JACK ARTS Scotland worked with Glasgow Short Film Festival to bring their collage-inspired campaign out onto our poster sites across Glasgow – countering the last of winter’s dreich weather with some pops of bold colour.

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Surrounded by books in Foyles on Charing Cross Road, this unique module of Ryland Grace’s spaceship has a window for readers and shoppers to peer through as well as a hatch to enter the “spaceship”. Once inside, explorers will find a big lightbox wall and a control panel in front of the chair; and when the intercom button is pressed, a message from Rocky is patched through.

JACK ARTS and our Creative Studio worked closely with Foyles and Sony Pictures to ensure this intergalactic installation was big and interactive enough for dreams of being an astronaut, photo moments, and the curious minds among us. Here is how JACK ARTS’ sketch became a reality…

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Building on the momentum, the activation continued at Kelvingrove Art Gallery and Museum, where a complimentary coffee van served free hot drinks to commuters and passers-by throughout the day. The cart was a recreation of the one featured in Dinosaur, bringing the Glasgow-based storytelling from the series to life. By combining these two culturally resonant moments, the Made of Glasgow campaign celebrated the city’s creativity while engaging Glaswegians in a warm and memorable way.

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To fuel the frenzy, JACK worked with WPP to crank up the heat with a Nationwide, multi-format poster campaign that featured the iconic duo. In London and Manchester, accompanying the artwork were romance-drenched tearaways, that doubled as cards, tempting passerby to give the perfect gift this Valentines Day: the experience of watching Fennel’s visual feast on the big screen. Lines like “Drive Me Mad” and “Whatever Our Souls Are Made Of, His And Mine Are The Same” were wrapped up to survive the February rain and handed out alongside branded Kleenex for the inevitable emotional fallout.

With the downpour only deepening the drama – the streets emulated Yorkshire’s wild, misty moors against the urban backdrop. Captured by our social team, the activation was shared by Warner Bros’ UK’s official TikTok and Instagram account, reaching over a million followers and stoking excitement for this highly anticipated love story.

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To mark their arrival to the morning airwaves, presenting duo Ewen Cameron and Cat Harvey were tasked with spreading the word across Scotland – which included pasting themselves onto one of our 10 in-a-row sites in Glasgow’s Southside, alongside commandeering a supermarket loudspeaker, and scaling a hillside with giant letters.

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In Manchester and London, “infinity mirror” posters with LED-lit lenticulars gave the mask a haunting 3D glow – an illusion that stopped even the bravest passersby in their tracks. As night fell, a single poster would light up, turning ordinary corners into spooked-out streets.

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With the first installment of the series bewitching our screens in August, viewers won’t have to wait long for part two – it arrives in September, keeping fans dead-excited for what’s to come. 

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The buzz surrounding the creative billboard quickly propelled The Diamond Heist to the top of Netflix’s trending list, landing it in the coveted #1 spot.

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JACK ARTS Scotland helped bring their colourful 80s-style posters featuring bold shapes and light beams (and the iconic Tunnock’s Teacake) onto 16-sheets across Glasgow.

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JACK ARTS brought this captivating new film to life across locations in Manchester, Glasgow, and London, teasing stills from the film’s stunning imagery with deep blue tones, leaving us eager to experience the film in full motion.

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To celebrate and welcome the return of season two to screens across the UK, our film and TV specialist JACK worked alongside Talon Outdoor. Across multiple sites in London, we delivered a series of guerilla-esque billboards, featuring flyposters of the series artwork and a graffiti tag underneath reading ‘ANARCHY IS BACK’ – capturing the show’s rebellious spirit.

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On a wintery night in London, JACK and Kinetic delivered a pop-up to the streets of Shoreditch, that celebrated the film’s release to cinema and invited passersby to ‘succumb to the darkness’. Inside the walls of 1 Quaker Street’s Sandbox, was a custom-built box office. Custom merchandise and cinema tickets were handed out to those brave enough to enter, including a poster signed by the film’s star-studded cast. Towering hauntingly over the space was a creative billboard of a frame from the film which came to life at night through UV lights, etching the scene into the subconscious of those wandering passed.

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Not surprisingly, real-life Trump was irked by the depiction, taking to social media in a frothing rage and sending an unsuccessful cease-and-desist from his lawyers to the producers. Born out of this rage was a quote from Steven Cheung, Trump’s campaign communications director, which was recently plastered on billboard sites throughout London, to promote the film’s release – courtesy of JACK of Talon.

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To bring the long-awaited sequel to the streets of Birmingham, Edinburgh, Glasgow, London and Manchester, JACK worked with Kinetic. Echoing Beetlejuice’s iconic black and white suit, the campaign creative puts the cast, both new and old, on display across our takeover sites – injecting some much needed weirdness into our cities.

“It’s showtime.”

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From the ground floor up, the flower-filled campaign spares no detail; an engaging window display on Charing Cross Road welcomes you in, guiding you through the store with custom installations, including flower cart book stand dressed with potted plants.   Directional signage guides you towards the cover-inspired vinyl branding on the elevator doors (and custom lift decal) leading you to the 5^th level and the verdant installation that awaits.

From original sketches and digital 3D renders to onsite installation, our Creative Studio have nurtured the campaign from seed, taking influence from exclusive stills from the film to craft an immersive floral installation across the entire floor. From colour pallet matching to ensuring the fresh florals selected were accurate, the shop is a true film replica and opens onto the bookshop floor as if it were always there – an immersive, fragrant set that includes space to sit and read, and framed led-screen to animate the space and connect the installation to the cinematic release.

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JACK ARTS worked with SCENE and Manchester City Council to shout about this new celebration of queer culture at sites across the city – from our striking portrait 16 sheet format to our colossal 48 sheet billboards.

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To welcome the film to the street, JACK worked with St Marks Studios on an eery takeover of London, Manchester and Brighton. Featuring film-still portraits of the actors with their own faces superimposed and scaled up, the result was an incongruous campaign that leaned into the discomfort and the surreal bizzaro-logic of the film itself.

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We teamed up with DocFest again this year to bring the energy of this major annual festival to the streets of Sheffield, transforming sites across the city with a trippy repeated poster design in bright pinks and purples, sure to catch the eyes of residents and visitors alike.

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Seeking to target young, tech-savvy creators and generate preference for the platform in the context of an ever growing market, YouTube enlisted the help of DIABOLICAL and Wonderhood Studios. Together, they crafted a campaign to encourage content creators to make the most of Youtube’s long and short form capabilities, postering snappy creative in the heart of their neighborhoods.  

In the end, the message is clear: Make what you love, and YouTube will take care of the rest.  

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We went deservingly large for this legendary tale, with a series of creative builds on our Westminster Bridge and Shepherd’s Bush sites. Working with Energy, the builds feature Lord Toranaga on horseback, extending beyond the frame of the billboards – asserting his authority within the show and doing justice to the mesmering television that Shōgun is. 

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With Kinetic, we created a larger-than-life creative billboard for a larger-than-life musical icon on our Quaker Street site, with an accompanying takeover of our posters below. Championing the Rastafarian colours of red, gold and green the billboard sings out over the heart of Shoreditch and truly shines at nighttime. 

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To launch the highly anticipated second instalment of Elliot’s story, which premiered on New Years Day, we worked with Talon Outdoor to create an intriguing campaign using our billboard sites in Manchester and Birmingham, sure to stop passers-by in their tracks. Linking into the first series, we created mock missing posters which were then fly posted on top of our billboards, overlapping and spilling off the frames as if Helen’s character had pasted them herself. 

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JACK worked alongside Channel 4 and Talon, to bring the campaign to the streets of Manchester, Birmingham and London. With artwork reminiscent of 90s rave flyers, featuring psychedelic colours and icons, the campaign makes Partygate out to be the illegal house party that it was.  

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We teamed up with StudioCanal, to bring the beautiful story (and those just as beautiful reviews) to the streets of Manchester, Glasgow, London, Birmingham and Bristol, ramping up the excitement for the film’s release. 

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As the campaign was centred around direct fan engagement, we attached comic-inspired clings to its street poster takeovers so that people could easily peel off and keep illustrations specially created for the show. On sites in the busiest spots that London, Birmingham and Manchester have to offer, it proved that Black Mirror was well and truly back with a bang. 

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Working with us, DocFest’s eye-catching poster campaign brought the festival to the streets in the lead up to their 2023 event, sparking curiosity all over the city. 

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Working with SKY, we brought the show to the fields of Parklife across a series of sizes and formats. Featuring a sunlit photo of The Weekend and Lily Rose-Depp with Los Angeles palms behind, the campaign provided the perfect backdrop to capture those everlasting memories of summer. 

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We created a blockbuster launch for the novel at Waterstones Piccadilly with Penguin Random House. Celebrating the wonder of classic cinema, a hand-painted vintage box office was placed at the store’s entrance, with two cinema ushers handing out popcorn to customers on their way in. Our installation was paired with a creative billboard at Finsbury Park covered in gold foiled cinema tickers, which passers-by could tear off and exchange in-store for a free copy of the book. 

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To celebrate the smash hit show in Bristol and London, we worked with Kinetic on two huge creative billboards to crack audiences in each city. Attaching 3D mounts in the style of shattering glass to each site, the campaign made the most of our mega-sized formats to create massive impact on the street-side. 

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To make an impact in London for the collection launch, we worked with Loewe on a mural on Shoreditch’s Great Eastern Street – showcasing Howl’s moving castle itself in the story’s dream-like landscape. Appearing across Loewe’s TikTok and Twitter accounts, the content received tens of thousands of likes, and over one million views.

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Celebrating the film’s release, we worked alongside Penguin’s Puffin Books and Sony Pictures UK to replicate favourite settings and scenes inside Waterstones Piccadilly, also filling one of its famous curved display windows. Involving bespoke prop-making, installation of lighting and tech, and design of the set-up to suit the spaces as we know them, we transformed the vision into a site-specific experience that made an impact in-person and online – appearing in posts on Waterstones’, Sony Pictures’, Roald Dahl, and Puffin Books’ Instagram accounts, as well as on Waterstones’ TikTok – receiving thousands of likes and views in the process.  

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With street poster campaigns for Edinburgh International Festival, Edinburgh Art Festival, the Talbot Rice Gallery, the National Theatre of Scotland, Edinburgh Printmakers, Edinburgh International Film Festival, and many more, the displays reached from Edinburgh’s west to the coast, from Murrayfield to Leith, proving its position at the forefront of both the UK’s and international arts and culture scenes.

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StoryTrails utilises augmented reality, modern technology, and BFI archive footage to retell local histories through immersive experiences. The Majothi family’s story is prime example, spotlighted during the exhibition’s stop-off at Bristol Central Library. Accompanying the mural, our street poster campaign with the project platformed Bristol’s heritage right in the heart of the city.

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As the show’s third series was ready to hit UKTV comedy channel Dave, we teamed up with Talon Outdoor to give it a launch best described in one word: big. Crafting a huge Big Zuu to sit on our Kentish Town 96 sheet, the creative billboard also featured fellow stars Tubsey and Hyder. Big Zuu himself was a fan – re-sharing it onto his Twitter account.

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We worked with Kinetic to bring Jeen-Yuhs to Birmingham, Bristol, London and Manchester, with mirrored creatives that asked the streets, “Who are you to call yourself a…?”, reflecting the documentary’s ability to provoke contemplation about the price of fame. Sitting next to warped portraits of its namesake figure, the campaign gave the film a distinctive profile on the streets of each city.

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To bring the Jackass franchise to the streets of London, we teamed up with Kinetic and Paramount to execute creative takeovers on our sites across London. Alongside billboards showcasing some of the compilation’s more street-friendly stunts, 4-sheets saw the cast leaping from one site to another out of cannons.

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To bring Licorice Pizza to life on the streets of London, Bristol and Manchester, we worked with MediaCom. With a campaign creative that echoed the film’s nostalgic feel through a graphic style reminiscent of warm-toned seventies’ illustrations, its colour and vibrance shone through to the street from our sites in the heart of each city.

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We worked with Kinetic to bring the joy of Robin Robin to life on the street, taking the campaign to London and Manchester, and going big in Aardman’s home city of Bristol. Tapping into the film’s connections to nature, the campaign was all about its namesake animal – with creative billboards in each city providing hundreds and hundreds of packets of bird feed for our ‘feathered friends’, ready for passers-by to take away and remember the film by.

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Considering its Revisionist slant, the film is still grounded in reality – with each character based upon storied cowboys, outlaws and lawmen from the American West in the nineteenth century – ultimately following Old Western hero Nat Love, as he seeks vengeance on a sworn enemy who’s recently been released from prison.

We teamed up with Kinetic to bring The Harder They Fall to London, with a mega-takeover of our Broadway Market site in Hackney. Its artwork had a vintage feel evoking the bygone era of the film’s setting, with the mysterious and impressive-looking leads at its centre hinting at the eminent histories the story unites – making for a truly striking campaign in heart of the city.

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We worked with Kinetic on a mega-campaign that travelled across Birmingham, Cardiff, London and Manchester, as well as TRNSMT, Parklife and Wireless festivals. Noting that Growth is a group project, the posters featured vintage-style artworks showcasing the stars of the show on the streets, accompanied by beautiful green and gold botanicals that nod to forthcoming change and progression.

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We teamed up with Hope&Glory PR to bring news of the premier to the streets of London, working on a show-stopping stunt to take over King’s Cross Station – that brought one of the quiz’s most famous rounds, the Identity Parade, to life right in the heart of the city. Pulling together legendary ‘90s boyband stars in the form of Another Level’s Dane Bowers, Boyzone’s Shane Lynch, Abz from 5ive, and Ben Ofoedu from Phats & Small, it whipped up a perfect storm of nostalgia, comedy and excitement – appearing in the Metro, and on Sky TV’s Instagram and Twitter accounts.

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We teamed up with MUBI to launch Limbo on city streets across the country. The poster artworks reflected the charm and idiosyncrasies of the film – through a befitting illustration and beautifully captured photography. Alongside the film’s title displayed in bright pink type, it brought the essence of the story to street-sides in Glasgow, Edinburgh, Bristol, Manchester and London.

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Throwing a spotlight onto the UK’s underground dance music scene, the street poster campaign’s creatives took inspiration from thirty years of club night flyers, pairing contemporary fonts with re-stylised acid house smileys and wildly vibrant blue skies. We worked with Rapport to launch the documentary across London, utilising our sites by many of the city’s most beloved nightlife spots.

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We worked with Kinetic to bring the slasher of the summer to our cities, taking the street poster campaign’s creepy and colourful creatives to sites in London, Bristol, Cardiff, Manchester and Sheffield. Giving a nod to retro gore with dripping text and a neon colour palette, the campaign went down a storm on Instagram.

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We brought Pinterest’s creativity to the streets with a poster campaign right across London. Based around the idea that Pinterest is the place where the unexpected finds you, it spotlighted the website’s breadth and depth of content with a colourful creative overflowing with ideas. Like Pinterest suggest, have a go – you just might surprise yourself.

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To celebrate the launch of The Irregulars, we teamed up with Kinetic on two very special builds in Shoreditch and Clapton. The builds play on the supernatural themes of the show with ghostly figures, glowing blue lighting, and the central characters looming in the foreground. The effect is a startling one, with an impressive amount of depth in such a small place. While it might be a little scary, it’s definitely best viewed at night!

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Mank, starring Gary Oldman, was released via Netflix in December. A black and white biographical film about the Citizen Kane screenwriter Herman J. Mankiewicz, Mank received glowing reviews from several outlets for its performances and Old Hollywood glamour.

To celebrate the launch of Mank on Netflix, we partnered with the streaming service to take over sites in London with a touch of that glamour. With black and white, glossy billboards featuring the celebrated leads accompanied by just a few of the five-star reviews praising the film, it was the perfect welcome.

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To launch the successful season, we partnered with Kinetic Worldwide for a huge-scale takeover of London. With glittering, high-impact royal portraits of the main cast of characters, we wanted to make a powerful statement and showcase the actors whose performances have been called “dazzling” and “riveting”, almost even outshining the show itself.

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To celebrate the launch, we teamed up with Netflix in sites across London with a variation of artworks, featured on poster and billboard takeovers featuring Kristin Scott Thomas as the legendarily terrifying Mrs Danvers. We’re most proud, however, of our special build in Old Street, a living billboard that brings the story to life.

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Film streaming service MUBI won the rights to distribute the film in the UK and we were excited to work with them again, creating a bespoke campaign for the launch. Eery 4 sheet posters hit the streets across London, Birmingham, Bristol, Manchester, Glasgow and Edinburgh. Meanwhile, in the heart of Shoreditch, the Great Bear Gallery was taken over by gory, hallucinatory splendour as our blood-red mural was created to watch over the streets.

See how it all came together in the video below.

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Jack Arts Scotland was excited to worked directly with the festival again this year to heighten its profile across the city, with a high impact drum and poster campaign.

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The weekend before the release we worked with Borkowski to create some intrigue about the film on the streets of London – and what better way than to leave Nureyev’s signature dance shoes in key locations around London. The ballet shoes were dropped in high footfall areas near dance schools, national ballet schools, on statues and sign posts, and carried the message “He’s back!” alongside the film’s social media handle. The result – a fun and timely promotional stunt for this new biopic which was even featured in the Evening Standard.

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The second season has already been well-reviewed, and to help Netflix launch it, we ran a poster campaign across London, Manchester and Birmingham. The artwork echo the 60s setting of the season, with bright yellows and pinks set alongside hypnotic black and white circles and retro patterns. Featuring photos of the cast, it’s an eye-catching promotion for a unique show.

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We were excited to team up directly once again with Netflix on the out-of-home campaign. The poster creative was just as immersive as the show, not mentioning the online streaming service but instead featuring 80s video games which reference episodes from the Black Mirror anthology.

The poster campaign also ran a meta Tuckersoft job advert for budding computer game designers – much like the one that Stefan responds to in Bandersnatch. The 4 sheet posters popped up everywhere across the UK alongside eery 48 sheet billboards, and the original designs certainly got fans excited with many taking to their socials to shout about the work.

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From the greatest ever directors to the greatest new directors MUBI hand picks the best of world cinema for you, in their latest campaign MUBI showcase a curated selection of these films, with simple bold colours overlaying a tryptic of film stills. Mubi.com.

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To mark the launch of the show we worked directly with Netflix on a bespoke printed vinyl mural, taking over a huge space near the popular and ever trendy Broadway Market in Hackney. The mural was even printed with special spot colouring on the TVs to give the eery effect of looking at real screens –and created buzz on the street during the week of the global premiere.

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To coincide with the release, we worked with Rapport and Fox to promote the hunt for Spots. We left Atari’s ‘Find Spots’ lost puppy posters around London with a tearaway number encouraging the public to join the hunt. Passers-by could text the number provided to be entered into a competition draw to win prizes including goodie bags and a private screening of the film. The result: the campaign generated large scale awareness of the release in key London hotspots in a fun and original way.

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Boasting an early Rotten Tomatoes score of 100%, the film follows Avenger T’Challa as he returns home to the isolated, technologically advanced African nation of Wakanda to take his place as King. Director Ryan Coogler’s ambitious film stars Chadwick Boseman as Black Panther, supported by an incredible cast including Lupita Nyong’o, and Michael B. Jordan to name but a few.

We worked with Ambient Worldwide Ltd on a UK wide out-of-home poster campaign for the film. The artwork featured the star line-up, creating a buzz over one of the most anticipated films of the year.

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We teamed up with Netflix to promote the release with a series of cryptic and provocative posters. Each poster displayed a challenging statement from Black Mirror episodes, with everything from advanced AI to brain implants and chatbots. The posters ran across London in takeovers and large formats, both capturing the attention of the public and agitating them in equal measure.

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All activity was reinforced across social media channels under the #FindFrank hashtag. The campaign culminated in a nationwide authorized flyposting campaign, a process managed by Jack, from production to regional distribution.

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Using cutting edge technology (and three very large projectors) the Diabolical team worked closely with both the client and collaborators to create a 3D effect dynamic projection, putting on a one-night show which saw the 900 year old Rochester Castle come to life and appear to crumble to the ground, using the latest in animation techniques, accompanied by the renowned AC/DC song, Shoot to Thrill.

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The striking poster graphics are now synonymous with the festival, having been used for the last three years with alternative colours. We were excited to be able to promote the EIFF once again, as the memorable creative made a splash on our poster sites and drums across the centre of Edinburgh.

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Also running with the support of the government’s GREAT Britain campaign, the projections lit up the Tower with clips from the five chosen films, in a celebration of LGTBQ+ stories. Spreading the message that Love is a Human Right, the international filmmakers and public gathered at the Tower to experience the projection ahead of the launch of BFI Flare the following day.

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The photos were taken in 2003 when Winehouse was just 19 years old, by friend and London based photographer Charles Moriarty, just before the release of her debut Album, Frank. The beautifully nostalgic images capture the artist when she was young, happy and carefree. Projecting them around Camden not only created intrigue for those passing by, but it also attracted media attention from I.D, NME and other music titles.

The buildings and locations for the projections were chosen, based on their importance to Winehouse and her story, including The Hawley Arms, Jamestown Road, Camden Town Tube Station, Chalk Farm Road, Camden Lock and Inverness Street.

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