Working with facilitating artist Matthew Arthur Williams, and supporting artist MV Brown, across six sessions the group created analogue and digital portraits in a pop-up studio, inspired by their after-hour access to the exhibition.

BUILDHOLLYWOOD Scotland partnered with NGS and Granton Youth to bring the resulting portraits by Freya, Enigma, Lily Duncan, Beda Rose, Selma, Diva, Esther, Faiza and Titaws to the streets of Edinburgh. Adding a new layer to the work, the partnership invited passersby to learn more about Catherine Opie and Granton Youth, providing an insight into the inclusive and experimental nature of the work, while championing the importance of youth spaces to build up confidence and encourage creative expression. 

You can read the full feature here.

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JACK ARTS Scotland once again collaborated with the GPF team to take their colourful festival branding out onto the streets of the city. The hero poster by illustrator Tommy Brentnall features a flurry of excited activity outside of the iconic fair venue, The Pyramid – accompanied by a range of illustrations from some this year’s stallholders, teasing what’s on offer over a range of our panels and drums across Glasgow.

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Aligning with the launch of the group exhibition Gather at the nearby St Margaret’s House, our Wishaw Terrace partnership site came alive with examples of the work on show – presenting collages, sculptures, prints, textiles and paintings by the people and communities who use these essential public spaces.

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Submissions from a range of emerging, self-taught and established artists were whittled down to a shortlist of curious and playful imagery – including pigeons ogling over giant croissants, a menacing seagull, and sculptural forms from discarded shoes.

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Each August, Edinburgh transforms into the largest arts festival in the world. To put it in figures, this year, over 300 venues across the city hosted artists and companies from 77 countries, presenting more than 4,200 shows across comedy, theatre, music, cabaret (and everything in between).

To accommodate the influx of shows to the Scottish capital each summer, its streets transform into a city-wide cultural noticeboard through a temporary street advertising scheme – helping promote the work to the masses.

Earlier this year we were successful with our tender application to become the official street advertising partner of City of Edinburgh Council during the Fringe for the next four editions – hurtling us on the path to a city-wide takeover in August of 3.5km of heras fencing, 2km of wood and 7,000 correx boards… powered along with a mega-sized pack of 1,000 teabags.

The work doesn’t stop when August ends, however, and our team are working behind the scenes – ensuring our services continue to improve and develop ahead of year two launching in spring 2027.

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JACK ARTS Scotland brought the bold, redacted campaign to the streets of Glasgow ahead of its run at Citizens Theatre, presenting a snapshot of the nightmarish, totalitarian regime Orwell introduced to the world nearly 80 years ago.

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Landing at the centre of the action, Magners took over Brighton Street with an irreverent, hand-painted mural that tapped into the chaos, comedy, and crowds of Fringe season. Sharing a simple message through the artwork — ‘Great comedy, terrible waste of Magners’ — it was designed to catch the eye of audiences on their way to the next gig.

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Focusing on a pivotal period of dyke photography produced by Volcano between 1982 and 1995, the work explores queer identity, BDSM culture, and how bodies experience, and resist, political control – offering an intimate and confrontational portrait of communities navigating desire, power, and self-representation.

Presenting never-before-seen work from Volcano’s time in Edinburgh, alongside wider work spanning London and the USA, the images trace the development of the artist’s striking visual language during a concentrated moment of experimentation: challenging traditional understandings of gender and sexuality, and giving authorial agency to the people that appear in them.

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After kickstarting the birthday celebrations with a special installation at V&A Dome of a larger-than-life tree in the publisher’s signature orange, JACK ARTS teamed up with Penguin once again to deliver another key element of the campaign: 90 Little Book Stops across the UK, celebrating decades of reading moments with Penguin books.

In partnership with the non-profit Little Free Library, Penguin decided to create 90 bespoke community book-sharing boxes across the UK filled with Penguin titles from a range of imprints. Together with our Creative Studio, JACK ARTS worked closely with both teams to design, manufacture, produce, and install 90 ‘little libraries’ across the UK, to bring the joy of books into local communities and increase peoples’ access to books. 

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Boasting shops, dining and entertainment, the shopping centre in the heart of Glasgow ran a general awareness campaign to playfully signpost a range of the products and experiences on offer – from ramen to Ray-Bans, Crocs to candles – on panel takeovers across the city.

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JACK ARTS Scotland helped bring their festival branding to the streets of Edinburgh, Glasgow and Dundee – with its bold shapes and complementary colour combination of teal and orange promising to grab the attention of passersby across a range of our panels and drums.

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To coincide with the launch of City Art Centre’s exhibition of her work Start from the Level which presents over 200 of George’s photographs from Craigmillar Now’s community archive, BUILDHOLLYWOOD Scotland partnered with the gallery to take a selection of the works out of the gallery space and onto the streets of Edinburgh.

Exploring community, family and the lives of young people, the works were returned to the streets of the city where they were made. Presented on our sites from Meadowbank to Fountainbridge, they offered a glimpse into George’s practice, and her impact on the communities she worked within.

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BUILDHOLLYWOOD Scotland celebrated local culture through campaigns with Big Think and the University of the West of Scotland, while JACK brought leading brands including Mentos and Smirnoff to Glasgow Green, delivering standout visibility throughout the site. Completing BUILDHOLLYWOOD’s festival presence, DIABOLICAL showcased some of TRNSMT’s biggest and most talked-about artists across the festival walls, amplifying the excitement surrounding the weekend’s standout performances.

The post TRNSMT Festival 2026 first appeared on BUILDHOLLYWOOD.

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JACK ARTS Scotland teamed up with Big Think and Gigs In Scotland to showcase some of the many upcoming acts on a series of panel and drum takeovers across Glasgow, with a focus on spaces surrounding Glasgow Green, to catch the 50,000-strong crowds heading there for the annual TRNSMT festival.

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BUILDHOLLYWOOD Scotland once again collaborated with some of the artists involved in the festival – taking their work out of the venues and onto the city’s streets.

To coincide with her exhibition Hard Lines at Gulabi Photo, artist Lisette May Monroe transported works out of the installation, and accompanying publication, onto poster and billboard sites across Glasgow. Using sentimentality, nostalgia and revenge, the work navigates the aftermath of an abandoned relationship, while questioning what it means to inhabit a body stigmatised by the overhanging spectres of class, disability and menopause.

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Over 18 months, Edinburgh International Book Festival collaborated with Streetreads as part of their Paper Trails project which supports and highlights the city’s vibrant network of libraries. With a focus on celebrating the library and its work, the festival hosted a series of workshops with the Streetreads community, exploring their creativity through writing and sketching sessions led by writer Hannah Lavery and illustrator Katie Quinn.

BUILDHOLLYWOOD Scotland helped take the resulting work out onto streets across Edinburgh – platforming the words, drawings and experiences of the group as panel takeovers at Wishaw Terrace, Meadowbank and Dundee Street, alongside presenting sections of the work as quads on our arts and culture drums.

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After the playful public interventions in Glasgow for the shows Still Game and Dinosaur, JACK ARTS Scotland once again teamed up with the BBC, this time to celebrate Northern Irish police drama series Blue Lights with a tease and reveal campaign in Belfast. Starting with paper and paste posters, the campaign culminated in a bespoke, neon creative billboard – lighting up the street with blue-lit words from the phonetic alphabet, in reference to the practice used for police radios, spelling out ‘MADE OF BELFAST’.

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The interactive installation focused on fictional author Arthur Fletch’s final book, which remains unfinished after his death – his typewriter frozen mid-sentence. Inspired by the premise of the book, where six authors are invited to a remote Scottish island to compete to finish the novel, visitors of Waterstones were encouraged to use the typewriter to create their own ending, worthy of Fletch’s worldwide renown.

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JACK ARTS Scotland supported the launch of their 2026 programme Extraction by taking the striking lead artwork to poster and billboard sites across the Scottish capital. Launching with spring, the group show explores how energy systems shape culture, land and belief, through work by artists Carol Rhodes, John Gerrard, Marguerite Humeau, Siobhan McLaughlin and John Latham.

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Alongside a poster run across some of our 4 sheet and 48 sheet sites, JACK ARTS Scotland worked with 89up agency to deliver a creative billboard at Glasgow’s Tradeston Street, ensuring gran and her sledgehammer were not to be ignored – creating a spillboard to take them out of the frame and onto the city street.

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JACK ARTS Scotland worked with Glasgow Short Film Festival to bring their collage-inspired campaign out onto our poster sites across Glasgow – countering the last of winter’s dreich weather with some pops of bold colour.

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Alongside the single 4 sheet artwork, we helped present a full takeover of their campaign on our new Nile Street site, which featured members of the rugby team sharing uplifting messages in the black and blue colourway of their kit.

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Building on the momentum, the activation continued at Kelvingrove Art Gallery and Museum, where a complimentary coffee van served free hot drinks to commuters and passers-by throughout the day. The cart was a recreation of the one featured in Dinosaur, bringing the Glasgow-based storytelling from the series to life. By combining these two culturally resonant moments, the Made of Glasgow campaign celebrated the city’s creativity while engaging Glaswegians in a warm and memorable way.

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The campaign leaned into symbolic artwork by long-time collaborator Hugh Syme, packed with nods that loyal Rush fans know well. It also marks a significant moment for the band – being the first tour since the passing of legendary drummer Neil Peart, embodied by Syme in the campaign artwork; with one of the songbirds flying away, whilst two sit on the wire.

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Created for group exhibition The Children are Now, the work is a collaboration between artist Bob & Roberta Smith and a group of children from the Children’s Parliament – an organisation dedicated to the realisation of children’s rights. The artworks presented reflect on issues identified by children from across Scotland – including climate change, mental health and bullying, and vapes.

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To mark their arrival to the morning airwaves, presenting duo Ewen Cameron and Cat Harvey were tasked with spreading the word across Scotland – which included pasting themselves onto one of our 10 in-a-row sites in Glasgow’s Southside, alongside commandeering a supermarket loudspeaker, and scaling a hillside with giant letters.

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Social media star (and jacket potato afficionado) Grime Gran helped launch the super-sized scented spectacle, encouraging passersby to smell the posters to get a sensory sneak peek of the new sage and onion stuffing-topped bread.

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Passersby were transported into the underwater world of Ariel, Ursula and King Triton, with the cast – including panto favourites Elaine C. Smith and Johnny Mac – diving out of the 4 in-a-row takeover thanks to the aptly named bubble-board, which took them beyond the frame and onto the street, accompanied by a run of drum side posters across the city.

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For the Inform Women Transform Lives global initiative, Glasgow Girls Club and Glasgow City Council invited 30 young women from local schools, youth organisations and community groups to design artworks inspired by the work of Scots writer Len Pennie.

BUILDHOLLYWOOD Scotland supported the launch of the project by platforming the work in more than 25 different sites around the city – including our large-scale Tradeston 96 sheet – to coincide with the 16 Days of Activism Against Gender Based Violence, which raises awareness of modern misogyny and all forms of sexism women still face across the world.

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New work by emerging artists Leyla Hussain, Finn Millar, Cara Murray and Liv Rodgers took over a range of unique formats, each exploring themes around V&A Dundee’s exhibition Garden Futures – considering how gardens and public spaces can act as platforms for social justice, biodiversity and sustainability.

Created over several months, with professional development support from V&A Dundee and BUILDHOLLYWOOD Scotland – including tours, talks and artist crits – the resulting work explores social and class identity, the Gaelic winter tradition of Samhain, the radical potential of gardens, and presents a monument for the Palestinian journalists and media workers who have been targeted and killed in the current genocide in Gaza.

The work was launched as part of the museum’s Upstart: Creative Careers Festival, with a special bus tour exploring the artwork across the city, featuring insights from the artists alongside interactive performances.

Image above: Cara Murray

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Nash’s interest in entangling the mechanics of printmaking with the pliancy of textiles is shared by her friend and mentor Fraser Taylor, who has a longstanding interest in the co-constitutive relationship between graphic design, printmaking techniques, and the materiality of textiles. His work features printed textiles alongside thick, gestural oil marks layered onto collaged cardboard. Through a stark, monochromatic palette, fragmented curves and grids invoke the shadows of an arch or gable; the curve of a tunnel; the mullion of a window. 

JACK ARTS Scotland partnered with Nash and Taylor to take their new collaborative works to our sites across Edinburgh and Glasgow, ahead of their parallel solo exhibitions SEE / AND KNOW BOTH SIDES OF THE QUESTION and Unlikely Architectures at Wasps Patriothall Gallery in Edinburgh, supported through their arts programme. Combining Taylor’s distinctive black lines with Nash’s textural embroidery the pair have overlaid their work to mimic the process of layering within screen printing. This series of nine new collaborative works bridge the intersections of their practices, bringing graphic marks and soft textures to public sites across the two cities.

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JACK ARTS Scotland worked with their team to roll out their campaign to sites across the city – with their colourful festival branding by Inès Gradot taking over a selection of our poster panels and drums, accompanied by work from some of the 55+ participating artists.

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Alongside a larger-than-life spillboard of footballer Scott McTominay jumping out of the frame, we invited passing fans to leave a special message for the team using a Ring doorbell installed on site – with a selection of these recordings played at half time to the 49,000 supporters at Hampden, and shared across socials.

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In a collaboration with The Baring Foundation, Art Angel hosted a regular walking art group for men, encouraging them to make art while exploring the city. The resulting work spans drawing, poetry, collage and cyanotypes – created in, and reflecting different parts of the city.

We brought these works to our drums located in the areas of the city that inspired them, alongside presenting a 6 in-a-row recreation of their large-scale wall map of the city, which developed and grew to host more stories and art with each outing.

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By curating a selection of our street-side sites that followed both the 10k and half-marathon courses, which took runners on a scenic tour over the River Clyde and across the city, we ensured the American sports brand grabbed the attention of more than 32,000 runners participating in the event and the thousands of supporters there to cheer them on.

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JACK ARTS Scotland brought their campaign onto the city’s streets across a range of our panels and drums, to sit alongside the iconic buildings featured in its colourful illustrations.

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For their 10^th edition, they presented ShowGround, a performance centred programme celebrating seaside entertainment and travelling showpeople culture. Spanning 60 venues, including a collaboration with a local amusement arcade, the festival showcased circus, acrobatics, puppetry, theatre, dance and film.

JACK ARTS Scotland took the colourful pastel hues of the festival branding to sites across Edinburgh – from 4 sheets hosted on a range of our panels and drums, to a bold 6 in-a-row takeover at our Meadowbank hoardings, a main thoroughfare to Porty – ensuring maximum visibility for locals and visitors to the East of the city.

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Exploring themes of diaspora, migration and identity, the three bold 12 in-a-row panels of Let Me Show You Who I Am were the result of workshops Rekab hosted with SCORE Scotland and their group of young people in Wester Hailes in Edinburgh – with the workshops offering platforms of self-expression for the young people involved through music, dance, voice and ceramics.

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Working with The Media Shop, JACK ARTS Scotland delivered the good news to the city streets with a campaign that showcased their reopening Homecoming Festival, alongside calls to action for the local residents. From a joyful street procession to hands-on workshops, open days, and performances, the two-week festival promised to be a celebration of creativity, community and connection.

The Citz is back. Ye comin’?

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Known for her bold, feminist artworks often created from layering archive images from magazines, newspapers and vintage pornography, including her famous cover for the Buzzcocks Orgasm Addict single – and performances including wearing a meat-dress to the Hacienda in the 80s (decades before Lady Gaga shocked the world by wearing one to the 2010 MTV Music Awards) – the artist has always played with themes of power and provocation.

These two new large-scale artworks came to life as Linder worked with our team to build up layers of supersized cut-outs featuring lemons, cups, flowers, swans and hands onto base artworks she’d created specifically for the partnership. The finished works were a celebration of colour, form and sexuality – boldly launching the 2025 edition of the Art Festival and its programme of exhibitions and events across the capital.

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Through this ongoing series, Gault uses large format film to capture portraits of members of this group, and their memories of the lighthouse stations where they once lived and worked.

JACK ARTS Scotland worked with Gault and contemporary art gallery and print workshop Peacock & the worm to present work from the series at sites around Aberdeen, to coincide with the city’s Tall Ships event. The presentation of the work adapted to each site, from large format posters pasted onto the walls of their gallery and neighbouring lane, to printed boards mounted onto railings by the harbour, showcasing the work on a backdrop of ships.

Alongside the work in Aberdeen, we hosted an accompanying presentation of Gault’s series on our lightboxes on West Graham Street in Glasgow, turning these rural monuments and their keepers into lit beacons on the city streets.

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The tattoo-clad, pink and purple haired unicorn (Scotland’s national animal) was designed by 76 children from 24 schools across Glasgow, encapsulating what modern day Glasgow meant to them.

Sporting the city’s unofficial symbol, the humble traffic cone, as her glowing 3D acrylic horn – a reference the infamous adopted hat of the Duke of Wellington statue outside of the Gallery of Modern Art – Finnie shone in a tease and reveal campaign in front of the Barrowlands’ famous façade, aligning with the Games’ much-anticipated mascot announcement.

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Hankinson brought the portrait of the Turner Prize-winning artist to life at our site on the side of traditional Glaswegian pub The Dirty Duchess, in in the heart of the city’s popular Finnieston Strip, providing a colourful accompaniment for the graduation celebrations to come.

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JACK ARTS Scotland helped take their peachy campaign visuals across the city for their exhibition by artist Mercedes Azpilicueta, exploring themes of care, resistance, and lesser-known women’s stories from history. From classic 4 sheet takeovers to supersized 16 sheets, we made sure their posters, alongside their distinctive building, could be seen across the city.

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We partnered once again with DF Concerts and Events to gain exclusive access to the festival site. Throughout the three days, we promoted their stellar line-up and broader music programming across our poster sites in the park. Alongside this, DIABOLICAL rolled out high-impact campaigns for BBC Radio and worked with Live Nation to bring Hot Dub Time Machine to the park.

BUILDHOLLYWOOD SCOTLAND showcased local culture by partnering with Big Think Agency and The Media Shop to highlight Glasgow Green and the University of the West of Scotland. Working with ATG Entertainment Limited, they also brought the iconic Kings Theatre Glasgow into the spotlight, further tying the city’s rich creative scene to the festival experience.

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Hot pink, paint-splattered visuals took over our formats across the city – from drum sides to 8sheet and 10 in-a-row takeovers – ensuring a full dancefloor for their unforgettable evening.

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The takeover presented their paintings of hope and unity from Europe Day, created in a workshop with Mission of Innocents – a charity supporting children displaced from their homes due to war, political or economic instability, and environmental disasters.

The partnership culminated in a very special gathering at the takeover site, bringing the young people, members of AUGB and the Ukrainian Consulate together to celebrate their community and its resilience.

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JACK ARTS Scotland worked with their team to take their colourful campaign, which showcased the work of creatives who have used their services, onto our paper and paste sites around Birmingham, Brighton, Cardiff, Glasgow and Manchester – providing the perfect medium for a campaign celebrating the tactile, physical nature of print.

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JACK ARTS Scotland teamed up with Big Think Agency to bring a duo of bold poster designs to the streets of Edinburgh, Glasgow and Dundee, promoting the line up for the two-day event – including globally renowned Australian DJ FISHER on the Saturday and a day-to-night session from the legendary Boiler Room on the Sunday.

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On a roll after working with the charity and MadeBrave last year to turn one of our billboards into a giant QR code made of toilet rolls for World Inflammatory Bowel Disease (IBD) Day, we have teamed up once again, this time to transform a bog-standard portaloo into a magical, big purple portal-loo.

Launching at SWG3 in Glasgow with the help of britpop icons Starsailor, the Big Purple Portal Loo will tour festivals across Scotland this summer, inviting people to take a seat and learn more about the daily challenges of IBD.

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Malaka Abu Owda, Mohammed Alhaj and Ahmad Adawi were invited to shared their work and voices across the site’s three 12 in-a-row panels throughout the 2025 edition of Falastin Film Festival – a volunteer-run, not-for-profit collective of Palestinians and allies dedicated to sharing Palestinian stories and voices with Scottish audiences through the power of cinema and art.

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JACK Scotland worked with Think Alt and Fettercairn on a verdant spillboard to align with their balcony presentation, including a larger-than-life Fettercairn’s whisky bottle spilling out from the frame, surrounded by a mix of flowers and moss – alongside tearaways of British wildflower seeds for passersby to pick up and grow their own.

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In Dundee, DJCAD students will present Meet the Gods, bringing the mythical gods from the National Gallery’s painting collection to life through costumes, performances, workshops, a tea party and music in the heart of Dundee.

We worked with the partnership to share their divine deity collages onto the streets of Dundee, promoting the event (and free tea and cake!) to passing Dundonians.

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For their 2025 campaign, the college has taken the students’ work to the streets across the city, showcasing a colourful variety of artforms and approaches that will be on display – presenting them on our 4 sheets panels and drums in cultural hotspots, alongside high impact 6 in-a-row takeovers showcasing the full range of artworks.

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JACK ARTS Scotland took their bold ‘HOUSE HEADS’ campaign across Edinburgh and Glasgow, showcasing it on a range of formats from 4sheet and 8sheet panels to quads and full side takeovers of our drums – making their orange and black brutalist design a standout addition to our city streets.

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JACK Scotland teamed up with Talon to platform their stories of identity, allyship, and belonging on our poster sites across Glasgow, Manchester and Liverpool, presenting their quotes and portraits (and of course their shoes) on a range of 12-sheet, 4-in-a-row and 6-in-a-row takeovers – providing space for high impact storytelling on the city streets.

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JACK ARTS Scotland helped bring their colourful 80s-style posters featuring bold shapes and light beams (and the iconic Tunnock’s Teacake) onto 16-sheets across Glasgow.

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JACK ARTS Scotland worked with SNJO to platform their poster campaign for the show on some of our 4-sheet and drum sites across each of the cities, with its beautiful, earth-toned illustration depicting the movement and rhythm of the tablas drums – an instrument which Gurtu has been playing since aged 5, and now fuses with Western drums in his unique performances.

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The images showcase the process of working with designer Maeve Redmond to develop a unique typeface for the project, combining textures and forms found throughout the wider work – which began as a long-form poem – including printmaking marks and imagery within the writing.

We supported Howard to display the series on the lightboxes at our dedicated art site at West Graham Street, alongside an 8-sheet takeover on Osborne Street – all to coincide with an exhibition of his work at Glasgow Project Room.

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GSA worked with JACK ARTS Scotland to bring their psychedelic and boldly typographic campaign to the streets of Glasgow, featuring 6 in a row takeovers and our high impact 48-sheet at the iconic Barrowlands, alongside a run of posters on our sites and art drums – to ensure the vibrant design made its mark throughout the city.

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JACK ARTS Scotland helped bring their cosmic, pastel-hued posters by illustrator Yifei Xiang to the streets of Edinburgh, showcasing them on our 4-sheet and art drums across the capital to capture the attention of passersby – a colourful contrast to the dreich February weather.

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JACK ARTS Scotland worked with the theatre to bring their posters onto the streets of Dundee, Perth and Edinburgh – making use of a range of our formats from 4-sheets, 8-sheets, arts & culture drums and banners to deliver a highly engaging campaign.

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For their latest duo of exhibitions, the former 19th-century natural history museum was transformed with the work of Gabrielle Goliath and Guadalupe Maravilla. To present a taste of their creative offering to a wider audience, we worked with the gallery to showcase two of the artworks across a range of formats – from classic 4-sheets and impactful 48-sheets to our unique vinyl panels on Market Street, opposite Waverley Station.

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Since 2022 their Scotland-based members have been contributing short stories, memories, poems, photographs, and illustrations to open-calls on themes exploring their personal experiences, challenges and traditions – resulting in an inspiring archive of monthly zines.

For International Migrants Day 2024, JACK ARTS Scotland has partnered with Migrant Voice to share some of these stories, poems and artworks at takeover sites on Duke Street in Glasgow, and Wishaw Terrace in Edinburgh. The powerful narratives shared on street-level sites help amplify their message and bring visibility to their vital work.

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JACK ARTS Scotland worked with the group at the end of 2024 to paste a bold, typographic artwork on a bespoke billboard on Govan Road in Glasgow. While on first glance a playful tongue-twister, the artwork – made in collaboration with artist Mark Titchner – is, on second glance, a scathing critique of modern politics and social media culture.

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JACK ARTS Scotland worked with Trackie and Govan Project Space, a not-for-profit creative space in the Southside of Glasgow, to install a large-scale 48sheet of his artwork, contrasting the journeys of the iconic friends of Dorothy with a pilgrimage from modern lad culture. Easily mistaken for a painted mural, the pasted artwork backdrops a Burberry spray-painted Nissan Micra, a not-so-subtle nod to the 90’s fashion influences throughout his work. The installation forms part of the wider exhibition which is brimming with nostalgia and humour through its installations and interactive elements; the non-traditional art space was intentional, encouraging the notion that art is for all, not the few – a motif which extends throughout Trackie’s working practise, shining a light on consumerism, culture, trends, ingrained masculinity and sexuality through a pop-art inspired queer lens.

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BUILDHOLLYWOOD Scotland had the pleasure of inviting Wood to present her work on some of our sites across Edinburgh and Glasgow for our ongoing Your Space Or Mine series. Harking back to the signed celebrity postcards of old Hollywood, the artwork, which was presented across 48 sheets, 16 sheets and 4 sheet takeovers across the cities, played with ideas around the idolation and artifice of fame.

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JACK ARTS Scotland partnered with Strange Field for Kearsley’s first major solo show, taking her work out of the gallery and onto the city’s streets through a takeover of Duke Street, alongside hosting a selection of the works in our West Graham Street lightboxes. We also helped bring the street-format into the gallery space by printing and installing one of the artworks at 48 sheet scale within the main exhibition space – a huge, custom photographic monolith to bring the old print factory space to life.

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We joined forces with Avalanche Records to bring his work to sites across Glasgow, Manchester, London and Edinburgh, including a takeover in the city’s Waverley Mall – showcasing Billy’s latest series, which re-interprets song titles from Taylor Swift’s recent album, The Tortured Poets Department – transforming them into illustrations paying homage to a wide range of iconic characters, artworks and films, in his signature style.

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From figurative stories to bold abstractions, our sites were awash with colourful illustrations, linocuts and screenprints from artists including Risotto Studio, Lauren Morsley, Sanni Pyhänniska and Tommy Brentall with their work presented on a range of our Glasgow drums, alongside a 6-in-a-row takeover at Dunbarton Road.

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Working with Total Media we delivered a campaign across the Scottish capital, plastering our sites with the call to action ‘FREE JOHN REBUS’ on top of the promotional posters – a simple and eye-catching approach to take the campaign to the next level.

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The Accidental Artist brings together Connolly’s colourful and imaginative drawings with a selection of his most beloved stories. ‘People think I paint or draw things on purpose. I don’t, I just draw. It is a portal for my imagination. And, just like my stand-up, I never know where it will lead.’ – Billy Connolly.

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Their latest instalment, which aligned with the 2024 edition of Dundee Design Festival, presented a selection of images created by UNESCO City of Design Dundee Photo Walk participants. Led by local photographers Ben Douglas and Pete McConville, each walk explored ways to capture the city’s architecture, people and character through the lens of photography.

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JACK ARTS Scotland worked with Booksellers Association and artists Jacqueline Briggs and Jack Stamp to create two unique and colourful murals in Glasgow – one on our drum at St Enoch’s Square and another on an 8-sheet panel on Blythswood Street – which celebrated local book stores and highlighted the festival’s theme of “Bookshops Making a Difference”.

‘Bookshops hold a really nice place in my heart – it’s a place of solace, you can come off a busy street… and disappear into your own world. For this artwork I really wanted to get across being really lost in a good book – and being able to choose where you want to go’ – Jacqueline Briggs

‘The mural is a depiction of the interior of a bookshop – and each section is like looking into a window which represents a different popular genre of book’ – Jack Stamp

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JACK ARTS Scotland partnered with Williams to present portraits from the project at sites across Edinburgh, alongside a full takeover at Wishaw Terrace to coincide with World Mental Health Day 2024.

On the street-based partnership, Williams said: “I hope by exhibiting the portraits in these public spaces we can encourage everyday passers-by to reflect on and engage with the topic of mental health – particularly those who might be less inclined to participate within a more conventional exhibition environment.” @talk.portraits

A list of mental health charities and organisations can be found on the TALK. website here.

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JACK ARTS Scotland partnered with Ponyboy to present a takeover at Glasgow Green showcasing stunning new portraits of some of their regular performers ahead of their latest Club Kid event, featuring: Babyjaii, Miss Cabbage, Dill, Huntress, Lourdes, Maya Jaye, Pixie Chanel and Zulaa – created by photographer Kate McMahon.

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Throughout the summer JACK ARTS Scotland brings these festivals to life on the streets of Edinburgh and Glasgow; our poster, billboard and drum sites are a cultural noticeboard of campaigns from the Book, Film, International and Politics festivals. We partnered with the Art Festival, for their 20th birthday celebration, showcasing work from Rosie’s Disobedient Press across the city, as well as their own colourful campaign posters. The icing on the cultural cake was to once again partner with the Festival Fringe Society to highlight their community programmes and access resources – including community ticketing and sensory tools to make the festival season accessible to all.

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As well as delivering their colourful poster campaign across Edinburgh, Dundee and Glasgow, JACK ARTS Scotland partnered with EAF on their 20th birthday year to bring the work of Rosie’s Disobedient Press out onto the city streets, as a continuation of our support of the artist-led publishers which started during Glasgow International 2024. The work, a collaborative project by artists Lisette May Monroe and Adrien Howard, reflected on the landscape of the city over the past 20 years, working with archives and local organisations to look at language as a historical act of resistance. 

Alongside our city-wide display, Rosie’s presented work in print, on clothing, across windows, and at City Art Centre, where our posters were taken out of the street setting and presented on the gallery’s walls.

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JACK ARTS Scotland delivered their eye-catching (and mouth-watering) campaign with Big Think Agency where bold typography meets larger-than-life pasta across our sites around Glasgow, from standalone 4-sheets to high-impact 8-sheets presented alongside other local and national campaigns – making it an irresistible offer to anyone walking past-a!

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We worked with Fruitmarket to take Mahama’s striking exhibition poster onto the streets of Edinburgh – from showcasing the work at busy commuter routes on our Haymarket and Princes St drums, to posting them at our sites in areas across the city.

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Set within the city’s oldest park, Glasgow Green, located on the banks of the River Clyde, the festival delivered a dreamy pop/rock line up including Calvin Harris, Sugababes, Liam Gallagher and Rick Astley – alongside a surprise appearance by hometown icons Travis, before the band hosted their own pop-up gig in front of our Barrowlands billboard promoting their tenth album.

We teamed up with powerhouses DF Concerts and Events who gave us exclusive access to the festival walls during the 3-day music festival – we promoted their line-up and wider music programming on our poster sites across the park, alongside eye-catching campaigns from the likes of Specsavers and headline supporters Rockstar energy drinks, providing the backdrop to the good times.

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Ahead of releasing their tenth album and embarking on a UK tour, JACK ARTS Scotland and Big Think Agency brought the Scottish quartet home with a bespoke creative billboard, transporting LA’s famous skyline to Garscube Road, Glasgow.

Captured by celebrated photographer and long-term collaborator, Stefan Ruiz, the artwork from the cover of their upcoming album ‘L.A. Times’ was brought to life with the skyscrapers stretching past the confines of the billboard to create a high-impact, eye-catching campaign.

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The participatory arts project was created through collaborative dialogue that unfolded through a series of thinking-through-making workshops. The takeovers at our sites on Maxwell Street, Charlotte Street, Eglington Street and Kilmarnock Road, which pair the resulting collages with provocations on the concept of monuments, expand exhibitions at CCA: Centre for Contemporary Arts and the School of Health and Wellbeing, University of Glasgow.

Across its locations, the project presents work created with different media and techniques including videos, collages and monuments made with the soap, with an aim to challenge and disrupt our understanding of what makes a ‘monument’ – providing space to re-imagine them as platforms for the diverse voices that make up Glasgow’s social fabric.

Monuments for the Present has been co-created by Monuments for Equality (Paria Goodarzi, Mia Gubbay and Francesca Zappia) and Beauty Osayomwanbor Nosa, Inna Hordiiko, Mehri Abdi, Rezvan Faghani, Sara Abdelnasser, Shahid Mahmood, Sadaf Syeda, Tanisha Sarkar, Tara Gomary, Tomilola Owolabi, Valentina Vodolazska and Valentyna Dolottseva from the Maryhill Integration Network Museum of Things Art Group.

In the spirit of celebration, and with the sun in full shine, we welcomed the group to our Maxwell Street site to mark the moment the work was installed by our street team ahead of the festival launch.

You can find out more on the project and explore the full Glasgow International 2024 programme here.

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For the festival, artist-led publisher Rosie’s Disobedient Press has commissioned Teneu, a book project featuring Helen Charman, Adrien Howard, Francis Jones, Mason Leaver-Yap, Joey Simons, Joanna Stawnicka, Lisette May Monroe, and Martha Adonai Williams, with illustrations by Sasha Staicu.

The Glasgow-based publisher’s work centres on writing from marginalised perspectives with a focus on queer, working class and feminist writers, and this project explores the mythology of Teneu, also known as St. Enoch, Glasgow’s forgotten mediaeval first mother and parent to St. Mungo, the city’s patron saint. St. Enoch is rumoured to be buried under Glasgow city centre’s largest shopping centre, a dominating glass pyramid building and the only thing in the city that bears her name.

Alongside delivering a promotional campaign for the publication around the city, we were excited to work with Rosie’s Disobedient Press to platform elements of the publication at our dedicated art site on West Graham Street. The lightboxes presented a series of illustrated ornaments by Staicu that feature throughout the publication, alongside lines taken from the commissioned texts in English and Gaelic.

‘I have been an outsider to Scottishness before I wedged myself into it and I remember finding out that the thistle is the national plant of Scotland. I saw the thistle with an outsider’s eyes and felt moved that such a thorny unapproachable plant would be treated with fondness. In time it became invisible to me again – too omnipresent to register as real. When I was working on the cover I thought of how a thistle is like an inverted rose – feminine but violent, persistent, cultivating of self, defender of its own right to exist. It became unfamiliar to me again, and in this way I saw it as new. I pictured the urban legend of Teneu being buried under the eponymous St Enoch. I pictured her legend and legacy permeating it, the dirt under it, the sky above it. I pictured her entering and stretching any frame she is in, the cover frame, the triangle. Glasgow as a structure of frames into which her network of stems and roots and thorns and flowers will inevitably grow.

In drawing the ornaments I thought of roots, of esoteric trinkets, of objects that just through their present invoke a different time, of objects that are timeless. Symmetry felt really important – of two sides meeting in the middle or growing from the centre outwards, of balance.’ – Sasha Staicu

You can find out more on the project and explore the full Glasgow International 2024 programme here.

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Le Bas creates work that exists at the intersection of the personal and the political, aligning their experiences as a Romani person with perspectives on land, movement, gender, and discrimination.

Presented on our sites across the city for the celebrated contemporary art biennial Glasgow International – the piece is based on an original artwork first produced for Safe European Home? an installation Le Bas and her husband created outside the parliament building in Vienna.

Le Bas speaks of the origin of the work in 2005 ‘I was alarmed that the Conservative party took about full-page adverts in the tabloids and broadsheets wanting to take away the Human Rights Act for Gypsy, Roma and Traveller people in the U.K… of course this has been an ongoing campaign against many people since that time.’

Delainia: 17071965 Unfolding is presented at Tramway until 13 October, as part of Glasgow International. You can find out more on the project and explore the full festival programme here.

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Glasgow-based artist Molly Hankinson, who we previously worked with for Your Space Or Mine, was tasked to bring some of the football communities favourite Scottish Cup moments to life at the entrance to Scotland’s national stadium, in her unique illustrative style:

‘What an honour to pay tribute to these top moments in Scottish Cup History from both the mens and the women’s sides. A highlight for me was getting to represent Rose Reilly who is such a huge part of women’s football history. Our local pub is named after her! Huge thanks to Hana at Sure Signs who assisted me with install. As local artists it’s an incredible moment when you are asked to paint Scotland’s National Stadium.’

The large-scale site-specific mural, in collaboration with Fuse (part of the Omnicom Media Group) has been unveiled on the eve of Final’s weekend. The design captures players in celebration; a bold colour pallet in carbon absorbing paint brings the space to life, encapsulating the power and passion behind the game whilst radiating positive (air-purifying) vibes ahead of the most anticipated games of the season.

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Coinciding with World IBD Day, JACK ARTS Scotland teamed up with the Foundation and creative agency MadeBrave in Glasgow to ‘roll out something completely unexpected’… a giant working QR code made of toilet rolls.

With an additional splash of homegrown humour from street artist Conzo Throb, the billboard cleverly employs out-of-home as ‘a portal to people stuck in-their-homes.’ When scanned, the QR code reveals a powerful film exploring the uncomfortable and isolating realities of living with IBD, with contributions from former Rangers manager Alex McLeish MBE and musician Rick Parfitt Jr. As well as gaining huge traction across social media, the Foundation’s innovative campaign was featured in The Drum, STV, and Famous Campaigns.

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Exploring a range of different Lomography cameras during a collaborative workshop with Tiny Changes, Scotland’s first national youth mental health charity, a group of young carers aged 12–15 years old were encouraged to view the world in unexpected ways through the camera lens. Over 400 images were shortlisted to 12 to showcase in a city-wide public art display across our poster site and drums in Edinburgh.

Khadea, who led on the project, said: ‘Our public parks are places we connect, shift our perception of the everyday through the magic of analogue. Through this workshop, we captured what it means to be outdoors in green spaces and finding moments of joy!’.

In the spirit of working to help young minds feel better, this creative project offered the group respite from caring responsibilities, a sense of belonging and connection to their local environment.

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Highlighting the important role water plays in the lives of the people of Scotland, their new multi-channel campaign ‘Piped by Us. Owned by You.’ urges everyone to value and safeguard this invaluable natural asset. JACK ARTS Scotland joined forces with Talon and Scottish Water to take this vital message to Glasgow’s streets with a campaign inspired by the nation’s breathtaking landscape and its people. This included street posters and a striking photorealistic mural created by local artist Rogue One, now proudly exhibited at Scottish Water’s offices. 

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To celebrate the launch of this year’s programme – Rituals That Unite Us – we joined forces with EIF and Bright Signals to paint the town yellow, creating a giant pop-up brochure installation and a series of free performances to surprise and delight passers-by. Travelling to some of Edinburgh’s most iconic locations, our ‘Big Brochure’ opened to reveal world-class performers; contemporary folk band Breabach at the festival hub on Castle Hill, Scottish Ballet Youth Exchange at St Andrew’s Square, soprano Emma Morwood at St James Quarter, and festival director Nicola Benedetti at Usher Hall, who played a short excerpt of The Lark Ascending on her violin and later answered questions on her top picks from the 2024 programme.  

Festival staff were also on hand to give out real brochures, some of which included a coveted ‘yellow ticket’ that gave lucky winners a chance for an all-expenses-paid opening weekend package to the festival. 

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JACK ARTS Scotland partnered with Articulate to launch a new groundbreaking street poster campaign, #StartWithArts, taking over the streets of Glasgow with poetry written by the charity’s young Creative Changemakers. Amplifying young Scottish voices in bold black and white, the campaign celebrates a landmark moment for children’s rights in Scotland, the first devolved nation to incorporate the United Nations Convention on the Rights of the Child into domestic law, as well as highlighting the importance of breaking down barriers and challenging stereotypes. Articulate’s Laura Frood explains, “through this campaign, we aim to not only increase access to artistic opportunities but to transform lives and foster a sense of belonging within the arts community.” 

The posters included a QR code to find out more, encouraging passers-by to pledge to support their campaign, as well as take part in a series of coinciding workshops, exhibitions and events designed to engage and empower Scotland’s care-experienced youth. 

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Collaborating with Fraser Muggeridge studio, we brought Commercial Type’s Commercial Classics campaign to our London poster sites in 2020. Now, to coincide with a lecture tour by the type foundry’s co-founder Paul Barnes, we’ve partnered with Fraser Muggeridge again to launch a ‘meta’ campaign on the streets of Glasgow, Dundee and Edinburgh, using graphic imagery from their 2020 campaign to spotlight posters… on posters. 

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Created by artist and filmmaker Pieter van der Houwen in collaboration with photographer Lachlan Young, and supported by Creative Scotland, Unesco and Refuweegee, What We Carried With Us is a project that humanises the transnational experiences of migrants whilst preserving their anonymity. The objects are photographed almost clinically on a stark white background, accompanied by personal narratives in English and the migrants’ native tongues. We partnered on the project to create a street gallery on our poster site in Glasgow’s bustling east end, sparking crucial dialogues on the impact of migration and what it means to leave your life behind. 

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Celebrating the exhibition’s opening, we worked with the gallery on a street poster campaign that spotlighted Regina de Miguel’s delicate but colourful watercolour Abrazo Simbionte on the streets of Edinburgh. Inspired by the theories of biologist Lynn Margulis, the work explores ‘the interrelatedness of all organic and nonorganic matter’ in our world and was sure to encourage passers-by to find out more. 

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The Scotland Women’s National Team, made up of key players such as captain Rachel Corsie, midfield powerhouse Lisa Evans and hometown hero Lauren Davidson, have grown in strength over the last few years, inspiring thousands of women and girls all over the country to watch and play, and proving football is for everyone.  

Working with Glasgow-based agency Think Alt and the Scottish Football Association, we brought news of the SWNT’s home fixtures to the streets with a poster campaign featuring striker Claire Emslie and a large-scale hand-painted mural by illustrator (and previous Your Space Or Mine artist) Mollie Hankinson. Mollie’s work creates ‘bold and subtly detailed, inclusive celebrations of feminine vitality,’ perfectly suited to the brief of creating a powerful tribute to the national team at Eglinton Street. Speaking about her involvement in the project, Mollie said: 

“I was really excited to be given the opportunity to represent Scotland’s national women’s team as any push for further and more sustained visibility for women and other marginalised genders in sports is always needed. There is still a long way to go in terms of equality in sports, but to be able to champion the team who are paving the way for increased coverage, funding and visibility in Scotland has been a real honour. I’m looking forward to going to see them play at Hampden in December!” 

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The school’s annual postgraduate Degree Shows feature a wealth of new and ground-breaking work from students across its five schools, ranging from fine art to sculpture, product design to silversmithing, interior design to architecture, and everything in between. Utilising a wide range of both physical and digital media, this year’s student-made works addressed crucial issues including climate change and sustainability, gender identity and post-colonial discourse, and were displayed across the university’s buildings as part of a packed two-week exhibition programme. 

Working with us to bring the 2023 shows to the streets of the city, the GSA’s multi-format poster campaign spotlighting atmospheric black and white photography from students Mingzhuo Zheng and Jieyu Deng, coupled with block pastel colours on our larger takeover sites and a dazzling gold foil treatment on our Osborne Street billboard. 

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Packing a punch in four juicy new flavours, PWR-BRU contains a drop of IRN-BRU’s iconic ‘secret essence’ as well as caffeine, taurine and B-vitamins and is ‘made for those with an unquenchable thirst for greatness’. 

Targeting thirsty Glasgweigans on their morning commute, we worked with Barr to create a ‘drinkable billboard’ at the city’s famous Barrowland. Housing 444 cans, our ‘tease and reveal’ billboard gave passers-by a chance to try PWR-BRU before it hit the shelves, revealing a vivid new poster campaign underneath.  

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We worked with Edinburgh Art Festival to bring their minimal and painterly 2023 campaign to life: our multi-format posters brightened the streets of Edinburgh, Glasgow and Dundee in the lead-up to the festival beginning.

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As part of BUILDHOLLYWOOD’s Your Space Or Mine series, Ioannou’s cinematic style painted the streets of Edinburgh with an otherworldly brush, celebrating carefully curated moments with the community she loves. Showcased across Edinburgh’s historical streets, including Leith Walk, the billboards featured epic scenes from Ioannou’s mind that live beyond realism, evoking a fun narrative.

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While depictions of women and femininity have evolved over the centuries, this has remained a constant. Thinking about how desirability and attractiveness can be equated with success or ‘achievement’, clothing has often been used to reinforce these ideals – but it can also, as Worrall notes, ‘challenge or liberate our sense of self and assertion of our identity. The question we need to ask ourselves then is: am I really wearing what I want, or what somebody else wants?’

We partnered with Jessica Worrall to install The Shaping of Beauty on our sites in Glasgow, Edinburgh, and Dundee, taking her message onto the streets of each city. Working alongside collage workshops with school students, the project seeks to truly engage with those who witness it.

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To celebrate the 2022/23 course participants, we supported them by bringing their work to the streets – alongside the XXIII exhibition at Stills’ Edinburgh gallery space. Showcasing a selection of the imagery on show, we brought Stills’ colourful street poster campaign to our sites right across the city. 

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In the current climate, it’s not easy to sustain an independent space. The cost-of-living crisis has already caused plenty of DIY ventures to close or take undefined hiatuses – but Bonjour is determined to keep being the invaluable space that it is. In order to spotlight everything Bonjour has to offer and celebrate the publication of its limited-edition newspaper, we worked with Tom Joyes to share their fundraising project concept – ‘Yes, I can see the stars’ – across Glasgow’s streets.

Storying the communal experience of Bonjour through a gorgeous ’90s-inspired shoot that brought together many of its communities’ talents, the models, hair, make-up, photography, and styling transport the essence of the space to printed paper. Cosmic, blissfully hazy, and blending the future and the past – ‘Yes, I can see the stars’ evokes awe, excitement, confidence, and defiance. Showcased on our street poster sites across the city, the city became Bonjour’s own – just as it should be.

You can read more about our partnership with Bonjour here.

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To bring the informative exhibition – that looked at the history and future of the material – to Dundee’s streets, we worked with Talon on a colourful street poster campaign that told its story through understated imagery. 

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To spread word of the event, we partnered up with Glasgow Print Fair for a city-wide poster campaign, sharing a sneak peek of the vibrance and creativity set to occupy its day at The Lighthouse. Taking over street poster and drum sites in Glasgow with works by a variety of the artists exhibiting, it paid tribute to the efforts of co-organisers Maraid Design and Paved With Gold in the best way possible – through print. 

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To showcase Hock-Aun Teh’s truly beautiful body of work, a curated collection of pieces was selected for display at the Glasgow School of Art’s Reid Gallery – titled ‘Expanding Traditions’. We teamed up with the GSA to spotlight its exhibition with a street poster campaign across the city, optimising on our 8-sheet formats to provide a sneak peek at the featured pieces. 

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Across a multitude of poster formats, including full-length portrait takeovers of our street-site drums, the campaign brought together all that has made Vivienne Westwood iconic for so long – a bit of punk, a bit of a DIY vibe, continually fresh approaches to design, and a sprinkling of classic techniques and tailoring for good measure.

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With street poster campaigns for Edinburgh International Festival, Edinburgh Art Festival, the Talbot Rice Gallery, the National Theatre of Scotland, Edinburgh Printmakers, Edinburgh International Film Festival, and many more, the displays reached from Edinburgh’s west to the coast, from Murrayfield to Leith, proving its position at the forefront of both the UK’s and international arts and culture scenes.

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To celebrate the exhibition’s opening, we worked with the University of Edinburgh on a striking street poster campaign covering both the Scottish capital and Glasgow – with Condorelli’s 2019 piece, ‘Zanzibar’ providing the vibrant, blotchy, and pigmented headline imagery to turn heads.

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The result is a patchwork of colourful murals by local and international artists, offering art that everyone can enjoy. The project invites locals and visitors to enjoy art, architecture, and Glasgow itself. Gary Mackay, the Studio Director of SWG3, said, “Public art can create opportunity, dialogue and space for sharing stories and we hope to strengthen and deepen connections in the next phase of development.” As part of the project, we offered up some of our sites across Glasgow – for interactive and live-painted works that celebrated the environments and communities around them. 

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To platform their point of difference, we worked with Republic of Media to translate the message onto the street. Creating giant, vibrant, excellently placed murals throughout Glasgow, Edinburgh and London, the campaign made a huge impact both on the street and online. Working with their trademark colours and purposeful copy, it perfectly distilled (sorry) Bruichladdich’s personality in the heart of each city.

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To ring in this year’s forthcoming spectacle, we worked with Posterscope to take over Edinburgh and Glasgow’s streets with the festival’s celebratory vibrancy. Noting its ability to bring cultures together, the campaign washed the city with colour to officially signal the launch of this year’s festival activities. From Haymarket and North Bridge to Southside, it hinted at the great things to come during the approaching summer.

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The latest takeover, in partnership with photographer and multi-disciplinary artist Martin Gray, sees city native Willie Sutherland paying tribute to a late and great influence in the year that would’ve marked his centenary – George Wyllie – an artist known for both his humour and humanity.

Spread across six illuminated photographs, the 2D diorama brings Sutherland’s work, which tends to consist of physical sculptures, out of a gallery context and seamlessly into the public realm. The new works were created specifically for our bespoke illuminated gallery and contemplate the idea of the shared urban environment.

With a great deal of influence and commonality between George Wyllie and Willie Sutherland’s work, Sutherland has been involved with an ongoing series of collaborations with the George Wyllie Estate. A new group exhibition titled Christmas Day Down A Goldmine: A New Seam, reimagines, in 3D form, a 1984 seasonal sculptural exhibition in its entirety, using selected items on loan from the Wyllie family, new pieces by Sutherland and contributions by select invited artists inspired by items from the previous show.

Uniting works by both of the artists on the streets of their beloved Glasgow, we’ve been spotlighting posters promoting Christmas Day Down A Goldmine on our sites across the city – running alongside the bespoke West Graham Street installation.

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With Talon, we worked with the Scottish Government to broadcast their commitments to Edinburgh and Glasgow, projecting Net Zero promises onto each city, and making their eco-themed campaign a reality. This included environmentally conscious artwork for creative billboards – with foliage and natural-looking materials – to soften the city’s streets with a touch of nature.

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Navigating difficult health diagnoses hasn’t stopped Billy’s spirit, so follows the release of his autobiography – Windswept & Interesting. We worked with John Murray Press to bring Billy’s tales to Edinburgh and Glasgow, borrowing the vibrant pink from the book’s cover artwork to guarantee turning heads. With a creative billboard at our iconic Barrowlands site, a takeover at Edinburgh’s North Bridge, and sample hand-out events to tease the book’s content, it brought Billy’s story onto the streets in spectacular style.

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Books Are My Bag play a central role in the yearly celebrations – so we teamed up with them to bring this year’s Bookshop Day to the streets of Edinburgh. Working on a number of creative street posters (filled with lovely 3D butterflies) alongside drum takeovers and vinyl displays, it showcased beautiful artwork created for the day by Dapo Adeola, also known as dapsdraws – throwing the spotlight onto the city’s bookshops in a wonderful way.

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The billboard started to stoke hype in the city before the tournament began, with pre-competition messages getting fans geared up. Then reacting to the highs (and lows) of each result, every tailored message mirrored the iconic Tennent’s Lager branding, with a familiar golden-orange backdrop.

We also took the project on an away day, projecting ‘McGINN TAE THEM’ onto London landmarks. The cheeky stunt ahead of the England v Scotland game was designed to fire up both home and away fans.

As Scotland’s story unfolded, fans were encouraged to visit the Glasgow billboard, as it continued to form the street-level backdrop to the nation’s EURO journey. It went down a storm on social media, receiving thousands of likes on Tennent’s Instagram and Twitter accounts, being spotted and posted by hordes of fans, as well as featuring in a number of press articles.

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The huge biennial festival was originally due to take place in April and May 2020, and like many arts and culture events, postponed due to the pandemic.

The festival’s 2021 return was adapted to our times, with a dual in-person and online programme celebrating contemporary visual art. Work by over 100 artists was showcased in 70 exhibitions, events, performances and talks, spread around 30 spaces in the city, as well as being available online. The theme for 2021 was ‘Attention’ – encouraging people to pause and reflect upon how we observe the world, and the place of art in it – a fitting premise for the year.

We supported the festival on the streets of Glasgow by bringing a characteristically cool, colourful and contemporary poster campaign to sites across the city.

Alongside the campaign, we also hosted part of the festival’s programme with a display of Sam Durant’s work with The Common Guild – Iconoclasm featured drawings of destruction being inflicted upon monuments and public statues. As part of the festival, the poignant series was brought to urban spaces like those that inspired it, putting art in the heart of the city.

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Scotland Street has been taken over by the talented graduating students from City of Glasgow College, with selected works in poster format from the three degrees within the Creative Industries Faculty:  Photography, Contemporary Art Practice and Design Practice. The display also includes work from the College’s first ever graduating cohort from the Design Practice Degree.

The students have battled through a tough year with online learning, isolation, lack of access to studios and tutors to create impressive final projects – we are pleased to be able to provide a platform to showcase their hard work on.

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We partnered with Martin Gray to bring the portrait series to Scottish streets with city-wide poster displays in Edinburgh and Glasgow. The series combines monochrome portraits with block shapes in bold primary colours that symbolise the contrasting experiences many have had over the course of the pandemic. The portraits were generally taken during busy working days, capturing fleeting moments that will be an invaluable, representative record of this time. When displayed alongside one another, the portraits merge, and the brightly coloured shapes dance around in symbiotic patterns. Gray intends for this to represent people’s interconnectedness, and the way that many individuals’ efforts have merged in order to see us through.

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Laying bare the ruthlessness of poverty, the limits of love, and the hollowness of pride, Shuggie Bain is the book everyone’s been talking about. We mark the anticipated release of the novel in paperback and bring Shuggie’s story back to the streets of Glasgow, where the powerful novel is set.  The vibrant campaign for Picador Books includes a series of site-specific artworks including our iconic Barrowloads 48 sheet and Sauchiehall Street takeover.

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In ‘Lockdown A Self Portrait’ – the first of nine photographs on poster sites throughout Glasgow and Edinburgh: the latest iteration of BUILDHOLLYWOOD’s Your Space Or Mine artists’ street display project – we see five images of Nadeau variously posed in the same small corner of a cluttered room.

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In personal and commissioned works – ranging from vivid, characterful portraits to murals and illustrative design for clubs, music venues, events and campaigns – the artist Molly Hankinson produces bold and subtly detailed, inclusive celebrations of feminine vitality.

The lush digital painting titled ‘Glasgow Tenement’ features a young woman seated at a tall, open sash window. She’s perched with one leg folded over the other, smoking a cigarette. It’s the colours as much as the composition that hint at this everyday solace being never-the-less a special time. Rich mustard walls, dark greens and purples, dusky blue sky outside and languorous plant life around her all suggest a moment of quiet calm. We sense the tranquil atmosphere and connect to a figure lost in her own thoughts.

Other portraits are brasher, equally enthralling but sometimes almost formidable. In the work titled ‘Jaconelli’s’ – the Scottish/Italian café famous for its fry-ups and ice cream – a womxn sits casually on the back of her booth seat, munching a chip and looking directly at the viewer as if to say, ‘This is me, taking up my space, get used to it!’ Again, striking hues compliment Hankinson’s unerringly bold design. The use of pattern and block colour conjures thoughts of Patrick Caulfield but spying the row of sweet jars in the background there’s wit and sense of place too. Anyone for a quarter of Soor Plums?

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Baillie is a graphic designer based in Edinburgh who currently works with cultural organisations like V&A Dundee, Glasgow Short Film Festival and Dundee Contemporary Arts. For the collaboration, he has created a bold, blue poster with bright yellow, green and pink block lettering reading “Ordinary People Doing Extraordinary Things”. With a backdrop of images like cash registers, nurse’s uniforms and parcels, it highlights the necessary role that people from delivery workers to NHS staff to retail workers have played throughout the last few months. Plus, hopefully, it’ll help us to realise that their role is not yet over, even if we are allowed to go to the shops.

“Ordinary People Doing Extraordinary Things” is a fitting phrase to honour the way in which we have all worked towards safeguarding each other during the pandemic,” says Baillie of his design. As well as the visual references to key jobs, there are some more hidden nods to the various roles ordinary people have played: “The stitching line in the top-right corner of the design is a nod to the individuals and organisations who have given their time and resources to make scrubs and PPE, as well as the wider story of people all over the country who have been doing what they can to help, whether it be through volunteering or simply doing their very best to follow guidance and keep themselves and others safe.”

Even the colourful lettering designed and created by Baillie holds a deeper meaning and message: “The design also features bespoke type, with each letter built-up using geometric blocks, again alluding to the idea of people from different walks of life coming together.” We’ve had to all work together in recent months, helping out neighbours and friends with everyday tasks and keeping each other safe.

Baillie hopes that when ordinary people see the poster out in the streets (especially now they’re allowed out more regularly) it’ll “help to brighten up their day”. He wants to reinforce that everyone’s experience has been unique: “I imagine they’ll have their own examples of what the title “Ordinary People Doing Extraordinary Things’ means to them.” While things are easing up, the fight for many ordinary people is not over, the BUILDHOLLYWOOD family will continue to use their street space to honour them and to offer bright messages of hope to the community.

martinbaillie.com

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All Social Recluse’s poster designs feature strong graphic linear representations set against subtle single colour backgrounds. In ‘Don’t You Forget About Me’ the famous equestrian statue of the Duke of Wellington has, of course, somewhat incongruous headgear. The ritual of crowning the Duke with a traffic cone epitomises Glaswegian’s anti-authoritarian spirit and irrepressible humour. The lyric derives from the 1985’ Simple Minds’ hit and is one of the most popular songs to come out of the city. “I wanted to get into people’s heads and talk to them,” the designer said.

The haunting refrain of ‘Oh Let Me Tell You That I Love You… That I Think About You All The Time’ from the song Caledonia is aptly paired with the silhouettes of famous Glasgow music venues. The sense of longing for home and family is palpable and reminds us how much we’re missing the sounds and companionship of attending gigs, concerts and communal singalongs.

Another famous Glasgow venue, the Barrowland Ballroom, sits beneath Jerry Rafferty and Joe Egan’s ‘Stuck In The Middle With You’. It’s a lyric that sums up the occasional despair of being cooped up inside with people we love but from time to time may feel we’ve seen quite enough. Obviously for Quentin Tarantino film fans it conjures up an altogether more disturbing instance of lockdown but maybe we’ll draw a veil over that one. Real life is shocking enough.

instagram.com/socialrecluse/

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Highly Commended entries
01 Chris le Fevre: Graphic Design BA (Hons), alumnus, 2017
02 Chloe Caulfield: 4th year BA (Hons) Photography
03 India Pearce: Illustration BA (Hons), alumna, 2017
04 Sophia Pauley: 4th year BA (Hons) Painting

This was an extension of Jack Arts’ previous work with the Edinburgh College of Art promoting their annual degree shows and fashion shows on drums around the centre of Edinburgh.

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Jack Arts Scotland was excited to worked directly with the festival again this year to heighten its profile across the city, with a high impact drum and poster campaign.

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For the first time, we have the pleasure of offering unique access to the entire span of the high-traffic North Bridge, a familiar and much-loved focal point in the city centre of Edinburgh.

We have special license to offer the exciting new site exclusively to arts and culture clients. The site is interspersed with dedicated arts space, including the current ‘Sideways Glace’ photography display from Martin Gray – ensuring a consistent creative message and mix of content to reach likeminded audiences.  The site is formed of large-format high-quality vinyl, ensuring a sleek, professional finish that will make any artwork pop.

North Bridge is a key historic location, used by over 13,000* vehicles per day, including over 1,500 buses. It passes over Waverly Station and is a busy pedestrian route connecting the old town to the new.   North Bridge is the perfect, high-impact location for arts and culture clients wanting to reach engaged audiences in the heart of the city.

*DofT figures 2018

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We are delighted to form a part of the proceedings and showcase works from three exciting contemporary artists on our sites across Edinburgh – forming a street gallery for this years’ alternative festival offerings.

Ruth Ewan, who revisits her Sympathetic Magick (2018) project with an online presentation of her short film, Worker’s Song Storydeck, and a special poster series devised with magician Ian Saville. Artist and activist Ellie Harrison presents an up-to-date version of her graph showing the tonnes of carbon produced by the personal transportation of a ‘professional artist’ and Tam Joseph re-presents The hand made map of the world, Transforming and subverting the ‘World Political Map’, renaming familiar landmasses (America becomes China; United Kingdom becomes Cuba) to lay bare the destructive quest for territorial control which has dominated geopolitics over the centuries.

Find out more about the full programme: https://www.edinburghartfestival.com/

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The bold poster sites are designed to be seen and designed to be read. Go Radio teamed up with Your Space or Mine artist Social Recluse, initially inspired by an original Trainspotting book jacket, Social Recluse said of the design ‘It worked for the music and it worked for the football and then it worked for the radio and it’s presenters… I wanted to get in people’s heads with this campaign and have them reading the posters while sitting at traffic lights.’ GO LISTEN.

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The striking poster graphics are now synonymous with the festival, having been used for the last three years with alternative colours. We were excited to be able to promote the EIFF once again, as the memorable creative made a splash on our poster sites and drums across the centre of Edinburgh.

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This year marks the 150th anniversary of his birth and events are being held throughout the year and across the city to mark the occasion. Glasgow Life has been working with Jack Arts Scotland to raise awareness of the anniversary and has booked space across all the drums and poster sites in the city to have its classy, simple Mackintosh 150 posters on show all year.

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Five showcase sites are available to experienced graffiti artists who submit their ideas to secure the space for a month. We have also produced an accessible site for the street art community, as well as working with local schools to turn children’s drawings of Meadowbank’s history into artist collages that we printed and installed. The children were then invited down to see their work on a large scale in the heart of their city.

Artists who have so far created work at Meadowbank include Trepo Parker from Mexico, DLA1 from Inverness, Baby/Pure from Edinburgh, and Fabrik/Mover & Shona Hardie also from Edinburgh.

Mark and the team at Spectrum Arts have been involved in a number of interesting Graffiti projects in Edinburgh and elsewhere in Scotland and we are delighted to be working with them to bring this site to life.

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In 2018 the fourth fair moved to a new home at Kelvingrove Art Gallery and Museum, and GCAF came to Jack Arts Scotland looking for a West End presence. We were excited to work with them directly on a high impact poster and drum campaign across targeted sites to raise awareness around the fair and their new venue.

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