their campaign, as well as take part in a series of coinciding workshops, exhibitions and events designed to engage and empower Scotland’s care-experienced youth. 

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We brought the brilliance of the collection out of the ocean and into the streets of London with the help of Energy. Shimmering with brilliance, the campaign featured bright white-hued crystals and strands of pearls, meticulously cast in both sculptural forms and fluid shapes, in a hypnotic blend of art and experimentation.

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DIABOLICAL worked with Rapport to channel some of that cosmic energy into the streets of London with a series of mirrored takeovers across our poster sites. Passersby, of the curious kind, could stop and have a moment of reflection before getting an answer to some of those big questions posed with a recommended song.

“Is my outfit cute?”
“Yeah Yeah Yeah” (BLACKPINK)

The post Spotify Song Psychic first appeared on BUILDHOLLYWOOD.

With a creative that kept it ultra-localised, Epidemic took over poster-sites in Hackney, Camden, Islington and beyond with Rapport. The eye-catching takeovers championed a highly-expressive collage, featuring an eclectic clash of vintage 1800s illustrations, modern 3D renders and everything in between. An image best used to describe the boundless creativity that is possible with Epidemic Sound. 

The post Epidemic Sound first appeared on BUILDHOLLYWOOD.

Transforming our venue spaces at 1 Quaker Street, Shoreditch, Pirate championed their mantra of ‘showcasing the sound of tomorrow,’ by inviting guest DJs, plus residents and headliners for a one-off event that was free to those who registered.

Over the course of three days, The Sandbox hosted over 100 DJs to the event, each playing a 15-minute slot in the custom booth, covered by multi-angle cameras to capture promotional content for the participating artists. Emerging DJs from Pirate’s burgeoning music community were encouraged to apply for a slot – shining a light on the brand’s grassroots ethos. Headliners included frontrunners from the underground electronic scene, including re:ni, Scratchclart and Angel D’Lite, who offered up extended sets.

Friday saw The CarWash transformed into an intimate gig venue, as Harleighblu, Good Health Good Wealth, Shaun Sky, BINA and, winner of the BBC’s UK Rap Game, LR Loose performed to a receptive east London crowd who were treated to more-than-music, with access to a bar and bespoke merchandise from the event.

Taking the Pirate experience outside of studio walls, the activation was completed by colouring the surrounding streets red and white with a bespoke postering campaign – driving client brand awareness in this key creative hub of the capital.

The post Pirate: Tomorrow’s Sound Here Today first appeared on BUILDHOLLYWOOD.

To bring the inaugural initiative to London we worked with Rapport to spotlight the festival in deep-blue and green tones. Featuring monochromatic portraits of the collectives ambassadors, the poster campaign went deep into the streets of north, south, east, west, and everywhere in between.

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Teaming up with Kinetic, JACK ARTS produced a minimal but powerful creative billboard and poster takeover to bring the book’s cover to life on the streets of London, with an eye-catching giant pack of cards spilling from the frame. At night, the billboard lit up to reveal a single illuminated window pane, with the silhouette of a lone figure looking out onto the city, evoking the themes of the book but also reflecting on modern-day traders who continue to roll the dice on the global economy.  

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Taking inspiration from her floral bed featured on the album artwork, DIABOLICAL crowned the billboards with a floral arrangement, created by flower and garden designer The Terrace London, bringing some much needed green into the streets.

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To celebrate, DIABOLICAL teamed up with Atlantic Records to produce an interactive billboard featuring motivational and inspiring messages left on sticky notes, leaving an impression on audiences long after the track has finished.  

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Now in its sophomore year, Rally is set to unfold admist the majestic trees of Southwark Park in August, featuring a headline performance from Mount Kimbie, as well as sets from the likes of Call Super, Actress, Nilüfer Yanya, DJ Marcelle and more.

In preparation, DIABOLICAL worked with the festival on an unmissable takeover throughout London, celebrating its dedication to music discovery with posters reading; ‘BEAT THE ALGORITHM’, ‘RESIST MONOCULTURE’ and ‘EMBRACE DISCOVERY’. 

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We teamed up with Nothing for a teaser campaign in the Shoreditch tunnel. With the rear cameras of the Phone (2a) resembling eyes, a graffiti artist was invited to add a wink of anthropomorphism to the mega-monochromatic-site.

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World-renowned relationship expert and co-host of Celebs Go Dating and Married at First Sight UK Paul Brunson offers a guiding light through this dizzying landscape in his new book Find Love. Filled with insights and heartfelt advice, this empowering toolkit is designed for anyone seeking genuine connections in the 21st century. 

Hooking up with Penguin for the book’s launch, JACK ARTS created an interactive billboard in the heart of London, asking passers-by to share how they define love. The chalkboard was framed by bold graphic posters, evoking the book’s pink and red cover, which offered a download of a taster chapter via QR code. An appearance from Paul himself caused a stir with fans, both IRL and across social media, and the campaign was featured on Channel 4’s Sunday Brunch the following weekend.  

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Built on their belief of a playful mindset being a healthy one, we collaborated with Rock Soup Media on a creative build across two of our 48 sheets in Whitechapel that celebrated (loudly, with toy megaphones) the brands latest in-store ranging. A bespoke bench was installed at the foot of our site where the Surreal ‘sales team’ (who were secretly the co-founders) sat and handed out samples for those wandering passed. The world is serious enough – there’s no reason breakfast has to be.

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Collaborating with Fraser Muggeridge studio, we brought Commercial Type’s Commercial Classics campaign to our London poster sites in 2020. Now, to coincide with a lecture tour by the type foundry’s co-founder Paul Barnes, we’ve partnered with Fraser Muggeridge again to launch a ‘meta’ campaign on the streets of Glasgow, Dundee and Edinburgh, using graphic imagery from their 2020 campaign to spotlight posters… on posters. 

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On Valentine’s Day, Don’t Panic launched a ‘love calculator’ via their website, to help couples assess the compatibility of their relationship under new Conservative policy that comes into effect this Spring. Dubbed as the ‘Cost of Loving Crisis’, data suggests it would be impossible for up to 70% of UK workers, including nurses and teachers, to bring their family into the UK, as the earning bracket required for a visa is set to rise £29,000 in Spring 2024, and again in 2025 to over £37,000. 

Using our billboard site in Whitechapel, our new digital site near Shepherd’s Bush roundabout, and flyposters across London, we shared a QR code that takes passerby directly to the novel compatibility test. Featuring Rishi Sunak as Cupid, our sites and the QR code brought the campaign to life across the capital.  

Featured on Campaign UK, Marketing Beat, Yahoo News, and The Mirror. 

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Starring British supermodels Kate Moss and Jourdan Dunn, the campaign features breathtaking imagery that brings bold pinks and reds to life, embodying the sophisticated spirit of classic Hollywood. These captivating visuals lit up the streets of London and Liverpool, with impactful site takeovers bringing the collection’s iconic beauty to life.  

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Created by artist and filmmaker Pieter van der Houwen in collaboration with photographer Lachlan Young, and supported by Creative Scotland, Unesco and Refuweegee, What We Carried With Us is a project that humanises the transnational experiences of migrants whilst preserving their anonymity. The objects are photographed almost clinically on a stark white background, accompanied by personal narratives in English and the migrants’ native tongues. We partnered on the project to create a street gallery on our poster site in Glasgow’s bustling east end, sparking crucial dialogues on the impact of migration and what it means to leave your life behind. 

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Launching at Cardiff’s Sherman Theatre, the production then travels across the country to Aberystwyth, Bangor, Llanelli and Brecon, accompanied by Feral Fest, an opportunity for young Welsh creatives to learn from industry professionals and gain invaluable experience in creating music for theatre. 

We teamed up NTW, with artwork from Studio Hicks, to create a splash of neon on the streets of Cardiff and Bristol, bringing the touring production to life across our street poster takeover and billboard sites, inviting passers-by to join in on the fun (including the cast and production team.) 

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The Breakthrough Artists from the UK and Ireland for this year include R&B boyband No Guidance, dance-pop singer-songwriter Jazzy, soul-jazz singer Olivia Dean, indie-pop riser Nieve Ella, emotive indie-rock band Newdad, explosive indie band The Last Dinner Party, songwriter and instrumentalist Elmiene, rapper and social commentator Jeshi, pop singer-songwriter Bellah Mae, and rising indie-guitar-rock outfit Only The Poets.

DIABOLICAL worked directly with Ticketmaster to celebrate the artists (some who we are proud to have worked with already) throughout the streets of London with a series of takeovers, 48 sheets, and our show-stopping bespoke 96 sheet in the heart of Broadway Market. 

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The stunt didn’t just end there, however. For those who were fortunate enough to receive the free pint were granted access into the Sandbox for a secret party courtesy of JUBEL – all kept under wraps behind one of our billboards. A cold, but memorable night for all who came on down to party.

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JACK and Kinetic teamed up to hit the streets of London running, covering ground between the north, south, east, and west of London. Utilising our takeover sites as a large look-book for the public, the campaign was also emblazoned by mirrored posters allowing passersby to put themselves in the collection or stop for a quick fit check. 

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With Kinetic, we created a larger-than-life creative billboard for a larger-than-life musical icon on our Quaker Street site, with an accompanying takeover of our posters below. Championing the Rastafarian colours of red, gold and green the billboard sings out over the heart of Shoreditch and truly shines at nighttime. 

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The band celebrated the release with an interactive takeover of our Broadway Market 96 sheet. Fans, friends and passersby of East London were invited have a listen to the record and leave a comment on the poster, letting the band in on their thoughts.

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The gallery’s recent exhibition Ffocws 2023 brings together the work of fourteen emerging and early career artists from Wales who ‘challenge the process, medium and application of photography’ and explore a wide range of themes such as identity, community and migration as well as the impact of technology. Artists were chosen from a pool of recent graduates from across Wales, as well as via an open call collaboration with Cardiff M.A.D.E. 

Bringing works from Ffocws out of the gallery and onto the streets, we partnered with them on a vibrant street poster campaign across Cardiff to promote the show’s extended run. 

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We recently returned to Walthamstow for year-two of this project, and to no surprise were impressed yet again by the calibre of work created by the third-year art and design students. As a testament to our ongoing work with established and emergent creatives, we yet again reprinted and displayed them both singly and in compendium, throughout London, as a celebration on the streets of all the student’s efforts and imagination.  

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JACK teamed up with Talon for this cheeky takeover of one of our 48-sheets, where a larger-than-life double cheeseburger spills out over the edge and onto the surrounding wall. Not a single penny of their media budget was spared for this one – eking every inch of value out for the install. 

The campaign has recently been doing the rounds online, appearing on Campaign, Marketing Beat and Creativebrief. 

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In a supporting film from 2022, we see Idris Elba and Arsenal legend Ian Wright drive home the messaging that many of tomorrow’s famous footballers won’t be given the chance to realise their dreams due to rising youth violence. 

JACK worked alongside Kinetic to deliver this hard-hitting message to the streets of London; taking over poster sites all around Emirates Stadium. The campaign championed messages of hope on a white background signed off with the words ‘NO MORE RED’, alongside photos of Arsenal players wearing the all-white kit from within the dressing room. 

“It’s a campaign that started three years ago and has helped a lot of people already and brought a lot of attention, so if we can make the streets safer around our city, especially for people with kids, we will sleep better” says Mikel Arteta, manager of Arsenal FC. 

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JACK had the pleasure of bringing anniversary campaign to the streets of London, taking over our poster sites across Hackney and pushing the brands vintages creds to a new generation of fans. 

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Shining a light on the community’s tireless work, local artists Megan Clark-Bagnall and Claudia Collins (aka Lights! Lights! Lights!) created Noel West, an immersive and interactive theatre show produced in partnership with Tobacco Factory Theatres. A whistle-stop tour of Knowle West, the all-ages show tells a tale of generosity and togetherness in an “all singing, all dancing, social spectacular, filled with more lights than Blackpool illuminations can shake a snow globe at!”